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Woodturning (rec.crafts.woodturning) To discuss tools, techniques, styles, materials, shows and competitions, education and educational materials related to woodturning. All skill levels are welcome, from art turners to production turners, beginners to masters. |
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#1
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Getting back on the horse
I would like to hear comments from people what they do when a hollow
form shatters on the lathe. I had my Sorby "Texan" tool break between the shaft and the handle on Saturday and it exploded half the top off my latest hollow form which was gargantuan, and I was really looking forward to the new masterpiece. It is large, unusual, difficult, pushing my abilities, but I was succeeding and was half done with the hollowing when this happened. In a high risk/high payoff venture such as this there are bound to be disappointments. What do you do to alleviate the pain and get back on the horse? I find sometimes it's good to have another piece nearby to get working on it right away. Sometimes I see that my shop has become so cluttered with the tools I got out for the project I have to clean up before I can work ,but in doing so, I make room, clear my head and sometimes find things I thought were missing, or forgot about, and find new inspiration there. What about resurrection of the exploded piece? I have so much work in this, and it is so unusual and spectacular I think it's worth finishing and gluing the jigsaw puzzle back together. Even with scars, I'll enjoy having it around. I have done this before and have not regretted the repair work, even though it won't be as valuable as a pristine piece. What do you do? |
#2
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Getting back on the horse
Mark
If it breaks it is kindling or I keep it around to learn from the mistakes. I feel that you are not pushing the envelope and thus not learning unless something breaks now and then or at least comes out after a lot of work and you ask "why did I bother?" The reason is, to learn. I hear you about having to clean the shop after every project. It does clear the mind, but seldom the work bench. Man I can make a mess. Over and over I say I am going to put everything away as I go. Hah! However, it does clear the mind for the next shot, so it is not a total waste. As an aside, Ellsworth says that now and then we should turn a pot and run it through the bandsaw to see how we are doing. Definitely an ouch, but a good learning experience. If you blow out the side, no sweat. Two learning experiences for the price of one :-) -- God bless and safe turning Darrell Feltmate Truro, NS Canada http://aroundthewoods.com http://roundopinions.blogspot.com "Mark Fitzsimmons" wrote in message ... I would like to hear comments from people what they do when a hollow form shatters on the lathe. I had my Sorby "Texan" tool break between the shaft and the handle on Saturday and it exploded half the top off my latest hollow form which was gargantuan, and I was really looking forward to the new masterpiece. It is large, unusual, difficult, pushing my abilities, but I was succeeding and was half done with the hollowing when this happened. In a high risk/high payoff venture such as this there are bound to be disappointments. What do you do to alleviate the pain and get back on the horse? I find sometimes it's good to have another piece nearby to get working on it right away. Sometimes I see that my shop has become so cluttered with the tools I got out for the project I have to clean up before I can work ,but in doing so, I make room, clear my head and sometimes find things I thought were missing, or forgot about, and find new inspiration there. What about resurrection of the exploded piece? I have so much work in this, and it is so unusual and spectacular I think it's worth finishing and gluing the jigsaw puzzle back together. Even with scars, I'll enjoy having it around. I have done this before and have not regretted the repair work, even though it won't be as valuable as a pristine piece. What do you do? |
#3
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Getting back on the horse
I usually go to the house, pull out the hotdogs and marshmallows, and call
the kids over for a good fire. JD "Mark Fitzsimmons" wrote in message ... I would like to hear comments from people what they do when a hollow form shatters on the lathe. I had my Sorby "Texan" tool break between the shaft and the handle on Saturday and it exploded half the top off my latest hollow form which was gargantuan, and I was really looking forward to the new masterpiece. It is large, unusual, difficult, pushing my abilities, but I was succeeding and was half done with the hollowing when this happened. In a high risk/high payoff venture such as this there are bound to be disappointments. What do you do to alleviate the pain and get back on the horse? I find sometimes it's good to have another piece nearby to get working on it right away. Sometimes I see that my shop has become so cluttered with the tools I got out for the project I have to clean up before I can work ,but in doing so, I make room, clear my head and sometimes find things I thought were missing, or forgot about, and find new inspiration there. What about resurrection of the exploded piece? I have so much work in this, and it is so unusual and spectacular I think it's worth finishing and gluing the jigsaw puzzle back together. Even with scars, I'll enjoy having it around. I have done this before and have not regretted the repair work, even though it won't be as valuable as a pristine piece. What do you do? |
