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UK diy (uk.d-i-y) For the discussion of all topics related to diy (do-it-yourself) in the UK. All levels of experience and proficency are welcome to join in to ask questions or offer solutions. |
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#41
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In article ,
And in any case, a £50 quid CD player these days out outperforms a £1000 turntable. A CD player cannot cope with vinyl. Anyway, a digitally encoded signal can by definitition, never be as good as a pure analogue signal. No matter what the sampling rate, you can never reproduce the original accurately. -- AJL Electronics (G6FGO) Ltd : Satellite and TV aerial systems http://www.classicmicrocars.co.uk : http://www.ajlelectronics.co.uk |
#42
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Andy Luckman (AJL Electronics) wrote:
In article , And in any case, a =A350 quid CD player these days out outperforms a =A31000 turntable. A CD player cannot cope with vinyl. bit of a killer than one Anyway, a digitally encoded signal can by definitition, never be as good as a pure analogue signal. No matter what the sampling rate, you can never reproduce the original accurately. You can never reproduce the original accurately via either method. NT |
#43
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T i m wrote:
On 4 May 2005 05:59:12 -0700, wrote: It would be an education for her to hear just how totally sh1te those grams sound, but would no doubt put her right off records. 8 tracks next, or wire recorders? Well you have touched on part of the 'goal' here .. and that's her education. We have 'talked' to her about stuff from a babe, and have played / demonstrated with stuff as well. I had her soldering at 5 years old and angle grinding / pillar drilling and MIG welding at 8. She also raced 12th scale cars and was winning ballroom dancing awards. I believe exposing her to all this stuff, old or futuristic is all part of what helps round her as a person. Some of her mates are more intelligent but come across as naive re worldly things in comparison? sounds like great parenting, too many think cotton wool and naivety is good for kids. Angle grinding at 8 though? Sounds scary. 78s are a lot more flexible, so to speak, in that you can The couple across the road have some ... maybe we can 'play' over there .. ;-) The very early ones were recorded on one side only, and had etchings of angels etc on the other side. You can always make your own pickup and feed it thru the hifi. I had good results (ok, delete the 'good') with earpieces, copper wire and assorted needles. Sounds like fun .. the the first sounds from your first Xtal set .. ;-) Yes, though technically the first sounds from my first crystal set were total silence. And the 2nd 3rd and 4th sets. I even have instructions somewhere from the 30s on how to make an answerphone using a pair of 78 decks. It used ali discs. And watch the pickup geometry as it progressively twists relative to the grooves. Yep and that any compensation has to work with those effects? There is partial precompensation, though its not perfect, but I dont know how one would compensate at the playing end. Linear tracking maybe. And explain why it howls when you turn the volume up, I even 'resolved' that one for my nephew recently on the CD system they were about to throw away ... I lifted it up off the same shelf as the speakers ... funny isnt it. Kids now dont even know what a record is half the time. and where all the snap crackle and pop comes from. Breakfast? apply breakfast directly to record... I think her IQ is reasonable (she's been offered a place at one of those "Gifted and Talented Childeren" orgs but "I don't want to play chess with geeks thanks" was her reply g) and is genuinley entertained by the stuff her and her old dad play with (mostly) ;-) thats great. Maybe they offer something other than chess? We were talking this morning about the new Hitchhikers film and she said she didn't want to see it as it looked from the clips like it didn't follow the image of the key characters like Marvin and Zaphod from the book and TV shows very well. I said "well they aren't trying to .. they are trying to follow the spirit of it whilst putting a more modern slant on it ..?" She replied "like it needs more slant .. any more slant and it would be horizontial!" (well it made me chuckle anyway) ;-) Heh. I liked the old hitchhikers film, but was always disappointed by the 2 headed Zaphod. I somehow hoped they'd figure out how to make his 2 heads a bit more convincing, but sadly no such surgery was ever forthcoming. NT |
#44
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T i m wrote:
