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#1
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Tracing a complex contour...?
Howdy, I recently saw a very simple design for a stand for a banjo... I could make one in a flash as it is essentially a plywood box, about 20" X 14" X 8", with a padded hole in the top in which the banjo rests (with its neck going up and slightly tilted back). The problem is that I can't come up with a good way to determine the proper shape of the hole. It is a moderately complex shape in that it must accommodate the curve of the resonator, and the varying diameters of the instrument itself. Also, the instrument is rather fragile so doing things like dragging a divider along its surface would be out. What might be some ways (other than running it through my table saw) that I could get a reasonably accurate "tracing" if the banjo, about 6" from its tailpiece? Sincere thanks for any help, -- Kenneth If you email... Please remove the "SPAMLESS." |
#2
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Tracing a complex contour...?
Have a digital camera? Place the banjo on a contrasting surface, with
a yardstick or tape measure next to it. Light the banjo and make pictures from directly overhead. Edit the image in any photo software and fill the area around the banjo with black. Enlarge the image to full size and you have a template. John On Fri, 25 Jan 2008 20:03:04 -0500, Kenneth wrote: Howdy, I recently saw a very simple design for a stand for a banjo... I could make one in a flash as it is essentially a plywood box, about 20" X 14" X 8", with a padded hole in the top in which the banjo rests (with its neck going up and slightly tilted back). The problem is that I can't come up with a good way to determine the proper shape of the hole. It is a moderately complex shape in that it must accommodate the curve of the resonator, and the varying diameters of the instrument itself. Also, the instrument is rather fragile so doing things like dragging a divider along its surface would be out. What might be some ways (other than running it through my table saw) that I could get a reasonably accurate "tracing" if the banjo, about 6" from its tailpiece? Sincere thanks for any help, |
#3
Posted to rec.woodworking
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Tracing a complex contour...?
On Fri, 25 Jan 2008 21:41:24 -0500, John
wrote: On Fri, 25 Jan 2008 20:03:04 -0500, Kenneth wrote: Howdy, I recently saw a very simple design for a stand for a banjo... I could make one in a flash as it is essentially a plywood box, about 20" X 14" X 8", with a padded hole in the top in which the banjo rests (with its neck going up and slightly tilted back). The problem is that I can't come up with a good way to determine the proper shape of the hole. It is a moderately complex shape in that it must accommodate the curve of the resonator, and the varying diameters of the instrument itself. Also, the instrument is rather fragile so doing things like dragging a divider along its surface would be out. What might be some ways (other than running it through my table saw) that I could get a reasonably accurate "tracing" if the banjo, about 6" from its tailpiece? Sincere thanks for any help, Have a digital camera? Place the banjo on a contrasting surface, with a yardstick or tape measure next to it. Light the banjo and make pictures from directly overhead. Edit the image in any photo software and fill the area around the banjo with black. Enlarge the image to full size and you have a template. John Hi John, I thank you for your interesting suggestion, but if I am understanding you correctly, there would be a difficulty: I need to get the shape of the instrument's cross-section about 6" from the tailpiece end rather than an outline of the instrument at its widest point. How could the photo approach you suggest do that? Thanks again, -- Kenneth If you email... Please remove the "SPAMLESS." |
#4
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Tracing a complex contour...?
On Jan 25, 8:03*pm, Kenneth wrote:
Howdy, I recently saw a very simple design for a stand for a banjo... I could make one in a flash as it is essentially a plywood box, about 20" X 14" X 8", with a padded hole in the top in which the banjo rests (with its neck going up and slightly tilted back). The problem is that I can't come up with a good way to determine the proper shape of the hole. It is a moderately complex shape in that it must accommodate the curve of the resonator, and the varying diameters of the instrument itself. Also, the instrument is rather fragile so doing things like dragging a divider along its surface would be out. What might be some ways (other than running it through my table saw) that I could get a reasonably accurate "tracing" if the banjo, about 6" from its tailpiece? Sincere thanks for any help, -- Kenneth If you email... Please remove the "SPAMLESS." I suggest that you use a standard carpente's pencil. Lay the banjo on a suitable size piece of craft paper (the plain brown stuff butchers use). Place the flat side of the pencil next to the banjo and trace the outlne. You will end up with an outlne that is 0.250 wider than the banjo. The rest depends on the tools you have. Post a bit more detail and I will be glad to offer a suggestion. Regards, Dave G. |
#5
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Tracing a complex contour...?
On Fri, 25 Jan 2008 19:14:16 -0800 (PST), Dave
wrote: On Jan 25, 8:03*pm, Kenneth wrote: Howdy, I recently saw a very simple design for a stand for a banjo... I could make one in a flash as it is essentially a plywood box, about 20" X 14" X 8", with a padded hole in the top in which the banjo rests (with its neck going up and slightly tilted back). The problem is that I can't come up with a good way to determine the proper shape of the hole. It is a moderately complex shape in that it must accommodate the curve of the resonator, and the varying diameters of the instrument itself. Also, the instrument is rather fragile so doing things like dragging a divider along its surface would be out. What might be some ways (other than running it through my table saw) that I could get a reasonably accurate "tracing" if the banjo, about 6" from its tailpiece? Sincere thanks for any help, -- Kenneth If you email... Please remove the "SPAMLESS." I suggest that you use a standard carpente's pencil. Lay the banjo on a suitable size piece of craft paper (the plain brown stuff butchers use). Place the flat side of the pencil next to the banjo and trace the outlne. You will end up with an outlne that is 0.250 wider than the banjo. The rest depends on the tools you have. Post a bit more detail and I will be glad to offer a suggestion. Regards, Dave G. Hi Dave, If I were trying to make an outline of the whole instrument, the suggestion you offer would be perfect, but... I need to get the outline "part way up" rather than the complete outline. Here's a link to the design I want to copy: http://www.banjo.com/shopping/shopexd.asp?id=1266 and when you take a look, I suspect you will see the problem with typical tracing methods. Sincere thanks for your ideas, -- Kenneth If you email... Please remove the "SPAMLESS." |
#7
Posted to rec.woodworking
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Tracing a complex contour...?
On Jan 25, 10:35 pm, Kenneth
wrote: I need to get the outline "part way up" rather than the complete outline. Here's a link to the design I want to copy: http://www.banjo.com/shopping/shopexd.asp?id=1266 and when you take a look, I suspect you will see the problem with typical tracing methods. Cut a piece of scrap plywood with a cutout that the banjo can easily pass through past your intended cross section line - leave about 1/2" clearance between the banjo and the wood. Then prop up the banjo vertically, slide the bottom of the banjo into the plywood cutout, and prop up the plywood until it is horizontal at the desired level. Then use a compass set at 1" to trace the perimeter of the banjo. The compass points must be perpendicular to the banjo outline at all times as you run it around the perimeter. Remove the banjo, place a piece of tracing paper over the plywood and trace the perimeter line you marked with the compass. Then using the compass on the same setting (don't change it between steps), trace 1" inside the marked perimeter to find the exact perimeter. That will create an exact fit, depending on your skill and tool sets - how much clearance you need is up to you. I'd probably leave about 1/8" clearance and taper the hole to make banjo insertion easier. As an alternative, you could wrap the banjo base in a layer of paper, then a layer of plastic, tape it up tight, make a box form (could be the holder's side walls depending on what finish) of the desired size, prop up the banjo vertically in the box, then use a can of low- expanding spray foam to fill in the box around the wrapped banjo. Now you can use the foam, cut as required, to create an exact template of whatever section you need, or keep it as the banjo box liner and just make a top piece of wood to fit. R |
#8
Posted to rec.woodworking
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Tracing a complex contour...?
