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Metalworking (rec.crafts.metalworking) Discuss various aspects of working with metal, such as machining, welding, metal joining, screwing, casting, hardening/tempering, blacksmithing/forging, spinning and hammer work, sheet metal work. |
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#1
Posted to rec.crafts.metalworking
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Ping Tom Gardner...
Canon camera stuff?
Gunner "At the core of liberalism is the spoiled child, miserable, as all spoiled children are, unsatisfied, demanding, ill-disciplined, despotic and useless. Liberalism is a philosophy of sniveling brats." PJ O'Rourke |
#2
Posted to rec.crafts.metalworking
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Ping Tom Gardner...
On 9/29/2014 8:30 PM, Gunner Asch wrote:
Canon camera stuff? Gunner A bunch of bodies, lenses, bellows, motor drive, filters...some as new in OEM canon boxes with original receipts! I also have a color enlarger. I will keep my 2-1/4 stuff for a little while yet unless it could sell reasonably. I only shoot to document stuff anymore and a digital will do. But nothing comes close to film for esthetics. |
#3
Posted to rec.crafts.metalworking
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Ping Tom Gardner...
On Thu, 02 Oct 2014 17:33:08 -0400, Tom Gardner
wrote: On 9/29/2014 8:30 PM, Gunner Asch wrote: Canon camera stuff? Gunner A bunch of bodies, lenses, bellows, motor drive, filters...some as new in OEM canon boxes with original receipts! I also have a color enlarger. I will keep my 2-1/4 stuff for a little while yet unless it could sell reasonably. If you have a 'Blad or a Maniya, you can get a Leaf digital back for it. The fancy one is $12,000, but you can get the cheapie for $7,000. g I only shoot to document stuff anymore and a digital will do. But nothing comes close to film for esthetics. |
#4
Posted to rec.crafts.metalworking
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Ping Tom Gardner...
On Thu, 02 Oct 2014 17:33:08 -0400, Tom Gardner
wrote: On 9/29/2014 8:30 PM, Gunner Asch wrote: Canon camera stuff? Gunner A bunch of bodies, lenses, bellows, motor drive, filters...some as new in OEM canon boxes with original receipts! I also have a color enlarger. I will keep my 2-1/4 stuff for a little while yet unless it could sell reasonably. I only shoot to document stuff anymore and a digital will do. But nothing comes close to film for esthetics. Got a price/list? Im of course interested. Depending on that pesky price of course. Gunner, back from HellA a day early. "But nothing comes close to film for esthetics" Absolutely correct. "At the core of liberalism is the spoiled child, miserable, as all spoiled children are, unsatisfied, demanding, ill-disciplined, despotic and useless. Liberalism is a philosophy of sniveling brats." PJ O'Rourke |
#5
Posted to rec.crafts.metalworking
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Ping Tom Gardner...
On 10/2/2014 6:33 PM, Ed Huntress wrote:
On Thu, 02 Oct 2014 17:33:08 -0400, Tom Gardner wrote: On 9/29/2014 8:30 PM, Gunner Asch wrote: Canon camera stuff? Gunner A bunch of bodies, lenses, bellows, motor drive, filters...some as new in OEM canon boxes with original receipts! I also have a color enlarger. I will keep my 2-1/4 stuff for a little while yet unless it could sell reasonably. If you have a 'Blad or a Maniya, you can get a Leaf digital back for it. The fancy one is $12,000, but you can get the cheapie for $7,000. g I only shoot to document stuff anymore and a digital will do. But nothing comes close to film for esthetics. I consider digital cameras as throw-away conveniences. The most I spent on one is $300 for a Fuji 5mp many years ago and I still like it a lot, it has a good lens. I keep one in each vehicle and one in each desk. I do shoot a half dozen rolls of 120 every year and keep one or two slides...maybe. |
#6
Posted to rec.crafts.metalworking
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Ping Tom Gardner...
