Guy wants to use a powered speaker, I tbink a "Technical Pro" brand with a microphone. I couldn't get a print on it but I see there is nothing wrong with it. The boss thinks you should be able to do that but the fact is it SAYS LINE on it. Tht means it is meant to be fed by a mixer or something, right ? Not a microphone or guitar pickup.

There is no distortion and in the relatively simple circuitry there is almost no way you would lose gain without some distortion. Does anyone really think the AC bypass cap for the feedback is bad ? I don't. Not when every other cap in the thing doesn't seem to be causing a problem. It has clean output and nothing drastic in the frequency response.

Anyway, the ¼" jack is what they seem to want to use. From the line input there it goes through a 33K resistor to the inverting input of an OP AMP (one side of a 4558). I paralleled a 10K with that resistor, making it what, about 8K ? Arond in there. Technically this should just about triple the gain or so but bring down the input impedance. Should be OK for a mic or even a guitar pickup.

I can't reverse engineer this whole damn thing, but have a question.

In case that the customer already has a low impedance mic and wants to use it, really I should be able to decrease the value of that restitor to like 200 ohms. I should get the required voltage gain but it will load the input a hell of alot more, probably to the point of having a problem with other sources. Not just the impedance but the gain, if someone was to plug a mixing board into it, it probably would not work correctly. (maybe to say the least)

However they would still have the line level XLR jack for that. If they had a mixer with only ¼" output, that should be adaptable to that input right ? Because it will have stock gain, I am not modifying that one. That is a little too much reverse engineering to do something wrong. Just use the damn ¼".

Anyway, I am just wondering if there are any unforseen ramifications to cranking that value down to like 200 ohms. Another thing is protecting the OP AMP. If somneone plugs a powered mixer in there is it possible to blow that OP AMP ? Figure a 200 ohm. Can that damage a standard 4558 such as used in these things ? Should I look for a special 1/100th of a watt resistor for this ?

I am sure it can blow it if some goob connects a speaker output to it. But will a well buffed line level possibly kill it ? I don't care that much about the OP AMP, I care more about the thing being walked back into the shop. think, the person using it might not be aware of all the intense gain... I don't care about waking up the neighbors I care about **** coming back for stupid reasons.

I already told the PTB that the unit is working right, and does not have low level imputs. They don't seem to care and want to make it usable this way.. Really, I should stick a sticker on it that it is modified, but if I go that far I could really just drill a hole and put a switch on it.


Penny for your thoughts.

jurb....



In case that the customer already has a low impedance mic and wants to use it, really I should be able to decrease the value of that restitor to like 200 ohms.

** Try a resistor of 680 kohms first.

That gives you a gain of 48 times, which should be OK with most dynamic mics, and does not load the mic too much even if it' a 600ohm model.

Any more gain and you will lose high frequencies and have a lot of noise.


..... Phil

"** Try a resistor of 680 kohms first. "

Not gonna work. I did't really splain it right I guess. This was a 33K running from the ¼" jack to the - imput of an OP AMP. The gain control is connected from the output to the input, which makes it control the gain. It is pribably a friggin 100K at least so even changing it to a one meg is not likely to get what he wants. And I do not feel like looking for the right pot to modify it.

The + is grounded, it is in inverting mode. It is a 4558.

I could cut the ****ing foil to the +, put the input to that and then set the gain alot higher I am sure. But that is not easy. I would have to cut all the way around the pin and ****.

But then I do have a board with a bunch of 4558s IN SOCKETS so aybe I can do something with that.

Hell maybe just build a ****ing preamp and be done with it. Put the thing back stock. How long will a 4558 run off a 9 volt battery lol ?

No, I would put it inside the in it and just run off its supply. I am in no mood to **** around. Actually I will but I don't want them bitching about tinme on job because that is when the big test comes. I am making **** money, my idea is to do it the right way, to deliver the customer the fixed product in a reasonable time. I knowe alomost nothing of the rsates but they are low, rtoo low. The company might wat to give those rates as a "courtesy" to their customers, but they are not going to do it at my expense.

But anyway, that is all about what is worth it and what is not, and actually that the owner of the business does not understand about a line input. you cannot just plug a mic in there.

And if this is store stock I will have to snack him upside the head. just tell the guy it needs a preamp, like a mixer, to get enough gain. then you sell TWO units instead of one.

I ant ot say - "Why am I surrounded by such ignorance/" but reallly you gotaa give peole a chance. How would they know what I know. I been selling knowledge for good money for forty years. How WOULD they know.

I have learned a bit of tolerance actually. It pays. Just pay me for now. Lett me become a significant part of your business.