#4
Posted to rec.crafts.woodturning
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Getting back on the horse
While I understand the appeal of turning BIG and the appeal
of turning hollow forms and the appeal of what Jimmy Clewes calls "Hero Cuts" - the ones that put most turner's teeth on edge and make the hair on the back of their necks rise - I can't understand why avoidable risks are taken. Hand held, and hand CONTROLLED tools have limits - as you discovered. With the various "captured" rigs out there, with an attachment for just about anything you can think of, and as beefy as you want to go and let the "capture" of the rig take the brunt of a mishap - rather than your hand, forearm, arm, shoulder - or in one case I've heard of - a few ribs - why "fly without a net"? And most of these rigs have a laser pointer option so you can tell where the cutting edge is inside the hollow form - that you probably can't see - so you can turn thinner walls without wondering "Is this pass going to cut THROUGH the wall?". Call it "a healthy respect for" or a "justified fear of" but there's a fine line between "fearless" and "dead". The trick of differentiating between apprehension and warranted fear is the tricky part. I'm betting you've already got a pretty good idea of what went wrong, and maybe have come up with ways to avoid what went wrong this time. Walking away after an incident like this and doing something else will allow the adrenaline - and disappointment - to diminish and allow the rational, problem solving part of the brain to do its job. Some lower risk turning may keep the muscle memory tuned up and let the brain generate some chemical amnesiacs that will overcome some of the mental impediments an "unpleasant experience" might cause that can get in your way. But - if every cell in your body is yelling DON'T! it's probably best to listen - and figure out another way. If the pieces I found by "googling" your name (actually I used www.alltheweb.com) are representative of the pieces you turn, you clearly have the skills to turn BIG - even in less than perfect wood. So I'm guessing that you were either just unlucky - or dropped you concentration for a fraction of a second. I'm glad it was the tool that broke and not any parts of you. To avoid damage to your self maybe a "captured system" might be worth looking into. charlie b |
#5
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Getting back on the horse
On Mon, 17 Mar 2008 11:57:14 -0700 (PDT), Mark Fitzsimmons
wrote: I can't really relate to hollow form turning, Mark, but I can maybe explain my outlook on my stuff... You say that the piece was "large, unusual, difficult, pushing my abilities", right? I think that's a good thing and I try to do it often... I also know that either my shape or whatever might be ugly, or my idea might not work... or that the technique I tried might not be the right one or maybe I'm not ready for it... Some of my turnings come apart or just are not things that I'm happy with, but IMHO, if you're not pushing the edge and learning, it's no fun... You have to expect some failures on new things, just like you have to expect a new turner to fail on some easy things... I guess that's how or skills and creativity evolve... Or, OTOH, we can be very safe and conservative and have no failures, and become bored or stagnated.. Just plan another project that's a little farther out of the box and go for it.. Oh.. after explaining to your kids that you didn't fail, you just found another way that it didn't work... /soapbox I would like to hear comments from people what they do when a hollow form shatters on the lathe. I had my Sorby "Texan" tool break between the shaft and the handle on Saturday and it exploded half the top off my latest hollow form which was gargantuan, and I was really looking forward to the new masterpiece. It is large, unusual, difficult, pushing my abilities, but I was succeeding and was half done with the hollowing when this happened. In a high risk/high payoff venture such as this there are bound to be disappointments. What do you do to alleviate the pain and get back on the horse? I find sometimes it's good to have another piece nearby to get working on it right away. Sometimes I see that my shop has become so cluttered with the tools I got out for the project I have to clean up before I can work ,but in doing so, I make room, clear my head and sometimes find things I thought were missing, or forgot about, and find new inspiration there. What about resurrection of the exploded piece? I have so much work in this, and it is so unusual and spectacular I think it's worth finishing and gluing the jigsaw puzzle back together. Even with scars, I'll enjoy having it around. I have done this before and have not regretted the repair work, even though it won't be as valuable as a pristine piece. What do you do? mac Please remove splinters before emailing |
