Home |
Search |
Today's Posts |
|
UK diy (uk.d-i-y) For the discussion of all topics related to diy (do-it-yourself) in the UK. All levels of experience and proficency are welcome to join in to ask questions or offer solutions. |
Reply |
|
LinkBack | Thread Tools | Display Modes |
#1
Posted to uk.d-i-y
|
|||
|
|||
[ping] Dave Plowman
Dave, (or indeed anyone) do you have experience of recording acoustic
guitar and can you recommend a good microphone to use with valve preamp? A friend is making a home recording studio and is looking for tips. Not a big budget so £2500 omnidirectional condensers are out of the question. |
#2
Posted to uk.d-i-y
|
|||
|
|||
[ping] Dave Plowman
In article
, Steve Firth wrote: Dave, (or indeed anyone) do you have experience of recording acoustic guitar and can you recommend a good microphone to use with valve preamp? A friend is making a home recording studio and is looking for tips. Not a big budget so £2500 omnidirectional condensers are out of the question. I'm a bit out of touch these days being retired - and never knew much about mics other than pro ones. Apart from you tend to get what you pay for.;-) My personal favourite for acoustic guitar is the AKG C451 which was made for many years and in vast quantities. I'd expect they would be easy to pickup secondhand. [later] Lots on Ebay both new and secondhand - seems they have re-introduced them. Priced from about 150-250 quid. Many say there are Chinese/Russian valve condensers which are very good at the price - round about 100. No experience of them, I'm afraid. -- *Windows will never cease * Dave Plowman London SW To e-mail, change noise into sound. |
#3
Posted to uk.d-i-y
|
|||
|
|||
[ping] Dave Plowman
Steve Firth wrote:
Dave, (or indeed anyone) do you have experience of recording acoustic guitar and can you recommend a good microphone to use with valve preamp? A friend is making a home recording studio and is looking for tips. Not a big budget so £2500 omnidirectional condensers are out of the question. This subject is regularly done to death on rec.audio.pro Check the archive, then, if necessary, ask a question while wearing flame proof clothing. The consensus varies, depending on the room, the style of playing, and the preferred type of sound. And the exact preamp model, as some microphones will work well with some preamps and not others. The most important bit is to get the room to sound good first, then try a few microphones and preamps in the room. Microphone positions can make a mediocre mic sound good, or a great mic sound mediocre. Use rentals, or a number of real Pro Audio dealers (not Academy of Sound or DV 247 or whatever they're called this month) will take one back for a small rstocking fee if you don't like it. As a start, check out the Rode microphones for good value on a budget. Getting the room right will make more difference than spending any amount of money on a top class microphone, though. If he's building a studio in an existing room, Ethan Winer's site:- http://www.ethanwiner.com/acoustics.html Is worth a read, even if only to work out what problems you might have with room size. -- Tciao for Now! John. |
#4
Posted to uk.d-i-y
|
|||
|
|||
[ping] Dave Plowman
Dave Plowman (News) wrote:
My personal favourite for acoustic guitar is the AKG C451 which was made for many years and in vast quantities. I'd expect they would be easy to pickup secondhand. Thanks, that seems to be in his price range. A suggestion from someone at work was the Shure SM81LC and one of the musicians chipped in with a preference for microphones that attach to the guitar such as SE Electronics GM10 or K & K Sound Meridian. |
#5
Posted to uk.d-i-y
|
|||
|
|||
[ping] Dave Plowman
On Fri, 04 Nov 2011 18:12:37 +0000 (GMT), Dave Plowman (News) wrote:
My personal favourite for acoustic guitar is the AKG C451 For a "session" recording I'd probably go a C414, completed (and sold) listings on eBay vary from £400 to £600. But like you, I really only know about a limited range of pro-mics. Certainly some of the Russian mics seem to have good reviews. The Chinese ones tend to cheap imitations and not as good. -- Cheers Dave. |
#6
Posted to uk.d-i-y
|
|||
|
|||
[ping] Dave Plowman
In article o.uk,
Dave Liquorice wrote: On Fri, 04 Nov 2011 18:12:37 +0000 (GMT), Dave Plowman (News) wrote: My personal favourite for acoustic guitar is the AKG C451 For a "session" recording I'd probably go a C414, completed (and sold) listings on eBay vary from £400 to £600. Nice mic - I have a couple. But about 3 times the price. And I still prefer the 451 for pop acoustic guitar - more 'edge'. However, like all such things a personal preference. But like you, I really only know about a limited range of pro-mics. Certainly some of the Russian mics seem to have good reviews. The Chinese ones tend to cheap imitations and not as good. I'm told they're pretty good. But I do prefer a small diaphragm mic for acoustic guitars. Better transients. -- *What am I? Flypaper for freaks!? Dave Plowman London SW To e-mail, change noise into sound. |
#7
Posted to uk.d-i-y
|
|||
|
|||
[ping] Dave Plowman
In article ,
Steve Firth wrote: Dave Plowman (News) wrote: My personal favourite for acoustic guitar is the AKG C451 which was made for many years and in vast quantities. I'd expect they would be easy to pickup secondhand. Thanks, that seems to be in his price range. A suggestion from someone at work was the Shure SM81LC My opinion of Shure mics is they're robust. ;-) and one of the musicians chipped in with a preference for microphones that attach to the guitar such as SE Electronics GM10 or K & K Sound Meridian. I'd never attach any mic to an instrument unless forced to do so - the instrument moving around on stage, or where you're fighting for level against PA or other loud instruments. Where they can't be screened off. But not for a simple solo recording. You'll get some degree of transmission through the mounting. Just because you see mics clipped to violins etc on TV doesn't make it best practice. Just the only way to hear them at all against thrashing drums. ;-) The 451 was (and still is) one of the most versatile mics. I've seen an entire TV music show miked up with them - orchestra, hand held vocals, booms, panel mics and audience reaction. Very few others could do this. Their other useful bit is they will work on near any phantom power - from about 9-48 volts. The requirements for stage use mics is quite different from that of a recording studio etc. Firstly they have to be ultra robust. You'll rarely see the common stage mics being used in a studio - they simply don't sound so good. -- *If you think this van is dirty, you should try having sex with the driver* Dave Plowman London SW To e-mail, change noise into sound. |
#8
Posted to uk.d-i-y
|
|||
|
|||
[ping] Dave Plowman
In article ,
Steve Firth wrote: Dave Plowman (News) wrote: My personal favourite for acoustic guitar is the AKG C451 which was made for many years and in vast quantities. I'd expect they would be easy to pickup secondhand. Thanks, that seems to be in his price range. A suggestion from someone at work was the Shure SM81LC and one of the musicians chipped in with a preference for microphones that attach to the guitar such as SE Electronics GM10 or K & K Sound Meridian. Can you drop me an email, Steve? (note the spam trap at the bottom of the post) I might be persuaded to lend you a 451 to make sure it suits. -- *Do infants enjoy infancy as much as adults enjoy adultery? Dave Plowman London SW To e-mail, change noise into sound. |
Reply |
Thread Tools | Search this Thread |
Display Modes | |
|
|
Similar Threads | ||||
Thread | Forum | |||
Ping: Dave Liquorice or Dave Plowman | UK diy | |||
OT - May be one for Dave Plowman - Microphones | UK diy | |||
Ping, Dave Plowman, (re glueing Aluminium) | UK diy | |||
OT Ping Dave Plowman | UK diy |