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#1
Posted to rec.woodworking
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Furniture restoration question
I got some chairs and a table. They need light sanding, a little stain here
and there, some shiny varnish, just a tune up. I do not want to restore them to original, just nice. How easy is it to get the stains to match? Should I go to the Borg, and get about four different shades, and then mix them in small quantities? When you do a touch up like that, does the new stain stick out a lot, making the repairs and sanded areas another shade? Are there pigments made to make your own in small quantities? I have a bunch of small air brush bottles that I can keep small amounts in, helping to waste less. Anyone guide me to a restoring furniture for dummies where I can get started? Steve |
#2
Posted to rec.woodworking
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Furniture restoration question
On Tue, 26 Feb 2013 17:08:14 -0700, Steve B wrote:
How easy is it to get the stains to match? Should I go to the Borg, and get about four different shades, and then mix them in small quantities? You'd have a lot better luck matching the color with dye than with stain. Go to Woodcraft or somewhere similar and get something like: http://www.woodcraft.com/search2/search.aspx? query=dye&BrandForDisplay=TransTint Either the powder or the liquid works, I like the liquid better because I can mix it with shellac. Mix it very weak and try it on a scrap of the same kind of wood or on a hidden part. Add a drop or two at a time to reach a match. -- When fascism comes to America, it will be wrapped in the flag and carrying a cross. |
#3
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Furniture restoration question
On Tuesday, February 26, 2013 6:57:29 PM UTC-6, Larry Blanchard wrote:
On Tue, 26 Feb 2013 17:08:14 -0700, Steve B wrote: How easy is it to get the stains to match? http://www.woodcraft.com/search2/search.aspx? query=dye&BrandForDisplay=TransTint Either the powder or the liquid works, I like the liquid better because I can mix it with shellac. I use liquid TransTint most often, also. I mix with lacquer thinner or denatured alcohol for stain touch ups. I tone my lacquer applications often, also, more so than shellac. Most of my touchups are on scratched or damaged furniture I'm reupholstering. If your staining doesn't quite match the original, then tone whatever topcoat you'll use, to help reduce the stain differences. Sonny |
#4
Posted to rec.woodworking
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Furniture restoration question
Having done a lot of refinishing of items for my clients (doors,
conference tables, more doors, trims, wood counters, chairs, etc.) I would say that the best thing you could do is go haunt your library to find the information you want. I have several books and have learned something from all of them. None are the magic bible I wanted as there are too many variables to count. Good thoughts from Sonny and Larry, no doubt. But each project is different as will be the reaction of the existing surfaces to your new stains, dyes, and top coats. Since I have to warrant my work, I always strip to bare wood when possible. OTOH, I have indeed mixed up my own stain brews to color scratches and gouges. You can still see them, but they aren't as offensive as they were. One thing I would suggest would be to think about what you are going to use as a topcoat. If it is a finish from a factory it is almost without doubt some kind of lacquer. I I would try to find the correct color I wanted, mix it with some lacquer and brush it onto the offending areas. (Test in a chair leg you can keep out of sight!) If I were going to top coat that, I would use a deglosser of some type after sanding and coloring to help ensure a good bond to the substrate. Robert |
#6
Posted to rec.woodworking
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Furniture restoration question
Steve B wrote:
I got some chairs and a table. They need light sanding, a little stain here and there, some shiny varnish, just a tune up. I do not want to restore them to original, just nice. How easy is it to get the stains to match? Should I go to the Borg, and get about four different shades, and then mix them in small quantities? When you do a touch up like that, does the new stain stick out a lot, making the repairs and sanded areas another shade? Are there pigments made to make your own in small quantities? I have a bunch of small air brush bottles that I can keep small amounts in, helping to waste less. Anyone guide me to a restoring furniture for dummies where I can get started? You can buy tubes of universal color tints at any good paint store, sometimes even at HD/Lowes. "Universal" refers to the fact that they can be used with any medium...oil, water, alcohol. You only need three to make any color. There are two sets of primary colors: additive and subtractive. The additive primary colors are red, green and blue; the subtractive are magenta, cyan and yellow. For what you want to do, you would want the subtractive primaries; heres a chart of same, look at the top three diagrams... http://www.google.com/search?q=prima...2&ved=0CFMQsAQ You won't find tints with the primary names, you have to eyeball them and get as close as you can to the primary colors on the chart. It is NOT easy to match what is already there. Even if you mix a color that is dead on, it will look different on the wood. It will look diferent on fresh wood vs old; it will look different wet vs dry; it will look different when top coated. It can be difficult to apply too. For example, there is a chip in the finish and you want to stain the exposed wood; wiping it on will tend to build up too much at the edge of the chip because the edge of the top coat is making a dam. For that sort of thing, use a very small, pointy artist's brush, keep it pretty dry and stipple the area. You can also stipple in different colors to match light/dark grain pattern if need be. You can also make your own stains by using tubes of artist's colors. You can get them in oil or acrylic and for small amounts it is much cheaper to buy and dilute those than buy cans of stain from the borg. I have also used water colors like those used by kids in primary school. Well thinned, multiple applications. -- dadiOH ____________________________ Winters getting colder? Tired of the rat race? Taxes out of hand? Maybe just ready for a change? Check it out... http://www.floridaloghouse.net |
#7
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Furniture restoration question
On Feb 27, 7:12*am, "Mike Marlow"
To minimize the show even further, consider blending the stain into the surrounding finish. *This is best accomplished with a spray gun, but could be done with a brush and judicious light sanding afterwards. *Get the damaged area fully stained, and extend the stain out into the surrounding areas - how far depends on how close your color match is. *Try something like 2 to 3 times the size of the repair area. *So - if your repair area is 2" wide, entend your stain out something like 4-6" into the factory finish, allowing it to be lighter as you extend. *If you are spraying, you can lift your gun as you blend, or turn your wrist once you get past the repair area which will result in a less direct spray, and a lighter coat, or applying lighter coats dusted on as you move outward from the repair area. *Remember that you have to do this in every direction. *Think in terms of a circle rather than straight lines. *Everything gets progressively lighter as you move from the center of the repair area in any direction. Mike, about three years ago I refinished a huge conference table. They decided to refinish the table as it was so large they couldn't get it out of the conference room, so they couldn't just replace it. It was stained to look like some kind of cherry, but it was Oak underneath. Not one bit of chance of repairing the scratched and damaged edges to match. (Seriously... "Federal Red" stain on white oak? Sheesh...) I sanded off all the edges to get down to the bottom of 90% of the scratches. Now we have almost bare wood on the perimeter and working towards the center of the table, nearly pristine finish. I shot the perimeters with a 50/50 mix of Solalux Mahogany Red and Walnut NGR UV resistant dye, thinned by about 50% out of my smallest gun with a 1mm tip on it. Feathered it out about 12" onto the top. Shot the rest of the table top with the Mahogany, thinned 75% and shot on as a mist. Now this is the trick, one I discovered by accident. The applied dyes look like dust as I have thinned them so much that they were almost powder by the time they hit the wood veneer. However, the very wet coat (hurray for horizontal surfaces!) of conversion lacquer I put on top of the "powder" immediately took on the color of the dye and melted into the lacquer. All of it adhered very well to the wood. Two more wet coats and I was done. Great depth of finish and the wood looked much better than the factory finish. By doing it this way, the whole table top blended into itself. No hill for a climber, eh? ;^) On reflection, if I was in Steve's shoes, I would prep the surfaces, spray dye, then spray finish. Robert |
#8
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Furniture restoration question
wrote:
Now this is the trick, one I discovered by accident. The applied dyes look like dust as I have thinned them so much that they were almost powder by the time they hit the wood veneer. However, the very wet coat (hurray for horizontal surfaces!) of conversion lacquer I put on top of the "powder" immediately took on the color of the dye and melted into the lacquer. All of it adhered very well to the wood. Two more wet coats and I was done. Great depth of finish and the wood looked much better than the factory finish. By doing it this way, the whole table top blended into itself. Yup - that's the way it works! I'm a fan of large blend areas, but that's because most of what I'm shooting will really show up mis-matches badly, so fooling the eye is very critical to success. You did well by blending out as far as you did. As for the wet coats - as God intended spray guns to be used! No hill for a climber, eh? ;^) On reflection, if I was in Steve's shoes, I would prep the surfaces, spray dye, then spray finish. Me too. -- -Mike- |
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