#6
Posted to rec.crafts.woodturning
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Getting back on the horse
"Mark Fitzsimmons" wrote in message ... I would like to hear comments from people what they do when a hollow form shatters on the lathe. I had my Sorby "Texan" tool break between the shaft and the handle on Saturday and it exploded half the top off my latest hollow form which was gargantuan, and I was really looking forward to the new masterpiece. It is large, unusual, difficult, pushing my abilities, but I was succeeding and was half done with the hollowing when this happened. In a high risk/high payoff venture such as this there are bound to be disappointments. What do you do to alleviate the pain and get back on the horse? I find sometimes it's good to have another piece nearby to get working on it right away. Sometimes I see that my shop has become so cluttered with the tools I got out for the project I have to clean up before I can work ,but in doing so, I make room, clear my head and sometimes find things I thought were missing, or forgot about, and find new inspiration there. What about resurrection of the exploded piece? I have so much work in this, and it is so unusual and spectacular I think it's worth finishing and gluing the jigsaw puzzle back together. Even with scars, I'll enjoy having it around. I have done this before and have not regretted the repair work, even though it won't be as valuable as a pristine piece. What do you do? Are you serious? I cuss like a muleskinner! B. |
#7
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Getting back on the horse
A quote from Bill Grumbine "bad words were said". Mostly I get a bit
peaved because I know I made a mistake that I probably shouldn't have. So, I get back on the horse again and work at it until I get it right. Like the old saying, we learn from our mistakes, which makes me the smartest person on earth. Maybe this is similar to when people ask me if I ever get so attached to a piece that I can't sell it. No, I can't wait to see what the next piece will look like. robo hippy Mar 17, 3:35*pm, "Buddy Matlosz" wrote: "Mark Fitzsimmons" wrote in message ... I would like to hear comments from people what they do when a hollow form shatters on the lathe. I had my Sorby "Texan" tool break between the shaft and the handle on Saturday and it exploded half the top off my latest hollow form which was gargantuan, and I was really looking forward to the new masterpiece. It is large, unusual, difficult, pushing my abilities, but I was succeeding and was half done with the hollowing when this happened. In a high risk/high payoff venture such as this there are bound to be disappointments. What do you do to alleviate the pain and get back on the horse? I find sometimes it's good to have another piece nearby to get working on it right away. Sometimes I see that my shop has become so cluttered with the tools I got out for the project I have to clean up before I can work ,but in doing so, I make room, clear my head and sometimes find things I thought were missing, or forgot about, and find new inspiration there. What about resurrection of the exploded piece? I have so much work in this, and it is so unusual and spectacular I think it's worth finishing and gluing the jigsaw puzzle back together. Even with scars, I'll enjoy having it around. I have done this before and have not regretted the repair work, even though it won't be as valuable as a pristine piece. What do you do? Are you serious? I cuss like a muleskinner! B. |
#8
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Getting back on the horse
On Mon, 17 Mar 2008 19:28:45 -0700 (PDT), robo hippy
wrote: A quote from Bill Grumbine "bad words were said". Mostly I get a bit peaved because I know I made a mistake that I probably shouldn't have. So, I get back on the horse again and work at it until I get it right. Like the old saying, we learn from our mistakes, which makes me the smartest person on earth. Maybe this is similar to when people ask me if I ever get so attached to a piece that I can't sell it. No, I can't wait to see what the next piece will look like. robo hippy I learned today that it can help to get attached to a piece, Reed... I did an ironwood freeform kind of thing a few months ago that Nan & I really liked... I priced it at $185, over twice my normal, figuring that it would look cool at shows and then we could put it on our coffee table.. Damned if some lady that came to the house with a friend of ours didn't buy it today... I still can't believe that folks spend that kind of money on a chunk of wood.. mac Please remove splinters before emailing |
#9