Then you are mine mother****er. And there ain't mo "lol" on that. done it before and I'll do it again. ****ing assholes deserve to have theire popckets clipped by the likes of me because I make them that money.

I have already had that call. "Get in here as soon as possible". Case closed. I am working this one to fruition if possible.

http://www.markertek.com/product/lmx...-level-adapter

http://www.audio-technica.com/cms/el...735b4cabc30ea/

Audio-Technica CP8201 In-Line Transformer

http://www.musiciansfriend.com/acces...ne-transformer

Gareth Magennis wrote:

http://www.markertek.com/product/lmx...-level-adapter


** That gadget ( likely a transformer ) is meant to take a line level input ( keyboard etc) and convert it to suit an XLR mic input.

IOW it's DI box.


.... Phil

"Phil Allison" wrote in message
...


Gareth Magennis wrote:

http://www.markertek.com/product/lmx...-level-adapter


** That gadget ( likely a transformer ) is meant to take a line level input
( keyboard etc) and convert it to suit an XLR mic input.

IOW it's DI box.


.... Phil




Pro Co Sound LMX InLine Barrel XLR Mic to 1/4In Line Level Adapter

Thing is, I can't quite make out whether the XLR is male or female, so at
this point the Jury is out.


Gareth.

On Friday, February 6, 2015 at 4:57:41 PM UTC-8, Gareth Magennis wrote:
"Phil Allison" wrote in message
...


Gareth Magennis wrote:

http://www.markertek.com/product/lmx...-level-adapter


** That gadget ( likely a transformer ) is meant to take a line level input
( keyboard etc) and convert it to suit an XLR mic input.

IOW it's DI box.


... Phil




Pro Co Sound LMX InLine Barrel XLR Mic to 1/4In Line Level Adapter

Thing is, I can't quite make out whether the XLR is male or female, so at
this point the Jury is out.


Gareth.

The photo doesn't match the description. There is no 1/4" anything on the photo, only XLR, probably female and male, one on each end.

Well I told them they could probably use a high impedance mic on it successfully. I alkso told them tha tI MIGHT be able to make it work with a low impedace mic but it would have to be adapted to ¼". I did not modify the XLR input. It is separate and goes to the other side of the dual OP AMP. The outputs are mixed after that. Maybe they did that to make it work better if you want to use both inputs simultaneaously. Why else ? Alot of things I se just use a couple of resistors, and that also gives them balance ¼" capability. But not this one. No ring at all, just shield and tip.

I think the guy is just going to use a high ipedance mic on it and be done with it. I stuck one rsistor in it, I paralleled a 33K with a 10K. That should quadruple the voltage gain right ?

I didn't want to go higher gain because then it would be way too touchy on a line input like a mixer. I would do it, but if so I would mark it, that it is no longer a line level input.

It probably owuld have been better to modify the XLR input gain. It is more logical but it takes more reverse engineering. tyhat means time and money and htis place doens't want ot make too much. Their rates are very low, which is something we will have to discuss one of these days. Seems like more stuff is coming in though. The one main place in town charges over double what they charge. Get a foothold aand then I will tell them what they should be charging. By then I will know what I am talking about because I will research it.

But really, the same bull**** exists as in the TV business. People put 25 amp fuses in, stick paper or something under whatever to make it work. Let their idiot borther in law work on it.

Got an amp I almost rejected but the boss said it belongs to our pizza guy. Someone puit a wrong screw in the front panel ant it busted the cleat OUT OF ALUMINUM ! And I have never had to drill out more screws in my life. Soldered it up a binch of times and now the thing won't come out of protect. ****can it, I already got too much time in it to even lose reasonable money at what they charge.

And that one with the class D Icepower module ? I put a note on it, forget it and stick it out there and then find out LATER that they just sold the thing !

Same ****, different day and less money.

Whatever. Go ahead and rant, I do.

On Friday, February 6, 2015 at 4:35:12 PM UTC-8, Phil Allison wrote:
Gareth Magennis wrote:

http://www.markertek.com/product/lmx...-level-adapter


** That gadget ( likely a transformer ) is meant to take a line level input ( keyboard etc) and convert it to suit an XLR mic input.

IOW it's DI box.


... Phil


The pictured unit, not the same as in the description, is bi-directional.

FFS.

Buy a 15 dollar box and fix yours and the customers problem.


Sorted.







wrote in message
...

Well I told them they could probably use a high impedance mic on it
successfully. I alkso told them tha tI MIGHT be able to make it work with a
low impedace mic but it would have to be adapted to ¼". I did not modify the
XLR input. It is separate and goes to the other side of the dual OP AMP. The
outputs are mixed after that. Maybe they did that to make it work better if
you want to use both inputs simultaneaously. Why else ? Alot of things I se
just use a couple of resistors, and that also gives them balance ¼"
capability. But not this one. No ring at all, just shield and tip.

