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#1
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Veneer or Laminate?
You've been asked to make a slab of purpleheart that is 20"x20"x2"
You can glue it up from pieces of purpleheart or you can use MDF and some really nice purpleheart veneer. Assuming you have the tools and skills to perform either task, which one do you do? david boise ID |
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You've been asked to make a slab of purpleheart that is 20"x20"x2" You can glue it up from pieces of purpleheart or you can use MDF and some really nice purpleheart veneer. Assuming you have the tools and skills to perform either task, which one do you do? i do what the customer wants, and charge accordingly bob |
#3
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What is it to be used for? Cheers, JG
David Bogie wrote: You've been asked to make a slab of purpleheart that is 20"x20"x2" You can glue it up from pieces of purpleheart or you can use MDF and some really nice purpleheart veneer. Assuming you have the tools and skills to perform either task, which one do you do? david boise ID |
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On Mon, 04 Oct 2004 20:36:10 GMT, Rick Cook
wrote: Purpleheart is also fairly easy to get in 2" thickness. Woodworkers Source carries it as a stock item. 20" wide though ? I'm impressed ! I've got about twelve foot of 18" square waiting until I can get a big bandsaw to it, but that's recycled Victorian dockwork. -- Smert' spamionam |
#7
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Andy Dingley wrote: On Mon, 04 Oct 2004 20:36:10 GMT, Rick Cook wrote: Purpleheart is also fairly easy to get in 2" thickness. Woodworkers Source carries it as a stock item. 20" wide though ? I'm impressed ! No. Sigh. It would have to be edge joined and glued. (OTOH you might be able to special order it that wide. I'm told the stuff is so common it's used as packing crates in South America.) --RC I've got about twelve foot of 18" square waiting until I can get a big bandsaw to it, but that's recycled Victorian dockwork. -- Smert' spamionam |
#8
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Andy Dingley wrote in message . ..
I wouldn't glue it up from sheets (you did say laminate). If they're looking for a 2" thick board, then they want something that shrieks "solid timber". 4" wide strips would be OK, but anything that starts to look like Ikea's "glued together rubberwood scraps" just doesn't cut it quality-wise. Make sure the purplehart came from the same board, because you want the colour to stay consistent as it changes. You also want a god scrape / sanding pass to take the surface down a touch - invisible glue smears around the glueline can become very obvious in a timber that changes colour over time. Then ignore everything I've just said and choose entirely on price. Sorry, I thought I had seen the term "laminate" applied to almost any build up that involves full-length glue-up. I guess I should have also stipulated the woodworker had the required taste (as well as skills and tools) to make all necessary quality and aesthetic decisions in favor of the maximum presentation. Thank you for the very thorough post, Andy. One doesn't see the word "go" often outside of rec.games.go, do you play? But can you tell me why you would you choose to do the glue-up instead of the veneer? That's what I'm really interested in. david boise ID |
#9
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'k. So let's assume the customer doesn't know what they want and they
can pay whatever you want to charge. It's a dream job. david boise ID hing (Minorite) wrote in message ... You've been asked to make a slab of purpleheart that is 20"x20"x2" You can glue it up from pieces of purpleheart or you can use MDF and some really nice purpleheart veneer. Assuming you have the tools and skills to perform either task, which one do you do? i do what the customer wants, and charge accordingly bob |
#10
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Umm, it's hypothetical. But thanks for posting once. Can I get one
more? Let's just say it's ornamental and cost isn't a factor. What I'm after is why you might choose one method over the other. david boise ID JGS wrote in message ... What is it to be used for? Cheers, JG David Bogie wrote: You've been asked to make a slab of purpleheart that is 20"x20"x2" You can glue it up from pieces of purpleheart or you can use MDF and some really nice purpleheart veneer. Assuming you have the tools and skills to perform either task, which one do you do? david boise ID |
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#12
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#13
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It's all great fun till someone loses an eye. I've been playing go for
thirty years. I've had many, many boards. The purpleheart in my collection looks absolutely fabulous with a lovely set of purple-veined clamshell stones I got from Kurokigoishi http://www.kurokigoishi.co.jp/online...6/murasaki.jpg The 2" board is a bit thick for standard western tables but, as you say, we don't kneel easily as we see the other side of 35 to 50. The delightfully idiosyncratic un-squareness of the goban is a great topic among go players; endless and often ridiculous speculation. The same silliness is applied to theories about the inverted pyramid on the underside of traditional Japanese floor boards. But, actually, all I'm trying to find out is why some woodworkers like to do glue-ups and some like to do veneers. The fact that this imaginary thingy might have been used as a go board has nothing to do with a completely hypothetical situation. Thanks for your participation and your comments. david boise ID Andy Dingley wrote in message . .. Proportions for a go board are rectangular and not square. Square isn't iki. The marked out area is usually 38.5 x 42 cm, with the players on the narrow edges. The border around this is either symmetrical or very asymmetrical, so the whole board is still rectangular. |
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#15
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wrote in message . ..
