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Birch knots
On Tue, 7 Sep 2004 20:12:38 -0700, Larry Blanchard
wrote: I'm building a secretary desk (to fit under the model railroad) out of "natural" birch. Thats where the white sapwood and the brown heartwood are both used. I think it's a great effect, some think it's too garish. But that's not the question. A lot of the heartwood has small tight knots. Some of these knots have cracks (usually radial) but they're not loose. I've got two ideas for dealing with them. One, and the way I'm leaning, is to fill the cracks with a clear epoxy so they're still visible but the surface is smooth. My other idea is to drill them out and put in a patch. Any comments? Anyone got other ideas? If the knots are tight, why not just leave them? Sometimes they can add interest to a piece. Is the idea of the epoxy to smooth over the cracks so they don't interfere with the function of the desk? |
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On Tue, 7 Sep 2004 20:12:38 -0700, Larry Blanchard
wrote: One, and the way I'm leaning, is to fill the cracks with a clear epoxy so they're still visible but the surface is smooth. My other idea is to drill them out and put in a patch. Epoxy will probably look much better than patches. Experiment with a little tint in the epoxy on some scrap. Planing or scraping the excess epoxy works much better for me than sanding it smooth. Barry |
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Larry Blanchard wrote in message ...
I'm building a secretary desk (to fit under the model railroad) out of "natural" birch. Thats where the white sapwood and the brown heartwood are both used. I think it's a great effect, some think it's too garish. But that's not the question. A lot of the heartwood has small tight knots. Some of these knots have cracks (usually radial) but they're not loose. I've got two ideas for dealing with them. One, and the way I'm leaning, is to fill the cracks with a clear epoxy so they're still visible but the surface is smooth. My other idea is to drill them out and put in a patch. Any comments? Anyone got other ideas? Hi Larry, I'd suggest the epoxy. I too, love the variation in heartwood and sapwood. But then, I like it in cherry and walnut, also, in the right piece or floor. I would like to comment on the knots and cracks in the heartwood, which I personally like the look of but wonder why so many people think that heartwood has superior quality when it's actually the dead part of the log and where the knots, cracks, and rot are? I'm thinking of the Lowe's commercial that says all their framing materials come from heartwood. Like that's a selling point?! I can tell that guy never spent a day on the sawmill. Another one is "heart pine". Guess I should quit sawing cants. One other little bit of information about birch that you may or may not know is that "red pine" is just the heartwood sorted out of white birch. Jana |
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I'll agree with your last sentence.
Commercial varieties of birch are generally divided into "white" and "yellow" for marketing purposes. This is loosely based on the color of the bark, not the wood, with the yellow birch the harder, denser, and more valuable. There is a yellow birch sport , according to some, a separate species, according to others, called a "black" or "cherry" birch, which has a much darker bark, and runs very pink in even the sapwood. Has nothing to do with minerals in the soil, as the tree takes what it wants and leaves the rest behind in the roots. There is a chemical change which takes place in the sapwood, aging it into the darker heart. The wood I was bucking up before dinner, cut last summer, has had time to turn pink from center to cambium, and has an entirely different smell when split. For a woodturner, it's a lot of fun to have pieces from fresh yellow birch, aged, and spalted. You'd almost think it was from different trees. You can do the same with soft maple. Oh yes, red pines and white pines are pretty much the same - commercial divisions, though there are "red pine" - Pinus resinosa - and "white pine" - Pinus strobus - which are the two most commercially valuable species in the east and midwest. I don't know everything, but I know a damn good place to read up on wood: http://www.fpl.fs.fed.us/TMU/publications.htm "Jana" wrote in message om... So our birch must be a different variety than what you're used to seeing. Hi Larry, One possibility could easily be the region where it grew. I know the soil can have a lot to do with the tone the lumber has. Here in the Midwest, where the soil is rich and black, the grain tends to be more true compared to where the soil is red, such as out East. That's why all the veneer buyers are after the walnut and cherry that grows here. That, along with, the tight growth rings. On the other hand, I can't say I know everything. Jana |
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"George" george@least wrote in message ...
I'll agree with your last sentence. Commercial varieties of birch are generally divided into "white" and "yellow" for marketing purposes. This is loosely based on the color of the bark, not the wood, with the yellow birch the harder, denser, and more valuable. There is a yellow birch sport , according to some, a separate species, according to others, called a "black" or "cherry" birch, which has a much darker bark, and runs very pink in even the sapwood. Has nothing to do with minerals in the soil, as the tree takes what it wants and leaves the rest behind in the roots. There is a chemical change which takes place in the sapwood, aging it into the darker heart. The wood I was bucking up before dinner, cut last summer, has had time to turn pink from center to cambium, and has an entirely different smell when split. For a woodturner, it's a lot of fun to have pieces from fresh yellow birch, aged, and spalted. You'd almost think it was from different trees. You can do the same with soft maple. Oh yes, red pines and white pines are pretty much the same - commercial divisions, though there are "red pine" - Pinus resinosa - and "white pine" - Pinus strobus - which are the two most commercially valuable species in the east and midwest. I don't know everything, but I know a damn good place to read up on wood: http://www.fpl.fs.fed.us/TMU/publications.htm "Jana" wrote in message om... So our birch must be a different variety than what you're used to seeing. Hi Larry, One possibility could easily be the region where it grew. I know the soil can have a lot to do with the tone the lumber has. Here in the Midwest, where the soil is rich and black, the grain tends to be more true compared to where the soil is red, such as out East. That's why all the veneer buyers are after the walnut and cherry that grows here. That, along with, the tight growth rings. On the other hand, I can't say I know everything. Jana Ok George, With 36 years combined experience between my husband and myself in the lumber business milling between a million and two million bf on any given year should say I know a little how the market works. Weyerheauser will only take the heartwood of white birch and they call it red birch. I never said the sapwood was yellow birch. If you want to argue about the mineral comment....just open your eyes and look at it. You should read the hardwood market report. |
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