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#1
Posted to rec.woodworking
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what is best way to glue small sculpture
Hi-I am refinishing a small Jesus figure from a crucifix. It is carved
out of cedar and both arms have seperated from the body at the shoulder. There are small spike type things in each arm that have held the arms in place. I'm curious to know the best method for gluing the arms back on to minimise the apperance of the seam at the shoulder. This image is close to the figure I have: http://cgi.ebay.com/Beautiful-Hand-C...QQcmdZViewItem |
#2
Posted to rec.woodworking
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what is best way to glue small sculpture
cheezecorn wrote: Hi-I am refinishing a small Jesus figure from a crucifix. It is carved out of cedar and both arms have seperated from the body at the shoulder. There are small spike type things in each arm that have held the arms in place. I'm curious to know the best method for gluing the arms back on to minimise the apperance of the seam at the shoulder. This image is close to the figure I have: http://cgi.ebay.com/Beautiful-Hand-C...QQcmdZViewItem The problem with re-glueing is the residue of old glue left in the joint. Even if you can get your new glue to stick to the old glue, your bond is still only as strong as the old-glue-to-wood bond; and that was the one that failed in the first place. So, your first task is to get back down to bare wood on both surfaces yet still keep a good joint without gaps. That may be nearly impossible given the small size of your figure. I'd try gently scraping the surfaces with a single edge razor blade or exacto knife. If you can get to a point where you have bare wood on both mating surfaces, then dry clamp it with rubber bands or something to figure out how you're going to hold it in position while the glue dries. It's not necessary to apply a lot of pressure as long as you can keep it in contact without moving for 30 minutes or so. I'd use a regular wood glue such as Titebond, or Elmer's Carpenter's Glue. You can wipe away the squeeze-out with a damp rag before the glue dries. DonkeyHody "A bulldog can whip a skunk, but it's probably not worth it." |
#3
Posted to rec.woodworking
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what is best way to glue small sculpture
"cheezecorn" wrote in message ups.com... Hi-I am refinishing a small Jesus figure from a crucifix. It is carved out of cedar and both arms have seperated from the body at the shoulder. There are small spike type things in each arm that have held the arms in place. I'm curious to know the best method for gluing the arms back on to minimise the apperance of the seam at the shoulder. This image is close to the figure I have: http://cgi.ebay.com/Beautiful-Hand-C...QQcmdZViewItem Your eBay ad doesn't mention that the arms have fallen off..... |
#4
Posted to rec.woodworking
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what is best way to glue small sculpture
"Locutus" wrote in message ... "cheezecorn" wrote in message ups.com... Hi-I am refinishing a small Jesus figure from a crucifix. It is carved out of cedar and both arms have seperated from the body at the shoulder. There are small spike type things in each arm that have held the arms in place. I'm curious to know the best method for gluing the arms back on to minimise the apperance of the seam at the shoulder. This image is close to the figure I have: http://cgi.ebay.com/Beautiful-Hand-C...QQcmdZViewItem Your eBay ad doesn't mention that the arms have fallen off..... He also states that the image is close to what he has, not that it is it. |
#5
Posted to rec.woodworking
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what is best way to glue small sculpture
Locutus wrote:
http://cgi.ebay.com/Beautiful-Hand-C...QQcmdZViewItem Your eBay ad doesn't mention that the arms have fallen off..... That's probably why he's in such a hurry to get them glued back on. ;-) Bill -- If God didn't exist, there would be no need for atheists. |
#6
Posted to rec.woodworking
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what is best way to glue small sculpture
Take an arm and very carefully place it back back in the position it was in
orginaly. Look at it carefully and find any irrugularities in the joint. remove the arm and carefully use an emory board to sand out any old glue and irruglarlities in the joint. when you have as tight a fit as you can get glue it back in place with a good wood glue. the tightness and fit of the joint are what will hid the joint not the glue (I like to use Elmers white glue for this kind of repair) be sure to clean off any glue that leaks out of the joint while the joint is wet (at this point I usually rub in fine sawdust from the same type of wood). Be sure to clamp carefully and tightly (this may take some creative clamping, I have had to hold some items by hand for an hour to get them right,not much fun.) After 24 hours sand with fine sand paper around the joint to clean up the joint and then use med sand paper to lightly roughen the surface and give it a mat finish which will further soften the look of the look of the joint and help hid it.(in this case 100 grit is med) Good luck to do this right is slow work so don't get in a rush. "Locutus" wrote in message ... "cheezecorn" wrote in message ups.com... Hi-I am refinishing a small Jesus figure from a crucifix. It is carved out of cedar and both arms have seperated from the body at the shoulder. There are small spike type things in each arm that have held the arms in place. I'm curious to know the best method for gluing the arms back on to minimise the apperance of the seam at the shoulder. This image is close to the figure I have: http://cgi.ebay.com/Beautiful-Hand-C...QQcmdZViewItem Your eBay ad doesn't mention that the arms have fallen off..... |