On 10/3/2014 1:31 PM, Gunner Asch wrote:
On Thu, 02 Oct 2014 17:33:08 -0400, Tom Gardner wrote: On 9/29/2014 8:30 PM, Gunner Asch wrote: Canon camera stuff? Gunner A bunch of bodies, lenses, bellows, motor drive, filters...some as new in OEM canon boxes with original receipts! I also have a color enlarger. I will keep my 2-1/4 stuff for a little while yet unless it could sell reasonably. I only shoot to document stuff anymore and a digital will do. But nothing comes close to film for esthetics. Got a price/list? Im of course interested. Depending on that pesky price of course. Gunner, back from HellA a day early. "But nothing comes close to film for esthetics" Absolutely correct. "At the core of liberalism is the spoiled child, miserable, as all spoiled children are, unsatisfied, demanding, ill-disciplined, despotic and useless. Liberalism is a philosophy of sniveling brats." PJ O'Rourke I'll assemble a list. |
#7
Posted to rec.crafts.metalworking
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Ping Tom Gardner...
On Sat, 04 Oct 2014 06:01:18 -0400, Tom Gardner
wrote: On 10/3/2014 1:31 PM, Gunner Asch wrote: On Thu, 02 Oct 2014 17:33:08 -0400, Tom Gardner wrote: On 9/29/2014 8:30 PM, Gunner Asch wrote: Canon camera stuff? Gunner A bunch of bodies, lenses, bellows, motor drive, filters...some as new in OEM canon boxes with original receipts! I also have a color enlarger. I will keep my 2-1/4 stuff for a little while yet unless it could sell reasonably. I only shoot to document stuff anymore and a digital will do. But nothing comes close to film for esthetics. Got a price/list? Im of course interested. Depending on that pesky price of course. Gunner, back from HellA a day early. "But nothing comes close to film for esthetics" Absolutely correct. "At the core of liberalism is the spoiled child, miserable, as all spoiled children are, unsatisfied, demanding, ill-disciplined, despotic and useless. Liberalism is a philosophy of sniveling brats." PJ O'Rourke I'll assemble a list. Kewl!! Gunner "At the core of liberalism is the spoiled child, miserable, as all spoiled children are, unsatisfied, demanding, ill-disciplined, despotic and useless. Liberalism is a philosophy of sniveling brats." PJ O'Rourke |
#8
Posted to rec.crafts.metalworking
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Ping Tom Gardner...
On Sat, 04 Oct 2014 05:59:53 -0400, Tom Gardner
wrote: On 10/2/2014 6:33 PM, Ed Huntress wrote: On Thu, 02 Oct 2014 17:33:08 -0400, Tom Gardner wrote: On 9/29/2014 8:30 PM, Gunner Asch wrote: Canon camera stuff? Gunner A bunch of bodies, lenses, bellows, motor drive, filters...some as new in OEM canon boxes with original receipts! I also have a color enlarger. I will keep my 2-1/4 stuff for a little while yet unless it could sell reasonably. If you have a 'Blad or a Maniya, you can get a Leaf digital back for it. The fancy one is $12,000, but you can get the cheapie for $7,000. g I only shoot to document stuff anymore and a digital will do. But nothing comes close to film for esthetics. I consider digital cameras as throw-away conveniences. The most I spent on one is $300 for a Fuji 5mp many years ago and I still like it a lot, it has a good lens. I keep one in each vehicle and one in each desk. I do shoot a half dozen rolls of 120 every year and keep one or two slides...maybe. Yeah, well, for me, it's an essential part of my work. I resisted digital as long as I could. bur I took my wife's little Fuji FinePix on a business trip to Belgium last year, not wanting to lug bigger cameras and not knowing whether I'd find film there, and the results were at least as good as I'd get with my 35's. So I bought a Sony NEX-7 when I got home ($1,200), got a converter for my six Nikon lenses, and I haven't looked back since. -- Ed Huntress |
#9
Posted to rec.crafts.metalworking
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Ping Tom Gardner...