On Sat, 26 Jan 2008 05:09:25 -0800 (PST), RicodJour
wrote: On Jan 25, 10:35 pm, Kenneth wrote: I need to get the outline "part way up" rather than the complete outline. Here's a link to the design I want to copy: http://www.banjo.com/shopping/shopexd.asp?id=1266 and when you take a look, I suspect you will see the problem with typical tracing methods. Cut a piece of scrap plywood with a cutout that the banjo can easily pass through past your intended cross section line - leave about 1/2" clearance between the banjo and the wood. Then prop up the banjo vertically, slide the bottom of the banjo into the plywood cutout, and prop up the plywood until it is horizontal at the desired level. Then use a compass set at 1" to trace the perimeter of the banjo. The compass points must be perpendicular to the banjo outline at all times as you run it around the perimeter. Remove the banjo, place a piece of tracing paper over the plywood and trace the perimeter line you marked with the compass. Then using the compass on the same setting (don't change it between steps), trace 1" inside the marked perimeter to find the exact perimeter. That will create an exact fit, depending on your skill and tool sets - how much clearance you need is up to you. I'd probably leave about 1/8" clearance and taper the hole to make banjo insertion easier. As an alternative, you could wrap the banjo base in a layer of paper, then a layer of plastic, tape it up tight, make a box form (could be the holder's side walls depending on what finish) of the desired size, prop up the banjo vertically in the box, then use a can of low- expanding spray foam to fill in the box around the wrapped banjo. Now you can use the foam, cut as required, to create an exact template of whatever section you need, or keep it as the banjo box liner and just make a top piece of wood to fit. R Hello again, Many thanks for (both) great ideas... I should have my stand shortly! -- Kenneth If you email... Please remove the "SPAMLESS." |
#9
Posted to rec.woodworking
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Tracing a complex contour...?
Kenneth wrote:
On Fri, 25 Jan 2008 19:14:16 -0800 (PST), Dave wrote: On Jan 25, 8:03 pm, Kenneth wrote: Howdy, I recently saw a very simple design for a stand for a banjo... I could make one in a flash as it is essentially a plywood box, about 20" X 14" X 8", with a padded hole in the top in which the banjo rests (with its neck going up and slightly tilted back). The problem is that I can't come up with a good way to determine the proper shape of the hole. It is a moderately complex shape in that it must accommodate the curve of the resonator, and the varying diameters of the instrument itself. Also, the instrument is rather fragile so doing things like dragging a divider along its surface would be out. What might be some ways (other than running it through my table saw) that I could get a reasonably accurate "tracing" if the banjo, about 6" from its tailpiece? Sincere thanks for any help, -- Kenneth If you email... Please remove the "SPAMLESS." I suggest that you use a standard carpente's pencil. Lay the banjo on a suitable size piece of craft paper (the plain brown stuff butchers use). Place the flat side of the pencil next to the banjo and trace the outlne. You will end up with an outlne that is 0.250 wider than the banjo. The rest depends on the tools you have. Post a bit more detail and I will be glad to offer a suggestion. Regards, Dave G. Hi Dave, If I were trying to make an outline of the whole instrument, the suggestion you offer would be perfect, but... I need to get the outline "part way up" rather than the complete outline. Here's a link to the design I want to copy: http://www.banjo.com/shopping/shopexd.asp?id=1266 and when you take a look, I suspect you will see the problem with typical tracing methods. Sincere thanks for your ideas, Cheap and dirty way, cardboard, scissors, and tape, keep hacking until you've got the right shape. Not quite so cheap or dirty, contour gage. http://grizzly.com/products/10-Plast...ur-Gauge/H7378 Note that I'm suggesting the plastic one rather than the metal one since you said that the instrument was fragile and I figure the plastic is slightly less likely to mar anything than is the metal one. The way a draftsman would do it--set up a reference surface and measure at points from that surface. A draftsman would use a surface block and inside caliper most likely, but since you don't have those, a practical way to do this cheap with minimal risk of marring the banjo--joint a three foot 2x4 and sand a dime-store plastic ruler to a point, then measure with the point touching the banjo (don't drag it, just touch, write down the measurement, move it a quarter inch, repeat) with the 2x4 far enough back that you still have numbers on the ruler. High tech, fancy, and fanciful--get a line laser level (the kind that projects a line on all the walls of a room). Set it so that the line crosses the banjo at an appropriate point. Take a photo from the end (use a slow shutter speed), you'll have part of the contour. Rotate the banjo and repeat until you've got it all. Make sure you have a ruler in the photo for a dimensional reference. -- -- --John to email, dial "usenet" and validate (was jclarke at eye bee em dot net) |
#10
Posted to rec.woodworking
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Tracing a complex contour...?