On Wed, 04 May 2005 13:37:07 +0100, The Natural Philosopher wrote: Well if you are anywhere near west suffolk, Ive got a direct drive parallel tracking revox doing not much these days, with an ortofon in it. You are very kind .. ( I'm not *near* wast suffolk but have been known to go that way sometimes .. used to go to USAF Mildenhall quite a bit). I also had a vertical tracking Sharp system. The record had to be pushed onto the hub like a laptop CD drive. There were little in the way of tracking errors (being parallel) and being vertical there was no heavy arm to counterbalance and therefore low inerita? From memory it worked fairly well but not the sort of thing you would find on an audiophiles shopping list! p.p.s. I bought some 'special 'Superglue' at the Model Engineering Exp this year that is very good for bonding rubber. The guy demos it by cutting through a large 'O' ring, dabing a drop of the stuff on the end (butt) joint and 3 seconds later playing tug-of-war with the biggest bloke standing nearby .. nearly pulled me over! blush Yup. Its how I make tyres for the toy planes. Using bits of foam cord from a vintage car parts supplier... Is this 'toy' or RC model? Is there a difference? All the best .. T i m |
#45
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raden wrote:
In message , The Natural Philosopher writes Yes, but we aren't comparing CD's to LPs but cd players to turntables. Asssuming they are accurately timed and have decent D to A converters - (1 bit 4 x oversampling with maybe interploation) and decent fliters, then they are going to be free of all wow flutter and resonance, and have a razor flat respionse from DC to the Nyquist cutoff minus the necessary guard band, and be as high S/N ratio as the recording methodology allows. 50 quid To do that with a turntable means mounting it on a huge slab of conceret, possibluy ins a soundproof casing. using a hiuege electromecahniacl system to spin it at exactly teh right RPM, probabluyy air beraiungs to stop teh rumble, and a very very well set up arm and cartridge accurately matched to a very carefully designed low noise pre-amp. 5000 quid. But when listening to ZZtop etc, does it really matter ? Frankly it doesn't matter at all unless listening to Mr Shures nice sinewaves on vinyl in an anechoic room..or selling hifi magazines... |
#46
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Adrian C wrote:
The Natural Philosopher wrote: snipped agreed with stuff You may LIKE all those subtle rumbles and resonances - lots of people do - but they are in no way a sign of technical excellece. But with me, it IS the recorded media that I have collected. I do have (naturally as time marches on and things get remastered) a lot of CD recordings that trounce over 'groove-crammed' tracks I still have on vinyl. Play those CD's on a £50 player & the vinyl on that OTT £5000 (it's gone up now - your last post £1000! ah... Gold plating) and I might agree (but the post-digital stuff in that £50 player will be suspect still...) Nope. Modern chipsets are stunningly good, and the rest is very simple to do accurately. The only places where its hard to make good electronics are low noise low sensitivity stuff - magnetic pickups - and power amps. The first generation D to A converters were pretty crap s far as crossover distortion went, but the 1 bit oversampling stuff is just seriously good. You no longer NEED an acurate filter either on teh back end to kill teh smapling frequencies. A cheapo will do. I have though got a few LP's where it's the other way round - and even though mechanical wow & flutter, clicks and scratches *might* diminish the experience, It's still an experience which still keeps my deck spinning and makes me yern to spend more money on this mechanical marvel before audio shops of the world stops selling them. Must get along to Wickes for some more concrete... Your choice. I spent many years of my life designing and testing audio kit. Now I hardly even listen to it. :-) --- Adrian |
#47
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Andy Luckman (AJL Electronics) wrote:
In article , And in any case, a £50 quid CD player these days out outperforms a £1000 turntable. A CD player cannot cope with vinyl. Anyway, a digitally encoded signal can by definitition, never be as good as a pure analogue signal. No matter what the sampling rate, you can never reproduce the original accurately. Shows how little you understand. It can outperform it easily if the noise to signal ratio of the analogue exceeds the quantization errors of the digital by an order of magnitude... ....after all analogue is only digital, where the bits are individual electrons...or perhaps you hadn't appreciated that? Look up noise, shot noise, and thermal noise and see what I mean. |
#48
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The Natural Philosopher wrote:
The only places where its hard to make good electronics are low noise low sensitivity stuff - magnetic pickups - and power amps. The first generation D to A converters were pretty crap s far as crossover distortion went, but the 1 bit oversampling stuff is just seriously good. You no longer NEED an acurate filter either on teh back end to kill teh smapling frequencies. A cheapo will do. You still need a decent analogue reconstituting filter on the output of the D to A stage to reduce the quantisation noise though. You also need a clock design with good stability. So there are areas where a bit of care an attention to detail will yield better results that just expecting a "chipset" ro do it all for you. -- Cheers, John. /================================================== ===============\ | Internode Ltd - http://www.internode.co.uk | |-----------------------------------------------------------------| | John Rumm - john(at)internode(dot)co(dot)uk | \================================================= ================/ |