On Sat, 04 Oct 2014 10:37:58 -0400, Ed Huntress
wrote: On Sat, 04 Oct 2014 05:59:53 -0400, Tom Gardner wrote: On 10/2/2014 6:33 PM, Ed Huntress wrote: On Thu, 02 Oct 2014 17:33:08 -0400, Tom Gardner wrote: On 9/29/2014 8:30 PM, Gunner Asch wrote: Canon camera stuff? Gunner A bunch of bodies, lenses, bellows, motor drive, filters...some as new in OEM canon boxes with original receipts! I also have a color enlarger. I will keep my 2-1/4 stuff for a little while yet unless it could sell reasonably. If you have a 'Blad or a Maniya, you can get a Leaf digital back for it. The fancy one is $12,000, but you can get the cheapie for $7,000. g I only shoot to document stuff anymore and a digital will do. But nothing comes close to film for esthetics. I consider digital cameras as throw-away conveniences. The most I spent on one is $300 for a Fuji 5mp many years ago and I still like it a lot, it has a good lens. I keep one in each vehicle and one in each desk. I do shoot a half dozen rolls of 120 every year and keep one or two slides...maybe. Yeah, well, for me, it's an essential part of my work. I resisted digital as long as I could. bur I took my wife's little Fuji FinePix on a business trip to Belgium last year, not wanting to lug bigger cameras and not knowing whether I'd find film there, and the results were at least as good as I'd get with my 35's. So I bought a Sony NEX-7 when I got home ($1,200), got a converter for my six Nikon lenses, and I haven't looked back since. I have a Nikon camera (EM?) that I used to use a lot, both for personal and project photography - havent seen it for several years. Junior was working in a computer store when I expressed an interest in digital photography so he brought me home a camera which I found to be of no use - probably about 0.2mp resolution. Next effort was a 1.2 mp Kodak which made me quite happy. After the battery compartment door catch failed (elastic band solved that for several months) I recieved a Canon 3.2mp for Xmas. This camera proved quite satisfactory but yard sales/thrift shops have provided a couple of HP cameras, HP-M517 @ 5.2mp & HP-M425 @ 5.0mp for $3.00 & $1.95 respectively. Now I can feel free to snap at will and throw away (yeah right!) 90% of them. When grandaughters were here in August. I sent home a 8Gb thumb drive of holiday pix with them. When one of my aquarium residents developed a white spot, I took a picture, printed it and took it in for diagnosis. no end to uses for digital photography, I'm hooked! --- Gerry :-)} London,Canada |
#11
Posted to rec.crafts.metalworking
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Ping Tom Gardner...
On 10/4/2014 9:37 AM, Ed Huntress wrote:
On Sat, 04 Oct 2014 05:59:53 -0400, Tom Gardner wrote: On 10/2/2014 6:33 PM, Ed Huntress wrote: On Thu, 02 Oct 2014 17:33:08 -0400, Tom Gardner wrote: On 9/29/2014 8:30 PM, Gunner Asch wrote: Canon camera stuff? Gunner A bunch of bodies, lenses, bellows, motor drive, filters...some as new in OEM canon boxes with original receipts! I also have a color enlarger. I will keep my 2-1/4 stuff for a little while yet unless it could sell reasonably. If you have a 'Blad or a Maniya, you can get a Leaf digital back for it. The fancy one is $12,000, but you can get the cheapie for $7,000. g I only shoot to document stuff anymore and a digital will do. But nothing comes close to film for esthetics. I consider digital cameras as throw-away conveniences. The most I spent on one is $300 for a Fuji 5mp many years ago and I still like it a lot, it has a good lens. I keep one in each vehicle and one in each desk. I do shoot a half dozen rolls of 120 every year and keep one or two slides...maybe. Yeah, well, for me, it's an essential part of my work. I resisted digital as long as I could. bur I took my wife's little Fuji FinePix on a business trip to Belgium last year, not wanting to lug bigger cameras and not knowing whether I'd find film there, and the results were at least as good as I'd get with my 35's. So I bought a Sony NEX-7 when I got home ($1,200), got a converter for my six Nikon lenses, and I haven't looked back since. Now that is an input - converter ? ! - what kind of lenses F or AF or... Are they electronic Nikon ? I have several electronic Nikon in AFS or what ever they are and quite a number of F grade from my F and F3 Nikons. My Fuji 2 FinPix uses AFS nicely and even the F lenses - had my 500mm on the camera as a test. Nice being able to see the image in real time... Martin |
#12
Posted to rec.crafts.metalworking
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Ping Tom Gardner...
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#13
Posted to rec.crafts.metalworking
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Ping Tom Gardner...