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Getting back on the horse
Mac,
I've done the exact same thing. My wife and I fell in love with a spalted maple bowl. I priced it 2 1/2 time more than my normal price. Some lady my wife works with saw it and bought it without hesitation. so it goes. JD "mac davis" wrote in message ... On Mon, 17 Mar 2008 19:28:45 -0700 (PDT), robo hippy wrote: A quote from Bill Grumbine "bad words were said". Mostly I get a bit peaved because I know I made a mistake that I probably shouldn't have. So, I get back on the horse again and work at it until I get it right. Like the old saying, we learn from our mistakes, which makes me the smartest person on earth. Maybe this is similar to when people ask me if I ever get so attached to a piece that I can't sell it. No, I can't wait to see what the next piece will look like. robo hippy I learned today that it can help to get attached to a piece, Reed... I did an ironwood freeform kind of thing a few months ago that Nan & I really liked... I priced it at $185, over twice my normal, figuring that it would look cool at shows and then we could put it on our coffee table.. Damned if some lady that came to the house with a friend of ours didn't buy it today... I still can't believe that folks spend that kind of money on a chunk of wood.. mac Please remove splinters before emailing |
#10
Posted to rec.crafts.woodturning
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Getting back on the horse
When people ask me how I price my work, I tell them that wood type and
rarity are part, size, and difficulty in turning it, and how much I like it. robo hippy On Mar 18, 4:31*am, "JD" wrote: Mac, I've done the exact same thing. My wife and I fell in love with a spalted maple bowl. I priced it 2 1/2 time more than my normal price. Some lady my wife works with saw it and bought it without hesitation. so it goes. JD "mac davis" wrote in message ... On Mon, 17 Mar 2008 19:28:45 -0700 (PDT), robo hippy wrote: A quote from Bill Grumbine "bad words were said". Mostly I get a bit peaved because I know I made a mistake that I probably shouldn't have. So, I get back on the horse again and work at it until I get it right. Like the old saying, we learn from our mistakes, which makes me the smartest person on earth. Maybe this is similar to when people ask me if I ever get so attached to a piece that I can't sell it. No, I can't wait to see what the next piece will look like. robo hippy I learned today that it can help to get attached to a piece, Reed... I did an ironwood freeform kind of thing a few months ago that Nan & I really liked... I priced it at $185, over twice my normal, figuring that it would look cool at shows and then we could put it on our coffee table.. Damned if some lady that came to the house with a friend of ours didn't buy it today... I still can't believe that folks spend that kind of money on a chunk of wood.. mac Please remove splinters before emailing |
#11
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Getting back on the horse
On Tue, 18 Mar 2008 06:31:27 -0500, "JD" wrote:
Mac, I've done the exact same thing. My wife and I fell in love with a spalted maple bowl. I priced it 2 1/2 time more than my normal price. Some lady my wife works with saw it and bought it without hesitation. so it goes. JD Amazing, isn't it? I have my wife price most of my stuff because to me it's just a chunk of wood that I had fun with, and when it's done my head is already into the next piece.. "mac davis" wrote in message .. . On Mon, 17 Mar 2008 19:28:45 -0700 (PDT), robo hippy wrote: A quote from Bill Grumbine "bad words were said". Mostly I get a bit peaved because I know I made a mistake that I probably shouldn't have. So, I get back on the horse again and work at it until I get it right. Like the old saying, we learn from our mistakes, which makes me the smartest person on earth. Maybe this is similar to when people ask me if I ever get so attached to a piece that I can't sell it. No, I can't wait to see what the next piece will look like. robo hippy I learned today that it can help to get attached to a piece, Reed... I did an ironwood freeform kind of thing a few months ago that Nan & I really liked... I priced it at $185, over twice my normal, figuring that it would look cool at shows and then we could put it on our coffee table.. Damned if some lady that came to the house with a friend of ours didn't buy it today... I still can't believe that folks spend that kind of money on a chunk of wood.. mac Please remove splinters before emailing mac Please remove splinters before emailing |
#12
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Getting back on the horse
On Tue, 18 Mar 2008 08:19:10 -0700 (PDT), robo hippy
wrote: When people ask me how I price my work, I tell them that wood type and rarity are part, size, and difficulty in turning it, and how much I like it. robo hippy Yep.. I find that a lot with pens, a big seller down here.... The less I like it, the lower the price.. Hey dude, the Baja 250 crowd went home, spring break is starting, and the striped bass are hitting like crazy... when you coming down?? mac Please remove splinters before emailing |