Kenneth wrote:
If I were trying to make an outline of the whole instrument, the suggestion you offer would be perfect, but... I need to get the outline "part way up" rather than the complete outline. Here's a link to the design I want to copy: http://www.banjo.com/shopping/shopexd.asp?id=1266 and when you take a look, I suspect you will see the problem with typical tracing methods. Sincere thanks for your ideas, A possibility would be: 1. Place the banjo body in a plastic garbage bag to protect the instrument. 2. Appropriately position the body of the instrument is a properly sized box using styrofoam spacers. 3. Use an expanding foam to fill the box making a mold of the body to the required depth/height. -- Jack Novak Buffalo, NY - USA |
#11
Posted to rec.woodworking
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Tracing a complex contour...?
On Sat, 26 Jan 2008 16:01:58 GMT, Nova
wrote: Kenneth wrote: If I were trying to make an outline of the whole instrument, the suggestion you offer would be perfect, but... I need to get the outline "part way up" rather than the complete outline. Here's a link to the design I want to copy: http://www.banjo.com/shopping/shopexd.asp?id=1266 and when you take a look, I suspect you will see the problem with typical tracing methods. Sincere thanks for your ideas, A possibility would be: 1. Place the banjo body in a plastic garbage bag to protect the instrument. 2. Appropriately position the body of the instrument is a properly sized box using styrofoam spacers. 3. Use an expanding foam to fill the box making a mold of the body to the required depth/height. Hi Jack (and others), I am moving in the expanding foam direction because it would provide excellent support for the instrument, but I do need a bit of education: What kind of foam do I want for this sort of thing? The only foam I know at all is the "hardware store aerosol insulation stuff." Is there another sort of foam better for this purpose? Sincere thanks, -- Kenneth If you email... Please remove the "SPAMLESS." |
#12
Posted to rec.woodworking
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Tracing a complex contour...?
I'll sell you one just like it for ..... say, I dunno.... about $120.
Plus shipping.. -T.E. Stosterone On Fri, 25 Jan 2008 20:03:04 -0500, Kenneth wrote: Howdy, I recently saw a very simple design for a stand for a banjo... I could make one in a flash as it is essentially a plywood box, about 20" X 14" X 8", with a padded hole in the top in which the banjo rests (with its neck going up and slightly tilted back). The problem is that I can't come up with a good way to determine the proper shape of the hole. It is a moderately complex shape in that it must accommodate the curve of the resonator, and the varying diameters of the instrument itself. Also, the instrument is rather fragile so doing things like dragging a divider along its surface would be out. What might be some ways (other than running it through my table saw) that I could get a reasonably accurate "tracing" if the banjo, about 6" from its tailpiece? Sincere thanks for any help, |
#13
Posted to rec.woodworking
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Tracing a complex contour...?
Make sure you get one that is NON expanding or minimum expanding.