On Sat, 04 Oct 2014 20:57:55 -0500, Martin Eastburn
wrote: On 10/4/2014 9:37 AM, Ed Huntress wrote: On Sat, 04 Oct 2014 05:59:53 -0400, Tom Gardner wrote: On 10/2/2014 6:33 PM, Ed Huntress wrote: On Thu, 02 Oct 2014 17:33:08 -0400, Tom Gardner wrote: On 9/29/2014 8:30 PM, Gunner Asch wrote: Canon camera stuff? Gunner A bunch of bodies, lenses, bellows, motor drive, filters...some as new in OEM canon boxes with original receipts! I also have a color enlarger. I will keep my 2-1/4 stuff for a little while yet unless it could sell reasonably. If you have a 'Blad or a Maniya, you can get a Leaf digital back for it. The fancy one is $12,000, but you can get the cheapie for $7,000. g I only shoot to document stuff anymore and a digital will do. But nothing comes close to film for esthetics. I consider digital cameras as throw-away conveniences. The most I spent on one is $300 for a Fuji 5mp many years ago and I still like it a lot, it has a good lens. I keep one in each vehicle and one in each desk. I do shoot a half dozen rolls of 120 every year and keep one or two slides...maybe. Yeah, well, for me, it's an essential part of my work. I resisted digital as long as I could. bur I took my wife's little Fuji FinePix on a business trip to Belgium last year, not wanting to lug bigger cameras and not knowing whether I'd find film there, and the results were at least as good as I'd get with my 35's. So I bought a Sony NEX-7 when I got home ($1,200), got a converter for my six Nikon lenses, and I haven't looked back since. Now that is an input - converter ? ! - what kind of lenses F or AF or... Are they electronic Nikon ? It will only use Nikon lenses in a manual mode -- focus, stop-down metering, and all. It's like 1970 all over again. But my 55 mm Micro Nikkor macro and my 20 mm Nikkor are superb on the NEX. All lenses made for 35 mm film cameras function as if they're about 50% longer, so a 100 mm is like a 150 mm on a 35 SLR. I have several electronic Nikon in AFS or what ever they are and quite a number of F grade from my F and F3 Nikons. My Fuji 2 FinPix uses AFS nicely and even the F lenses - had my 500mm on the camera as a test. Nice being able to see the image in real time... Martin All of my Nikon lenses are pre-AI F-series -- oldies. The adapter will handle most Nikon lenses but there are a couple of exceptions. -- Ed Huntress |
#16
Posted to rec.crafts.metalworking
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Ping Tom Gardner...
On 10/4/2014 10:37 AM, Ed Huntress wrote:
So I bought a Sony NEX-7 when I got home ($1,200), got a converter for my six Nikon lenses, and I haven't looked back since. It's good not to let that wonderful glass go to waste. |
#17
Posted to rec.crafts.metalworking
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Ping Tom Gardner...
On Sun, 05 Oct 2014 03:27:49 -0400, Tom Gardner
wrote: On 10/4/2014 10:37 AM, Ed Huntress wrote: So I bought a Sony NEX-7 when I got home ($1,200), got a converter for my six Nikon lenses, and I haven't looked back since. It's good not to let that wonderful glass go to waste. Right. That was a big part of my decision-making on the camera. It works well with a variety of old lenses. -- Ed Huntress |
#18
Posted to rec.crafts.metalworking
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Ping Tom Gardner...
On 2014-10-05, Ed Huntress wrote:
On Sat, 04 Oct 2014 20:57:55 -0500, Martin Eastburn wrote: [ ... ] Now that is an input - converter ? ! - what kind of lenses F or AF or... Are they electronic Nikon ? It will only use Nikon lenses in a manual mode -- focus, stop-down metering, and all. It's like 1970 all over again. But my 55 mm Micro Nikkor macro and my 20 mm Nikkor are superb on the NEX. All lenses made for 35 mm film cameras function as if they're about 50% longer, so a 100 mm is like a 150 mm on a 35 SLR. Common -- the 50% crop factor on (most of) the Nikon DSLRs, and a couple of different ones on the Cannon DSLRs. I have several electronic Nikon in AFS or what ever they are and quite a number of F grade from my F and F3 Nikons. My Fuji 2 FinPix uses AFS nicely and even the F lenses - had my 500mm on the camera as a test. Nice being able to see the image in real time... Martin All of my Nikon lenses are pre-AI F-series -- oldies. The adapter will handle most Nikon lenses but there are a couple of exceptions. At a guess -- it would not like the original 8mm Fisheye (which requires the mirror be locked up in the camera), and possibly the PC (Perspective Correction) lens as well. I like using a lot of weird old Nikon glass on my D300s, including the "Medical Nikkor", which has a built-in ring flash, and provisions for recording the reproduction ratio on the corner of the film (unfortunately, outside the crop factor of the D300s. :-( Enjoy, DoN. -- Remove oil spill source from e-mail Email: | (KV4PH) Voice (all times): (703) 938-4564 (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html --- Black Holes are where God is dividing by zero --- |
#19
Posted to rec.crafts.metalworking
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Ping Tom Gardner...