#7
Posted to rec.woodworking
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what is best way to glue small sculpture
I wouldn't use a glue that requires clamping (such as white or yellow
glue) for a repair like this. The required clamping pressure for a good bond is 150 psi. Titebond may "recommend" 150 psi, but that sort of pressure is rarely seen in woodworking, and would often produce poor joints if it were. Even on edge-to-edge joints to make a panel, you'd have to apply a clamp every few inches to apply that much pressure, and it would likely bow the panel. How would you ever create the ELEVEN THOUSAND POUNDS of pressure required to glue 10 inch discs together to make a bowl blank? Here's an experiment for you to try. Take two boards about 3/4 thick and something over a foot long with good straight edges. Secure one board so that the long edge is up. Spread glue on that edge and slide the edge of the other board back and forth a few times on the glue, then let it sit with the second board resting on top of the first. No clamps across the joint at all, just gravity holding the joint together. Wait 24 hours and break the joint. Then come back and tell me yellow glue needs 150 psi to hold the arms on a wooden statue of Jesus. DonkeyHody "We should be careful to get out of an experience only the wisdom that is in it - and stop there; lest we be like the cat that sits down on a hot stove-lid. She will never sit down on a hot stove-lid again---and that is well; but also she will never sit down on a cold one anymore." - Mark Twain |
#8
Posted to rec.woodworking
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what is best way to glue small sculpture
"DonkeyHody" wrote in message ps.com... I wouldn't use a glue that requires clamping (such as white or yellow glue) for a repair like this. The required clamping pressure for a good bond is 150 psi. Titebond may "recommend" 150 psi, but that sort of pressure is rarely seen in woodworking, and would often produce poor joints if it were. Even on edge-to-edge joints to make a panel, you'd have to apply a clamp every few inches to apply that much pressure, and it would likely bow the panel. How would you ever create the ELEVEN THOUSAND POUNDS of pressure required to glue 10 inch discs together to make a bowl blank? Here's an experiment for you to try. Take two boards about 3/4 thick and something over a foot long with good straight edges. Secure one board so that the long edge is up. Spread glue on that edge and slide the edge of the other board back and forth a few times on the glue, then let it sit with the second board resting on top of the first. No clamps across the joint at all, just gravity holding the joint together. Wait 24 hours and break the joint. Then come back and tell me yellow glue needs 150 psi to hold the arms on a wooden statue of Jesus. DonkeyHody This might be in poor taste, but I can't resist. Shouldn't the arms be held on with nails? |
#9
Posted to rec.woodworking
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what is best way to glue small sculpture
On Fri, 01 Dec 2006 08:35:09 -0800, DonkeyHody wrote:
I wouldn't use a glue that requires clamping (such as white or yellow glue) for a repair like this. The required clamping pressure for a good bond is 150 psi. Titebond may "recommend" 150 psi, but that sort of pressure is rarely seen in woodworking, and would often produce poor joints if it were. Even on edge-to-edge joints to make a panel, you'd have to apply a clamp every few inches to apply that much pressure, and it would likely bow the panel. How would you ever create the ELEVEN THOUSAND POUNDS of pressure required to glue 10 inch discs together to make a bowl blank? 20 ton bottle jack. Press it against the mainbeam on the building. If the building lifts that's a sign that you need a bigger shop grin. Here's an experiment for you to try. Take two boards about 3/4 thick and something over a foot long with good straight edges. Secure one board so that the long edge is up. Spread glue on that edge and slide the edge of the other board back and forth a few times on the glue, then let it sit with the second board resting on top of the first. No clamps across the joint at all, just gravity holding the joint together. Wait 24 hours and break the joint. Then come back and tell me yellow glue needs 150 psi to hold the arms on a wooden statue of Jesus. Trouble is those arms are probably end grain to end grain. But still they shouldn't be getting much load. DonkeyHody "We should be careful to get out of an experience only the wisdom that is in it - and stop there; lest we be like the cat that sits down on a hot stove-lid. She will never sit down on a hot stove-lid again---and that is well; but also she will never sit down on a cold one anymore." - Mark Twain -- --John to email, dial "usenet" and validate (was jclarke at eye bee em dot net) |
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