It will say something like being used for windows and doors. The regular triple expanding stuff could do harm as it generates quite a bit of pressure. -- ______________________________ Keep the whole world singing . . . . DanG (remove the sevens) "Kenneth" wrote in message ... On Sat, 26 Jan 2008 16:01:58 GMT, Nova wrote: Kenneth wrote: If I were trying to make an outline of the whole instrument, the suggestion you offer would be perfect, but... I need to get the outline "part way up" rather than the complete outline. Here's a link to the design I want to copy: http://www.banjo.com/shopping/shopexd.asp?id=1266 and when you take a look, I suspect you will see the problem with typical tracing methods. Sincere thanks for your ideas, A possibility would be: 1. Place the banjo body in a plastic garbage bag to protect the instrument. 2. Appropriately position the body of the instrument is a properly sized box using styrofoam spacers. 3. Use an expanding foam to fill the box making a mold of the body to the required depth/height. Hi Jack (and others), I am moving in the expanding foam direction because it would provide excellent support for the instrument, but I do need a bit of education: What kind of foam do I want for this sort of thing? The only foam I know at all is the "hardware store aerosol insulation stuff." Is there another sort of foam better for this purpose? Sincere thanks, -- Kenneth If you email... Please remove the "SPAMLESS." |
#14
Posted to rec.woodworking
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Tracing a complex contour...?
Kenneth wrote:
Hi Jack (and others), I am moving in the expanding foam direction because it would provide excellent support for the instrument, but I do need a bit of education: What kind of foam do I want for this sort of thing? The only foam I know at all is the "hardware store aerosol insulation stuff." Is there another sort of foam better for this purpose? Sincere thanks, Hi Ken, I agree with Dan that a minimum expanding foam would be best. "Great Stuff" now makes an aerosol that is designed for use in foaming around windows to prevent bowing the casement. I'd probably also use a cardboard box as it would allow sidewall flex minimizing pressure on the banjo's body. -- Jack Novak Buffalo, NY - USA |
#15
Posted to rec.woodworking
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Tracing a complex contour...?
On Sat, 26 Jan 2008 11:38:41 -0500, Kenneth
wrote: I am moving in the expanding foam direction because it would provide excellent support for the instrument, but I do need a bit of education: What kind of foam do I want for this sort of thing? You may want to be careful with foam unless you have some type of material between the instrument and the foam. It may be possible that the foam could react with the various finishes on the instrument. Mike O. |
#16
Posted to rec.woodworking
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Tracing a complex contour...?
Kenneth wrote:
Hi Jack (and others), I am moving in the expanding foam direction because it would provide excellent support for the instrument, but I do need a bit of education: What kind of foam do I want for this sort of thing? The only foam I know at all is the "hardware store aerosol insulation stuff." Is there another sort of foam better for this purpose? The stuff they sell at the borg is OK for insulation, but lousy for this application. Do a Google for "urethane foam". You want the 2 pound stuff. It is sold as a two (2) part kit and can be shipped UPS. It will stick to anything so use a parting agent such as clear packing tape, plastic foam, etc. Last time I used some, got it from an outfit in West Palm Beach, Fl and I'm in SoCal. It was still my lowest cost supplier. Have fun. Lew |
#17
Posted to rec.woodworking
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Tracing a complex contour...?
On Jan 25, 8:03 pm, Kenneth wrote:
Howdy, I recently saw a very simple design for a stand for a banjo... I could make one in a flash as it is essentially a plywood box, about 20" X 14" X 8", with a padded hole in the top in which the banjo rests (with its neck going up and slightly tilted back). The problem is that I can't come up with a good way to determine the proper shape of the hole. It is a moderately complex shape in that it must accommodate the curve of the resonator, and the varying diameters of the instrument itself. Also, the instrument is rather fragile so doing things like dragging a divider along its surface would be out. What might be some ways (other than running it through my table saw) that I could get a reasonably accurate "tracing" if the banjo, about 6" from its tailpiece? 6" from the tailpiece would be through the pot. Scribe it with a carpenter's pencil held flat, with a sheet of paper held over the resonator to protect the finish. The radius is huge, so a 3/16" difference won't be noticeable. You'll have padding to fill the gap, anyway. To get the neck contour, pack plasticine clay around the desired section, again with a sheet of paper in between to protect the finish. |
#18
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Tracing a complex contour...?