#49
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The Natural Philosopher wrote:
Andy Luckman (AJL Electronics) wrote: In article , And in any case, a =A350 quid CD player these days out outperforms a =A31000 turntable. A CD player cannot cope with vinyl. Anyway, a digitally encoded signal can by definitition, never be as good as a pure analogue signal. No matter what the sampling rate, you can never reproduce the original accurately. Shows how little you understand. It can outperform it easily if the noise to signal ratio of the analogue exceeds the quantization errors of the digital by an order of magnitude... ...after all analogue is only digital, where the bits are individual electrons...or perhaps you hadn't appreciated that? Look up noise, shot noise, and thermal noise and see what I mean. You make incorrect assumptions. Why dont you tell us what analogue recording method you have in mind when you say theres something of comparable quality to digital. NT |
#50
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On Fri, 06 May 2005 13:40:59 +0100, The Natural Philosopher
wrote: Yup. Its how I make tyres for the toy planes. Using bits of foam cord from a vintage car parts supplier... Is this 'toy' or RC model? Is there a difference? I think so. A 'toy' plane might be a static model or crude hand lauch free-flight kids glider etc. Or maybe a die cast thing or plastic clip-together kit? An RC IC or even electric model are often a fairly complex mix of materials, and technologies. I would also suggest that afirst full function self build kit would challenge the skills / patence of yer average DIY'r as we normally understand the description? Oh, and the other difference between toy and RC Model is the cost! My other observation is the current trend toward RTF (ready to fly) models .. taking (for some) the whole 'point' of RC modelling out of the loop? I mostly 'enjoy' the building (mainly competition cars and boats) but it's the using that is the draw for me .. be it the odd dash about a car park / pond / lake or a scheduled race meeting. My daughter and I currently race the RC Laser (sailing dinghy). All the best .. T i m |
#51
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#52
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T i m wrote:
On 6 May 2005 02:07:29 -0700, wrote: Sounds like fun .. the the first sounds from your first Xtal set ... ;-) Yes, though technically the first sounds from my first crystal set were total silence. And the 2nd 3rd and 4th sets. Aww .. bless .. but at least you tried and tried again? I have always been fairly lucky when it comes to electronics / PC's .. or maybe it's more of an infinite patience? It was a VERY rare time when I gave up on anything. When I was 15 I bought a Fiat 850 with a seized engine. I stripped and rebuilt it but after re-assembly it wouldn't fire up? ;-( At 3am I woke up and realised the distributor could be fitted one of two ways .. Sounds very familiar. I even have instructions somewhere from the 30s on how to make an answerphone using a pair of 78 decks. It used ali discs. And wern't they very inventive in those days .. Had to be. The 405 line tv tech in particular was very clever. NT |
#53
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#54
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T i m wrote:
On Fri, 06 May 2005 13:40:59 +0100, The Natural Philosopher wrote: Yup. Its how I make tyres for the toy planes. Using bits of foam cord from a vintage car parts supplier... Is this 'toy' or RC model? Is there a difference? I think so. A 'toy' plane might be a static model or crude hand lauch free-flight kids glider etc. Or maybe a die cast thing or plastic clip-together kit? An RC IC or even electric model are often a fairly complex mix of materials, and technologies. Oh well. Its RC models etc etc. I would also suggest that afirst full function self build kit would challenge the skills / patence of yer average DIY'r as we normally understand the description? Dunno really. Depends on what you pick and who you are. Oh, and the other difference between toy and RC Model is the cost! Id you can refer to a new Ferarri as a 'toy' I don';t see why a couple of hudred quid of model can't be a toy as well. My other observation is the current trend toward RTF (ready to fly) models .. taking (for some) the whole 'point' of RC modelling out of the loop? I mostly 'enjoy' the building (mainly competition cars and boats) but it's the using that is the draw for me .. be it the odd dash about a car park / pond / lake or a scheduled race meeting. I actually like building as much as - possibly more than - flying. My daughter and I currently race the RC Laser (sailing dinghy). Nice. I would. if the pond were bigger, too. All the best .. T i m |
#55
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T i m wrote:
On Fri, 06 May 2005 13:40:59 +0100, The Natural Philosopher wrote: Is this 'toy' or RC model? Is there a difference? I think so. I would have thought anything you cant climb into and fly is a toy. Unless of course youre using it for surveillance, or rapid carrier-pigeon style delivery of important documents. Or chopping the heads off your enemies etc. Or applying selective weedkiller and fertiliser to a roof garden... any more? NT |