On 6 Oct 2014 03:11:40 GMT, "DoN. Nichols"
wrote: On 2014-10-05, Ed Huntress wrote: On Sat, 04 Oct 2014 20:57:55 -0500, Martin Eastburn wrote: [ ... ] Now that is an input - converter ? ! - what kind of lenses F or AF or... Are they electronic Nikon ? It will only use Nikon lenses in a manual mode -- focus, stop-down metering, and all. It's like 1970 all over again. But my 55 mm Micro Nikkor macro and my 20 mm Nikkor are superb on the NEX. All lenses made for 35 mm film cameras function as if they're about 50% longer, so a 100 mm is like a 150 mm on a 35 SLR. Common -- the 50% crop factor on (most of) the Nikon DSLRs, and a couple of different ones on the Cannon DSLRs. I have several electronic Nikon in AFS or what ever they are and quite a number of F grade from my F and F3 Nikons. My Fuji 2 FinPix uses AFS nicely and even the F lenses - had my 500mm on the camera as a test. Nice being able to see the image in real time... Martin All of my Nikon lenses are pre-AI F-series -- oldies. The adapter will handle most Nikon lenses but there are a couple of exceptions. At a guess -- it would not like the original 8mm Fisheye (which requires the mirror be locked up in the camera), and possibly the PC (Perspective Correction) lens as well. I like using a lot of weird old Nikon glass on my D300s, including the "Medical Nikkor", which has a built-in ring flash, and provisions for recording the reproduction ratio on the corner of the film (unfortunately, outside the crop factor of the D300s. :-( Enjoy, DoN. Yeah, I think those are among the ones that don't work with a converter, but I'd have to look at the list. That Medical Nikkor you have is a pretty rare lens. I remember when a few macro specialists used them. Sony's NEX-7 has an APS-C chip and 24 megapixel resolution. It's a good compromise for photojournalism and the camera is a lot more compact than most DSLRs that use that chip. With a converter for my old lenses, it's just about ideal for my work. But the pocket digital cameras have gotten so good that I can carry one of those for a backup. And the kit lens is a lot better than some of the reviewers claim. Compare that to what I carried at trade shows decades ago: two Nikon bodies, usually four lenses, two flash units, and a flash meter. By the end of IMTS shows, for example, my suit had a deep crease in the shoulder from the weight of my bag. Now, I hardly notice the weight. -- Ed Huntress |
#20
Posted to rec.crafts.metalworking
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Ping Tom Gardner...