On 7 Oct 2004 20:03:05 -0700, (David Bogie) wrote: Umm, it's hypothetical. But thanks for posting once. Can I get one more? Let's just say it's ornamental and cost isn't a factor. What I'm after is why you might choose one method over the other. david boise ID so your question was lacking, if you meant it to return some real data. Data wasn't necessary, just an opinion. Lacking? Sorry you thought so. Silly of me, astute of you. But I don't have your woodworking skills nor do I have your experience. david boise ID |
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Andy Dingley wrote in message . ..
I didn't realise you played yourself, from your first post. I thought you were a woodworker looking to make this for someone else. After more than one close call, I stopped woodworking while I could still count to ten without taking off a shoe. I made lovely boxes and almost got good enough at hand-cut dovetails to use them in custom projects. Not quite. The purpleheart in my collection looks absolutely fabulous But is that the point ? I'm all for aesthetics, but I think this can sometimes go too far. What's it like to play on such a dark board? I can play my usually tasteless game on any surface; cardboard, computer screen, leather, fine woods. I'm sure you've met bad players with too much money and a goban proudly standing on a coffee table! (you presumably play from a ladder) My idea of a good board is one that's good to _play_ on, not necessarily to look at. It's just a plank ! There's a limit to how much you can dress it up before you've just started putting gingerbread on it. Quite true. Still, I encourage unique western influence whenever I hear of a woodworker attempting go boards. The Japanese boards haven't changed for centuries. That only means the aesthetic is satisfactory. It does not necessarily mean there is no room for new art. http://www.boardgamego.com/ My formal set is the purpleheart board, the purple-veined stones, and a pair of pine needle bowls. No one else in the word has a go set like mine. with a lovely set of purple-veined clamshell stones I got from Kurokigoishi Wow ! Those are rather splendid Just glass round here. A potter friend keeps promising to make a set in porcelain, which would be nice. I have made such stones of three different clays and porcelain. Worthless pain the ass, I did not possess the skills. Of course, a porcelain craftsman would do much better. I've always fancied getting some slate stones (can't afford clamshell), but haven't found anywhere that sells a "half set" like this. Kuroki's online outlet shop often has remarkable bargains. You can get a set of shell/slate go ishi for much less than you might imagine. Shipping takes about six weeks by boat. Worth the wait! http://www.kurokigoishi.co.jp/online...let/index.html same silliness is applied to theories about the inverted pyramid on the underside of traditional Japanese floor boards. It's for sharpening the stones.... Okay, that's a new one. Can I use that? Like the Cheops Razor Blade Pyramids? I had one as a kid. BTW - How big is this thing meant to be ? Sizes for stones and such are quite fanatically constrained, but I've never seen anything written about sizing heso. Sorry, "heso" isn't in my rudimentary go vocabulary. I made up a full size and a quarter-size board (probably an Xmas present for my son), then inlayed them with white-dyed epoxy. When I've worked out how to flatten the inlay without damaging the surface, they'll be done. A white grid? Now who's violating tradition? Wanna see some interesting go board inlays? http://www.kmp.co.kr/ The six-figure prices are real. The site once had extensive photo coverage of the process but they must have taken them down, I couldn't find them. Your boy might enjoy the manga/anime "Hikaru No Go." http://senseis.xmp.net/?HikaruNoGo http://www.xs4all.nl/~rongen17/Hikaru/ http://www.animenewsnetwork.com/ency...ime.php?id=912 IMHO, the crucial question here is thickness. I'm not going to mess around doing an 18" wide glueup of narrow strips, and a glueup of 2 or 3 wide strips wouldn't be stable unless they were at least 2" thick (and eating into my best quality prime-cut timber pile). I make such glueups regularly for cabinets, but they have some sort of bracing or breadboard end, not a bare board. For a thickness beneath this, plywood (or MDF, for I have no shame and it is denser) is a better substrate, even if I need to veneer it. For a thick board, I'd really feel that it was solid timber or nothing. I've got lime here that could make a goban, but even at that thickness it would be quite lightweight. It would be a lovely commercial project if someone wanted to pay for it, but I'm not giving up the thick timber when I don't need to. Thanks for the running conversation. I'm in over my head at this point! |
#17
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#18
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On 10 Oct 2004 15:49:43 -0700, (David Bogie) wrote:
wrote in message . .. On 7 Oct 2004 20:03:05 -0700, (David Bogie) wrote: Umm, it's hypothetical. But thanks for posting once. Can I get one more? Let's just say it's ornamental and cost isn't a factor. What I'm after is why you might choose one method over the other. david boise ID so your question was lacking, if you meant it to return some real data. Data wasn't necessary, just an opinion. Lacking? Sorry you thought so. Silly of me, astute of you. But I don't have your woodworking skills nor do I have your experience. david boise ID I didn't mean to impugn your woodworking skills or your experience, just pointing out that your question did not present in a way that we could clearly see what it was that you wanted. nothing personal.... |
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