#56
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#57
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T i m wrote:
A shame (to me anyway) is that now folk have more spending power and kids seem to have less respect for stuff so you see quite nice / high quality / expensive toys / moidels being abused / smashed up .. stuff that a few years ago would have only been used under supervision .. and that brings in another issue .. Yes, and I think this extensive problem is just as bad with adults. NT |
#58
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The Natural Philosopher wrote:
wrote: The Natural Philosopher wrote: Andy Luckman (AJL Electronics) wrote: In article , A CD player cannot cope with vinyl. Anyway, a digitally encoded signal can by definitition, never be as good as a pure analogue signal. No matter what the sampling rate, you can never reproduce the original accurately. It can outperform it easily if the noise to signal ratio of the analogue exceeds the quantization errors of the digital by an order of magnitude... ...after all analogue is only digital, where the bits are individual electrons...or perhaps you hadn't appreciated that? Look up noise, shot noise, and thermal noise and see what I mean. You make incorrect assumptions. Why dont you tell us what analogue recording method you have in mind when you say theres something of comparable quality to digital. I never said that. I said that digital was at least as good as and probably better than, analogue. I never mentioned any implementation. A lil minor issue there Just the basic fact that all electronics ) and indeed the whole physical world)is ultimately 'digital' in nature.. really? Do tell. NT PS I guess my fingers are digital. |
#59
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#60
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The Natural Philosopher wrote:
wrote: Just the basic fact that all electronics ) and indeed the whole physical world)is ultimately 'digital' in nature.. really? Do tell. Quantum reality. This dicates the ultimate noise floor of any sound system for example. Yes, you can actually hear the individual atoms and molecules banging on the microphone diaphragm. And your eardrum apparently. The noise floor in electronics is actually related to the number of electrons in the seimiconductor device that comprise the signal. You can't get better than +- 1 electron resolution no matter what you do, with electronics. If you boost your signal and digitise it accurately enough, that +- 1 electron might be +- 4 bits or so, at which point your quantization noise is well below the digital noise of the (so called) analogue signal anyway. can you tell us any real world implementation that does this though. Anyone can dream. Just because w like to model the world in smooth continous lineaer functions, doesn't mean that is how the world actually is. It's just a reasonable approximation at the macro level we live at. At the quantum level is all either yes or no type stuff. The integral of all the quantum states approximates to the smooth functions we think are the natural laws. Indeed, but none of that makes real life digital. NT |
#61
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#62
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T i m wrote:
Hi all, My 14 yr old daughter has just bought herself a some 'records' (remember them) from a boot sale and of couse we don't have anything set-up to play them on (some Iron Maiden, AC/DC, Quo and ZZ Top btw g!) Waste of time trying to get the TT working. Those tracks can all be downloaded for nowt |
#63
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The Natural Philosopher wrote:
wrote: Just because w like to model the world in smooth continous lineaer functions, doesn't mean that is how the world actually is. It's just a reasonable approximation at the macro level we live at. At the quantum level is all either yes or no type stuff. The integral of all the quantum states approximates to the smooth functions we think are the natural laws. Indeed, but none of that makes real life digital. Er...are you as thick as you appear to be? I think your definitions of digital vs analogue are off. The fact that all analogue signals are a given whole number quantity of electroncs does not make them digital, despite the obvious similarity. You keep making assumptions that I dont really think are accurate. NT |
#64
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In article ,
T i m wrote: However, even with the p&p doubling the cost it still might just be cheaper than driving to my *local* HiFi shop if I knew where that was (but thanks for that Geoff) and being ripped off for one (£5.99 against £2.99 at Maplin if I one was near?). Either way it still seems a lot of money for a rubber band? I've got a Thorens belt driven deck and it's anything but a rubber band. It's a carefully made rubber band with a controlled width and thickness. And a rough surface for maximum friction. FFS, what's a fiver for something that works properly and has a life of about 10 years + ? -- *Could it be that "I do " is the longest sentence? * Dave Plowman London SW To e-mail, change noise into sound. |
#65
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In article .com,