On 10/4/2014 9:19 PM, Ed Huntress wrote:
On Sat, 04 Oct 2014 20:57:55 -0500, Martin Eastburn wrote: On 10/4/2014 9:37 AM, Ed Huntress wrote: On Sat, 04 Oct 2014 05:59:53 -0400, Tom Gardner wrote: On 10/2/2014 6:33 PM, Ed Huntress wrote: On Thu, 02 Oct 2014 17:33:08 -0400, Tom Gardner wrote: On 9/29/2014 8:30 PM, Gunner Asch wrote: Canon camera stuff? Gunner A bunch of bodies, lenses, bellows, motor drive, filters...some as new in OEM canon boxes with original receipts! I also have a color enlarger. I will keep my 2-1/4 stuff for a little while yet unless it could sell reasonably. If you have a 'Blad or a Maniya, you can get a Leaf digital back for it. The fancy one is $12,000, but you can get the cheapie for $7,000. g I only shoot to document stuff anymore and a digital will do. But nothing comes close to film for esthetics. I consider digital cameras as throw-away conveniences. The most I spent on one is $300 for a Fuji 5mp many years ago and I still like it a lot, it has a good lens. I keep one in each vehicle and one in each desk. I do shoot a half dozen rolls of 120 every year and keep one or two slides...maybe. Yeah, well, for me, it's an essential part of my work. I resisted digital as long as I could. bur I took my wife's little Fuji FinePix on a business trip to Belgium last year, not wanting to lug bigger cameras and not knowing whether I'd find film there, and the results were at least as good as I'd get with my 35's. So I bought a Sony NEX-7 when I got home ($1,200), got a converter for my six Nikon lenses, and I haven't looked back since. Now that is an input - converter ? ! - what kind of lenses F or AF or... Are they electronic Nikon ? It will only use Nikon lenses in a manual mode -- focus, stop-down metering, and all. It's like 1970 all over again. But my 55 mm Micro Nikkor macro and my 20 mm Nikkor are superb on the NEX. All lenses made for 35 mm film cameras function as if they're about 50% longer, so a 100 mm is like a 150 mm on a 35 SLR. I have several electronic Nikon in AFS or what ever they are and quite a number of F grade from my F and F3 Nikons. My Fuji 2 FinPix uses AFS nicely and even the F lenses - had my 500mm on the camera as a test. Nice being able to see the image in real time... Martin All of my Nikon lenses are pre-AI F-series -- oldies. The adapter will handle most Nikon lenses but there are a couple of exceptions. Yep - I have a bundle of F pre-AI, and then several since. The old set was uses as I was an AFRS photag and took for the Hour Glass. But that was a long time ago so I'm told. The Fuji works well in auto mode, I set it in speed priority for the fixed F-stop lens and most everything else in pseudo Manual mode. Martin |
#21
Posted to rec.crafts.metalworking
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Ping Tom Gardner...
On Mon, 06 Oct 2014 20:06:22 -0500, Martin Eastburn
wrote: On 10/4/2014 9:19 PM, Ed Huntress wrote: On Sat, 04 Oct 2014 20:57:55 -0500, Martin Eastburn wrote: On 10/4/2014 9:37 AM, Ed Huntress wrote: On Sat, 04 Oct 2014 05:59:53 -0400, Tom Gardner wrote: On 10/2/2014 6:33 PM, Ed Huntress wrote: On Thu, 02 Oct 2014 17:33:08 -0400, Tom Gardner wrote: On 9/29/2014 8:30 PM, Gunner Asch wrote: Canon camera stuff? Gunner A bunch of bodies, lenses, bellows, motor drive, filters...some as new in OEM canon boxes with original receipts! I also have a color enlarger. I will keep my 2-1/4 stuff for a little while yet unless it could sell reasonably. If you have a 'Blad or a Maniya, you can get a Leaf digital back for it. The fancy one is $12,000, but you can get the cheapie for $7,000. g I only shoot to document stuff anymore and a digital will do. But nothing comes close to film for esthetics. I consider digital cameras as throw-away conveniences. The most I spent on one is $300 for a Fuji 5mp many years ago and I still like it a lot, it has a good lens. I keep one in each vehicle and one in each desk. I do shoot a half dozen rolls of 120 every year and keep one or two slides...maybe. Yeah, well, for me, it's an essential part of my work. I resisted digital as long as I could. bur I took my wife's little Fuji FinePix on a business trip to Belgium last year, not wanting to lug bigger cameras and not knowing whether I'd find film there, and the results were at least as good as I'd get with my 35's. So I bought a Sony NEX-7 when I got home ($1,200), got a converter for my six Nikon lenses, and I haven't looked back since. Now that is an input - converter ? ! - what kind of lenses F or AF or... Are they electronic Nikon ? It will only use Nikon lenses in a manual mode -- focus, stop-down metering, and all. It's like 1970 all over again. But my 55 mm Micro Nikkor macro and my 20 mm Nikkor are superb on the NEX. All lenses made for 35 mm film cameras function as if they're about 50% longer, so a 100 mm is like a 150 mm on a 35 SLR. I have several electronic Nikon in AFS or what ever they are and quite a number of F grade from my F and F3 Nikons. My Fuji 2 FinPix uses AFS nicely and even the F lenses - had my 500mm on the camera as a test. Nice being able to see the image in real time... Martin All of my Nikon lenses are pre-AI F-series -- oldies. The adapter will handle most Nikon lenses but there are a couple of exceptions. Yep - I have a bundle of F pre-AI, and then several since. The old set was uses as I was an AFRS photag and took for the Hour Glass. But that was a long time ago so I'm told. The Fuji works well in auto mode, I set it in speed priority for the fixed F-stop lens and most everything else in pseudo Manual mode. Martin Hang onto those old lenses. If and when you decide to get an interchangeable-lens digital camera, there's a good chance you'll find an adapter for it. Canon cameras are a problem with adapters, BTW, because of the standoff distance on the cameras. I studied it like crazy before I bought my Sony. It handles old Nikon lenses (and Minoltas, and Canons) a lot better than current Nikon models. Panasonics are roughly the same as Sonys. If you get an adapter, spend a lot of time on the Web researching it. You can pay from $30 to close to $300. I paid $50, and the one I got (Fotodiox) is reputed to be as good as a Zeiss, which costs over $250. So far, so good. It works perfectly. -- Ed Huntress |
#22
Posted to rec.crafts.metalworking
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Ping Tom Gardner...