I think the guy is just going to use a high ipedance mic on it and be done
with it. I stuck one rsistor in it, I paralleled a 33K with a 10K. That
should quadruple the voltage gain right ?

I didn't want to go higher gain because then it would be way too touchy on a
line input like a mixer. I would do it, but if so I would mark it, that it
is no longer a line level input.

It probably owuld have been better to modify the XLR input gain. It is more
logical but it takes more reverse engineering. tyhat means time and money
and htis place doens't want ot make too much. Their rates are very low,
which is something we will have to discuss one of these days. Seems like
more stuff is coming in though. The one main place in town charges over
double what they charge. Get a foothold aand then I will tell them what they
should be charging. By then I will know what I am talking about because I
will research it.

But really, the same bull**** exists as in the TV business. People put 25
amp fuses in, stick paper or something under whatever to make it work. Let
their idiot borther in law work on it.

Got an amp I almost rejected but the boss said it belongs to our pizza guy.
Someone puit a wrong screw in the front panel ant it busted the cleat OUT OF
ALUMINUM ! And I have never had to drill out more screws in my life.
Soldered it up a binch of times and now the thing won't come out of protect.
****can it, I already got too much time in it to even lose reasonable money
at what they charge.

And that one with the class D Icepower module ? I put a note on it, forget
it and stick it out there and then find out LATER that they just sold the
thing !

Same ****, different day and less money.

Whatever. Go ahead and rant, I do.

Gareth Magennis wrote:


http://www.markertek.com/product/lmx...-level-adapter


** That gadget ( likely a transformer ) is meant to take a line level input
( keyboard etc) and convert it to suit an XLR mic input.

IOW it's DI box.



Pro Co Sound LMX InLine Barrel XLR Mic to 1/4In Line Level Adapter

Thing is, I can't quite make out whether the XLR is male or female, so at
this point the Jury is out.

** No it isn't.

http://www.bhphotovideo.com/images/i...000/231520.jpg


... Phil

wrote:


http://www.markertek.com/product/lmx...-level-adapter

The photo doesn't match the description.

** It does actually.

There is no 1/4" anything on the photo,


** Yes there is - a Neutrik style, locking jack socket.

The gadget plugs into a mixing desk and a jack lead from the line level source into it.

http://www.bhphotovideo.com/images/i...000/231520.jpg


..... Phil

wrote:


** That gadget ( likely a transformer ) is meant to take a line level input ( keyboard etc) and convert it to suit an XLR mic input.

IOW it's DI box.




The pictured unit, not the same as in the description, is bi-directional.

** Not meant to be - the male XLR on one end makes it impossible to plug a mic or XLR mic lead into it.


..... Phil

On Friday, February 6, 2015 at 5:43:07 PM UTC-8, Phil Allison wrote:
wrote:


http://www.markertek.com/product/lmx...-level-adapter

The photo doesn't match the description.

** It does actually.

There is no 1/4" anything on the photo,


** Yes there is - a Neutrik style, locking jack socket.

The gadget plugs into a mixing desk and a jack lead from the line level source into it.

http://www.bhphotovideo.com/images/i...000/231520.jpg


.... Phil


The Male XLR plug will not fit a 1/4" Female jack. D'OH

Wrong part for solution to this problem.

Besides that, OP needlessly and incorrectly modified the amp.

wrote:


The photo doesn't match the description.

** It does actually.

There is no 1/4" anything on the photo,


** Yes there is - a Neutrik style, locking jack socket.

The gadget plugs into a mixing desk and a jack lead from the line level source into it.

http://www.bhphotovideo.com/images/i...000/231520.jpg



The Male XLR plug will not fit a 1/4" Female jack. D'OH


** FFS what planet are you on ?

The MALE XLR plugs into the MIC input on a desk.

It's a mini DI (Direct Injection) box

- got a clue what that is ??


Besides that, OP needlessly and incorrectly modified the amp.

** ******** he did.


..... Phil

On Friday, February 6, 2015 at 6:02:38 PM UTC-8, Phil Allison wrote:
wrote:


The photo doesn't match the description.

** It does actually.

There is no 1/4" anything on the photo,


** Yes there is - a Neutrik style, locking jack socket.

The gadget plugs into a mixing desk and a jack lead from the line level source into it.

http://www.bhphotovideo.com/images/i...000/231520.jpg



The Male XLR plug will not fit a 1/4" Female jack. D'OH


** FFS what planet are you on ?

The MALE XLR plugs into the MIC input on a desk.