#13
Posted to rec.crafts.woodturning
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Getting back on the horse
"mac davis" wrote in message ... On Mon, 17 Mar 2008 19:28:45 -0700 (PDT), robo hippy wrote: A quote from Bill Grumbine "bad words were said". Mostly I get a bit peaved because I know I made a mistake that I probably shouldn't have. So, I get back on the horse again and work at it until I get it right. Like the old saying, we learn from our mistakes, which makes me the smartest person on earth. Maybe this is similar to when people ask me if I ever get so attached to a piece that I can't sell it. No, I can't wait to see what the next piece will look like. robo hippy I learned today that it can help to get attached to a piece, Reed... I did an ironwood freeform kind of thing a few months ago that Nan & I really liked... I priced it at $185, over twice my normal, figuring that it would look cool at shows and then we could put it on our coffee table.. Damned if some lady that came to the house with a friend of ours didn't buy it today... I still can't believe that folks spend that kind of money on a chunk of wood.. mac Please remove splinters before emailing Well MAC if you don't feel right about taken all that money just send me whatever you feel is too much. I promise that it will all be spent on wood. Marty |
#14
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Getting back on the horse
On Mar 17, 10:57 am, Mark Fitzsimmons
wrote: I would like to hear comments from people what they do when a hollow form shatters on the lathe. I had my Sorby "Texan" tool break between the shaft and the handle on Saturday and it exploded half the top off my latest hollow form which was gargantuan, and I was really looking forward to the new masterpiece. It is large, unusual, difficult, pushing my abilities, but I was succeeding and was half done with the hollowing when this happened. In a high risk/high payoff venture such as this there are bound to be disappointments. What do you do to alleviate the pain and get back on the horse? I find sometimes it's good to have another piece nearby to get working on it right away. Sometimes I see that my shop has become so cluttered with the tools I got out for the project I have to clean up before I can work ,but in doing so, I make room, clear my head and sometimes find things I thought were missing, or forgot about, and find new inspiration there. What about resurrection of the exploded piece? I have so much work in this, and it is so unusual and spectacular I think it's worth finishing and gluing the jigsaw puzzle back together. Even with scars, I'll enjoy having it around. I have done this before and have not regretted the repair work, even though it won't be as valuable as a pristine piece. What do you do? Hello Mark, A number of years ago, I was testing the Kelton Hollowers and was very pleased with the way the hollowing was going. I had a little ridge in the piece and went back in to remove it. You guessed it I removed it right through the side. Like you I was disgusted. Then I looked and it and cut away the top to clean it up and had a nice end grain bowl with very thin walls. I finished it up and turned away the foot to make it a round bottomed bowl. At the next craft show I attended it was the first piece to sell, so it really wasn't a failure at all simply an opportunity for re-design. Since that time, I've considered all problems in turning to be simply an opportunity for redesign. Fred Holder www.morewoodturning.net |
#15
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Getting back on the horse
On Tue, 18 Mar 2008 15:43:22 -0500, "MGIB" wrote:
"mac davis" wrote in message .. . On Mon, 17 Mar 2008 19:28:45 -0700 (PDT), robo hippy wrote: A quote from Bill Grumbine "bad words were said". Mostly I get a bit peaved because I know I made a mistake that I probably shouldn't have. So, I get back on the horse again and work at it until I get it right. Like the old saying, we learn from our mistakes, which makes me the smartest person on earth. Maybe this is similar to when people ask me if I ever get so attached to a piece that I can't sell it. No, I can't wait to see what the next piece will look like. robo hippy I learned today that it can help to get attached to a piece, Reed... I did an ironwood freeform kind of thing a few months ago that Nan & I really liked... I priced it at $185, over twice my normal, figuring that it would look cool at shows and then we could put it on our coffee table.. Damned if some lady that came to the house with a friend of ours didn't buy it today... I still can't believe that folks spend that kind of money on a chunk of wood.. mac Please remove splinters before emailing Well MAC if you don't feel right about taken all that money just send me whatever you feel is too much. I promise that it will all be spent on wood. Marty Damn, what a nice guy... lol mac Please remove splinters before emailing |
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