On 2014-10-06, Ed Huntress wrote:
On 6 Oct 2014 03:11:40 GMT, "DoN. Nichols" wrote: On 2014-10-05, Ed Huntress wrote: On Sat, 04 Oct 2014 20:57:55 -0500, Martin Eastburn wrote: [ ... ] All of my Nikon lenses are pre-AI F-series -- oldies. The adapter will handle most Nikon lenses but there are a couple of exceptions. At a guess -- it would not like the original 8mm Fisheye (which requires the mirror be locked up in the camera), and possibly the PC (Perspective Correction) lens as well. I like using a lot of weird old Nikon glass on my D300s, including the "Medical Nikkor", which has a built-in ring flash, and provisions for recording the reproduction ratio on the corner of the film (unfortunately, outside the crop factor of the D300s. :-( Enjoy, DoN. Yeah, I think those are among the ones that don't work with a converter, but I'd have to look at the list. Those are among the ones listed to not work on the D70 (now retired) and the D300s. That Medical Nikkor you have is a pretty rare lens. I remember when a few macro specialists used them. Yes. I actually have examples of two different models. The first one had the ASA on the built-in exposure calculator maxing out at 100, and the D70 could not go that low, so I had to fudge it a bit. The later one has the calculator going to 200 ASA and the D300S will happily meet it in the middle Also -- the earlier one I have only a AC powered flash pack for it, while the newer one runs from *twelve* D cells. -- A bit more portable, but expensive to feed. :-) (And the connectors are just enough different so they won't talk to each other. But they are really nice for macro work. Set on the proper stack of front lenses for the magnification you want, set the ring to that and the ASA, and it will set the aperture correct. (Of course, I have to tell the camera to use a fixed ISO instead of fudging it to get a better exposure -- since it doesn't know what the flash will be doing. :-) Sony's NEX-7 has an APS-C chip and 24 megapixel resolution. It's a good compromise for photojournalism and the camera is a lot more compact than most DSLRs that use that chip. With a converter for my old lenses, it's just about ideal for my work. That -- and the zoom lenses are a lot better than they used to be. (And the ones designed explicitly for the crop factor are even lighter. But the pocket digital cameras have gotten so good that I can carry one of those for a backup. And the kit lens is a lot better than some of the reviewers claim. Compare that to what I carried at trade shows decades ago: two Nikon bodies, usually four lenses, two flash units, and a flash meter. By the end of IMTS shows, for example, my suit had a deep crease in the shoulder from the weight of my bag. Now, I hardly notice the weight. My cameras used to live in a metal-finished suitcsae. Three Miranda F series bodies (up to the Sensormat), 50mm f:1.4 and f:1.8, plus a 135mm f:3.5, a 135mm short mount, a bellows and some extension tubes a meter and some teleconveters. Later add a 21mm f2.8 lens and a pseudo fisheye by Accura. Oh yes -- and in a separate box all its own, a 500mm f:8 mirror lens with slide-in filters to stop down to f:11 or f:16 if you needed to. (obviously, no depth of field benefit from a neutral density filter, but .... :-) Enjoy, DoN. -- Remove oil spill source from e-mail Email: | (KV4PH) Voice (all times): (703) 938-4564 (too) near Washington D.C. | http://www.d-and-d.com/dnichols/DoN.html --- Black Holes are where God is dividing by zero --- |
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Ping Tom Gardner...