wrote: I think your definitions of digital vs analogue are off. The fact that all analogue signals are a given whole number quantity of electroncs does not make them digital, despite the obvious similarity. Most analogue signals went through a magnetic tape stage at some point, and the size of the individual magnets on that tape - ie the coating - were surprisingly analogous to digital recording. As are the size of the individual polymers? on a vinyl disc. Some think that analogue gives an infinite variety of levels and 'sampling' but this just ain't true when listening to a recording. Good analogue can easily give a sig noise of about 100dB if it's not recorded on analogue. Digital can be what you require it to be - but limited by the analogue at both source and destination. -- *Always remember you're unique, just like everyone else. Dave Plowman London SW To e-mail, change noise into sound. |
#66
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In message , "Dave Plowman (News)"
writes In article , T i m wrote: However, even with the p&p doubling the cost it still might just be cheaper than driving to my *local* HiFi shop if I knew where that was (but thanks for that Geoff) and being ripped off for one (£5.99 against £2.99 at Maplin if I one was near?). Either way it still seems a lot of money for a rubber band? I've got a Thorens belt driven deck and it's anything but a rubber band. It's a carefully made rubber band with a controlled width and thickness. And a rough surface for maximum friction. Agreed, but you can drive it with a rubber band quite happily (FSVO "quite happy"), as I found while waiting for the right belt to arrive -- geoff |
#67
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On Mon, 09 May 2005 18:40:14 +0100, "Dave Plowman (News)"
wrote: In article , T i m wrote: However, even with the p&p doubling the cost it still might just be cheaper than driving to my *local* HiFi shop if I knew where that was (but thanks for that Geoff) and being ripped off for one (£5.99 against £2.99 at Maplin if I one was near?). Either way it still seems a lot of money for a rubber band? I've got a Thorens belt driven deck and it's anything but a rubber band. But that's not a cheap / basic turntable is it Dave? I've got a Rover but it's anything but a Porche? ;-) It's a carefully made rubber band with a controlled width and thickness. And a rough surface for maximum friction. I'm sure it is. FFS, what's a fiver for something that works properly and has a life of about 10 years + ? Ok, howabout you buy it for me and then you can have the deck for the 9.99+ years after we have finished experimenting with it? ;-) *If* I have need to order something from Maplin and can tack a belt onto the order or if I actually go past a HiFi shop that has one for less than a fiver I might just buy one. In the mean time the deck is back in the loft where it has spent the last 10+ years ... ;-( All the best .. T i m p.s. I could easily find 10 things to spend 'just' 5 quid on .. |
#68
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On Mon, 09 May 2005 15:57:51 +0100, OldBill
wrote: T i m wrote: Hi all, My 14 yr old daughter has just bought herself a some 'records' (remember them) from a boot sale and of couse we don't have anything set-up to play them on (some Iron Maiden, AC/DC, Quo and ZZ Top btw g!) Waste of time trying to get the TT working. Those tracks can all be downloaded for nowt Well indeed .. other than it was partly an excercise for my daughter re 'records' ;-) "Oh, you can use both sides ... how do you select the next track .. how do you do random or shuffle .. where does it plug into my PC ... " ? All the best .. T i m |
#69
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T i m wrote:
Well indeed .. other than it was partly an excercise for my daughter re 'records' ;-) If they're worthless records can they be played with a drawing pin through the back of a paper cup? "Oh, you can use both sides ... how do you select the next track .. how do you do random or shuffle .. where does it plug into my PC ... " ? And for my next trick, how to work a twirly dial telephone... Owain |
#70
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On Mon, 09 May 2005 22:03:08 +0100, Owain
wrote: T i m wrote: Well indeed .. other than it was partly an excercise for my daughter re 'records' ;-) If they're worthless records can they be played with a drawing pin through the back of a paper cup? Well I'm not sure she thinks they are worthless .. but then she hasn't heard these particular tracks before (they are older offerings). Maybe I can find one of the other arf's Cliff albums to 'play with' ..evil grin "Oh, you can use both sides ... how do you select the next track .. how do you do random or shuffle .. where does it plug into my PC ... " ? And for my next trick, how to work a twirly dial telephone... Funny, I was explaining that one to the missus tonight .. why our replacement MF PBX was 'better' than the LD one .. Cheers .. T i m |
#71
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In message , T i m