It's a mini DI (Direct Injection) box

- got a clue what that is ??


Besides that, OP needlessly and incorrectly modified the amp.

** ******** he did.


Technical Pro powered speakers have Mic input. OP doesn't need to modify the amp at all. D'OH

ffs yourself

On Friday, February 6, 2015 at 5:47:32 PM UTC-8, Phil Allison wrote:
wrote:


** That gadget ( likely a transformer ) is meant to take a line level input ( keyboard etc) and convert it to suit an XLR mic input.

IOW it's DI box.




The pictured unit, not the same as in the description, is bi-directional.

** Not meant to be - the male XLR on one end makes it impossible to plug a mic or XLR mic lead into it.


.... Phil

Didn't you say the XLR Male plug guzzinta the mixing board?

I declare this thread a total troll on all of us here. Note missing XLR input information from original post. Note missing label info for this XLR jack.

Note the manufacturer's website description of its powered speakers. Also note they have at least one model with a built-in mixer. With that I vote he goes with his mod and a microphone plugged into it. When it's too loud, they can adjust the Volume on a powered speaker with no volume control.

Sounds like this whole plan is not only a troll, but a totally abysmal FAIL as well.


Boy, did I ever fall for this one, yeesh.

" Besides that, OP needlessly and incorrectly modified the amp. "

Didn't that blown up picture depict an ATTENUATOR ? That's the last thing we needed.

"** ******** he did. "

Don't tell me you are sticking up for me lol. But anyway, I will modify anything as long as it is a safe and reliabale design. I am goood enough to know when it is and when it isn't. I have done so quite a bit over the years and never got into a problem over it.

In fact gained customers because of it.

"Technical Pro powered speakers have Mic input. OP doesn't need to modify the amp at all. D'OH "

There was ot enough gain. I connected line level to it and there was plenty of gain. The problem was the same on ¼" and XLR which feed separate OP AMPs.

BOTH INPUTS SAY "LINE".

So, are you really sure of that ? with a higher input to either the amp clips just fine, no distortion. If there was a fault in the amp it would have to be rtow separate identical faults causing the same reduction in gain in two separate OP AMPs.

Is this what you're telling me ?

On Friday, February 6, 2015 at 6:28:57 PM UTC-8, wrote:
" Besides that, OP needlessly and incorrectly modified the amp. "

Didn't that blown up picture depict an ATTENUATOR ? That's the last thing we needed.

"** ******** he did. "

Don't tell me you are sticking up for me lol. But anyway, I will modify anything as long as it is a safe and reliabale design. I am goood enough to know when it is and when it isn't. I have done so quite a bit over the years and never got into a problem over it.

In fact gained customers because of it.


Why doesn't your mod include a Volume control then?

They should've purchased the model with the built-in mixer.

If you want to add a mixer, feel free.

You could always do your Gain adjustment mod, then test it that way with someone actually using the microphone... And see how good it all would be with a Volume control mod instead. Or use the built-in Mic input already on the thing.

Yeesh

On Friday, February 6, 2015 at 6:35:28 PM UTC-8, wrote:
"Technical Pro powered speakers have Mic input. OP doesn't need to modify the amp at all. D'OH "

There was ot enough gain. I connected line level to it and there was plenty of gain. The problem was the same on ¼" and XLR which feed separate OP AMPs.

BOTH INPUTS SAY "LINE".

So, are you really sure of that ? with a higher input to either the amp clips just fine, no distortion. If there was a fault in the amp it would have to be rtow separate identical faults causing the same reduction in gain in two separate OP AMPs.

Is this what you're telling me ?

You still haven't said anything about the microphone in use, but this is the usual fix.

http://www.audio-technica.com/cms/el...735b4cabc30ea/

Audio-Technica CP8201 In-Line Transformer

http://www.musiciansfriend.com/acces...ne-transformer

That answers your original question, which is in itself limiting the solution to Not include Volume control, which is essential for PA purposes.

I never said you are wrong or incorrect in your approach, just time-wasting and too costly in the long run.

$10 and you'd be done. minus Volume control, that is...

On Friday, February 6, 2015 at 6:28:57 PM UTC-8, wrote:
" Besides that, OP needlessly and incorrectly modified the amp. "

Didn't that blown up picture depict an ATTENUATOR ? That's the last thing we needed.


That red button is a locking mechanism, not a potentiometer.

If you want to pay $20 more, use it plugged into the XLR Line IN, and your balanced microphone cable into it.

But, you still don't have a Volume control.

You could Manually PWM the mic's On/Off switch Really Fast to get a Volume control in there.

Peace

Out