On 10/6/2014 8:28 PM, Ed Huntress wrote:
On Mon, 06 Oct 2014 20:06:22 -0500, Martin Eastburn wrote: On 10/4/2014 9:19 PM, Ed Huntress wrote: On Sat, 04 Oct 2014 20:57:55 -0500, Martin Eastburn wrote: On 10/4/2014 9:37 AM, Ed Huntress wrote: On Sat, 04 Oct 2014 05:59:53 -0400, Tom Gardner wrote: On 10/2/2014 6:33 PM, Ed Huntress wrote: On Thu, 02 Oct 2014 17:33:08 -0400, Tom Gardner wrote: On 9/29/2014 8:30 PM, Gunner Asch wrote: Canon camera stuff? Gunner A bunch of bodies, lenses, bellows, motor drive, filters...some as new in OEM canon boxes with original receipts! I also have a color enlarger. I will keep my 2-1/4 stuff for a little while yet unless it could sell reasonably. If you have a 'Blad or a Maniya, you can get a Leaf digital back for it. The fancy one is $12,000, but you can get the cheapie for $7,000. g I only shoot to document stuff anymore and a digital will do. But nothing comes close to film for esthetics. I consider digital cameras as throw-away conveniences. The most I spent on one is $300 for a Fuji 5mp many years ago and I still like it a lot, it has a good lens. I keep one in each vehicle and one in each desk. I do shoot a half dozen rolls of 120 every year and keep one or two slides...maybe. Yeah, well, for me, it's an essential part of my work. I resisted digital as long as I could. bur I took my wife's little Fuji FinePix on a business trip to Belgium last year, not wanting to lug bigger cameras and not knowing whether I'd find film there, and the results were at least as good as I'd get with my 35's. So I bought a Sony NEX-7 when I got home ($1,200), got a converter for my six Nikon lenses, and I haven't looked back since. Now that is an input - converter ? ! - what kind of lenses F or AF or... Are they electronic Nikon ? It will only use Nikon lenses in a manual mode -- focus, stop-down metering, and all. It's like 1970 all over again. But my 55 mm Micro Nikkor macro and my 20 mm Nikkor are superb on the NEX. All lenses made for 35 mm film cameras function as if they're about 50% longer, so a 100 mm is like a 150 mm on a 35 SLR. I have several electronic Nikon in AFS or what ever they are and quite a number of F grade from my F and F3 Nikons. My Fuji 2 FinPix uses AFS nicely and even the F lenses - had my 500mm on the camera as a test. Nice being able to see the image in real time... Martin All of my Nikon lenses are pre-AI F-series -- oldies. The adapter will handle most Nikon lenses but there are a couple of exceptions. Yep - I have a bundle of F pre-AI, and then several since. The old set was uses as I was an AFRS photag and took for the Hour Glass. But that was a long time ago so I'm told. The Fuji works well in auto mode, I set it in speed priority for the fixed F-stop lens and most everything else in pseudo Manual mode. Martin Hang onto those old lenses. If and when you decide to get an interchangeable-lens digital camera, there's a good chance you'll find an adapter for it. Canon cameras are a problem with adapters, BTW, because of the standoff distance on the cameras. I studied it like crazy before I bought my Sony. It handles old Nikon lenses (and Minoltas, and Canons) a lot better than current Nikon models. Panasonics are roughly the same as Sonys. If you get an adapter, spend a lot of time on the Web researching it. You can pay from $30 to close to $300. I paid $50, and the one I got (Fotodiox) is reputed to be as good as a Zeiss, which costs over $250. So far, so good. It works perfectly. Oh you are talking about 'active' adapters not simply 'rings'. Why I liked the Fuji since it is an F bayonet I was able to go right on. I got a nice C-mount camera that is USB and has of all things a pro movie camera lens and a C to M adapter between them. I plan on camera shots of microscope mode of hundreds of classified 'sea shell' using my Nikon magnifying 'filter' lenses and a screw on magnifying lens and a reducing (-mag) lens. Various modes should get my focus on the size I need. Martin |
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