writes On Mon, 09 May 2005 22:03:08 +0100, Owain wrote: T i m wrote: Well indeed .. other than it was partly an excercise for my daughter re 'records' ;-) If they're worthless records can they be played with a drawing pin through the back of a paper cup? Well I'm not sure she thinks they are worthless .. but then she hasn't heard these particular tracks before (they are older offerings). Maybe I can find one of the other arf's Cliff albums to 'play with' ..evil grin Anyone know the telephone number for the NSPCC ? -- geoff |
#72
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raden wrote:
In message , "Dave Plowman (News)" writes In article , T i m wrote: against =A32.99 at Maplin if I one was near?). Either way it still seems a lot of money for a rubber band? I've got a Thorens belt driven deck and it's anything but a rubber band. It's a carefully made rubber band with a controlled width and thickness. And a rough surface for maximum friction. Agreed, but you can drive it with a rubber band quite happily (FSVO "quite happy"), as I found while waiting for the right belt to arrive exactly the downside with stationery bands is the rubber perishes relatively quickly. Also some get lumpy or wonky when stretched, and they tend to be weaker (the proper belts arent very stretchy). But if its only for short use theyre usually fine. NT |
#73
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T i m wrote:
On Mon, 09 May 2005 15:57:51 +0100, OldBill Waste of time trying to get the TT working. Those tracks can all be downloaded for nowt Well indeed .. other than it was partly an excercise for my daughter re 'records' ;-) "Oh, you can use both sides ... how do you select the next track .. how do you do random or shuffle .. where does it plug into my PC ... " ? lol! NT |
#74
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On Mon, 09 May 2005 22:24:58 GMT, raden wrote:
In message , T i m writes On Mon, 09 May 2005 22:03:08 +0100, Owain wrote: T i m wrote: Well indeed .. other than it was partly an excercise for my daughter re 'records' ;-) If they're worthless records can they be played with a drawing pin through the back of a paper cup? Well I'm not sure she thinks they are worthless .. but then she hasn't heard these particular tracks before (they are older offerings). Maybe I can find one of the other arf's Cliff albums to 'play with' ..evil grin Anyone know the telephone number for the NSPCC ? And the NSPCH (Husbands) while we are there! ;-) T i m |
#76
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In article ,
The Natural Philosopher wrote: Nevertheless, CD sampling rates are good enough to exceed vinyl type performamnce in almost every single respect, quie easily. It's the second harmonic distortion inherent in vinyl that most appear to like. If you copy an LP to CD carefully and set up a proper double blind test between that LP and that copy, none will tell the difference. Do it the other way - copy a CD to LP, (and I have ;-)) - everyone will notice a difference. FWIW, it's not the same thing buying the same piece which has been released on both vinyl and CD - they may (probably) have gone through different mastering - ie are not just straight transfers from the same master. In other words, vinyl is not and never was a clone of the master. It adds its own footprint. Some types of music *may* be enhanced by this to some ears. But an accurate recording medium it's not. -- *Upon the advice of my attorney, my shirt bears no message at this time Dave Plowman London SW To e-mail, change noise into sound. |
#77
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#78
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Dave Plowman (News) wrote:
In article , The Natural Philosopher wrote: Nevertheless, CD sampling rates are good enough to exceed vinyl type performamnce in almost every single respect, quie easily. It's the second harmonic distortion inherent in vinyl that most appear to like. Third harmonic I would buy. second would be assymetric, and I suspect unlikely If you copy an LP to CD carefully and set up a proper double blind test between that LP and that copy, none will tell the difference. Do it the other way - copy a CD to LP, (and I have ;-)) - everyone will notice a difference. FWIW, it's not the same thing buying the same piece which has been released on both vinyl and CD - they may (probably) have gone through different mastering - ie are not just straight transfers from the same master. In other words, vinyl is not and never was a clone of the master. It adds its own footprint. Some types of music *may* be enhanced by this to some ears. But an accurate recording medium it's not. I agree. |
#79
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The Natural Philosopher wrote:
Dave Plowman (News) wrote: In article , The Natural Philosopher wrote: Nevertheless, CD sampling rates are good enough to exceed vinyl type performamnce in almost every single respect, quie easily. It's the second harmonic distortion inherent in vinyl that most appear to like. Third harmonic I would buy. second would be assymetric, and I suspect unlikely Any medium which saturates (how many don't?) will generate odd harmonics. Records are also prone to some strange distortions, such as the one produced by a radial arm tracking a groove created by a parallel-tracking master cutter, and the one produced by tracking a groove cut with a cutting head, using a stylus. The more hyper- elliptical, the better, but you can never get it right. |
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