On Sat, 26 Jan 2008 14:34:32 -0800 (PST), Father Haskell
wrote: On Jan 25, 8:03 pm, Kenneth wrote: Howdy, I recently saw a very simple design for a stand for a banjo... I could make one in a flash as it is essentially a plywood box, about 20" X 14" X 8", with a padded hole in the top in which the banjo rests (with its neck going up and slightly tilted back). The problem is that I can't come up with a good way to determine the proper shape of the hole. It is a moderately complex shape in that it must accommodate the curve of the resonator, and the varying diameters of the instrument itself. Also, the instrument is rather fragile so doing things like dragging a divider along its surface would be out. What might be some ways (other than running it through my table saw) that I could get a reasonably accurate "tracing" if the banjo, about 6" from its tailpiece? 6" from the tailpiece would be through the pot. Scribe it with a carpenter's pencil held flat, with a sheet of paper held over the resonator to protect the finish. The radius is huge, so a 3/16" difference won't be noticeable. You'll have padding to fill the gap, anyway. To get the neck contour, pack plasticine clay around the desired section, again with a sheet of paper in between to protect the finish. Hello again, You might want to take a look at the link I posted earlier in the thread: http://www.banjo.com/shopping/shopexd.asp?id=1266 As you will see, there is no involvement with the neck, just the tailpiece end of the instrument. All the best, -- Kenneth If you email... Please remove the "SPAMLESS." |
#19
Posted to rec.woodworking
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Tracing a complex contour...?
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#20
Posted to rec.woodworking
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Tracing a complex contour...?
On Jan 26, 5:52 pm, Kenneth wrote:
On Sat, 26 Jan 2008 14:34:32 -0800 (PST), Father Haskell wrote: On Jan 25, 8:03 pm, Kenneth wrote: Howdy, I recently saw a very simple design for a stand for a banjo... I could make one in a flash as it is essentially a plywood box, about 20" X 14" X 8", with a padded hole in the top in which the banjo rests (with its neck going up and slightly tilted back). The problem is that I can't come up with a good way to determine the proper shape of the hole. It is a moderately complex shape in that it must accommodate the curve of the resonator, and the varying diameters of the instrument itself. Also, the instrument is rather fragile so doing things like dragging a divider along its surface would be out. What might be some ways (other than running it through my table saw) that I could get a reasonably accurate "tracing" if the banjo, about 6" from its tailpiece? 6" from the tailpiece would be through the pot. Scribe it with a carpenter's pencil held flat, with a sheet of paper held over the resonator to protect the finish. The radius is huge, so a 3/16" difference won't be noticeable. You'll have padding to fill the gap, anyway. To get the neck contour, pack plasticine clay around the desired section, again with a sheet of paper in between to protect the finish. Hello again, You might want to take a look at the link I posted earlier in the thread: http://www.banjo.com/shopping/shopexd.asp?id=1266 As you will see, there is no involvement with the neck, just the tailpiece end of the instrument. That helps. I'd support the banjo by the pot, not the resonator. Resonator brackets aren't terribly strong. |
#21
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Tracing a complex contour...?
On Sat, 26 Jan 2008 18:07:31 -0500,
(J T) wrote: Fri, Jan 25, 2008, 8:03pm (Kenneth) doth posteth: Howdy, I recently saw a very simple design for a stand for a banjo... I could make one in a flash as it is essentially a plywood box, about 20" X 14" X 8", with a padded hole in the top in which the banjo rests (with its neck going up and slightly tilted back). The problem is that I can't come up with a good way to determine the proper shape of the hole. It is a moderately complex shape in that it must accommodate the curve of the resonator, and the varying diameters of the instrument itself. Also, the instrument is rather fragile so doing things like dragging a divider along its surface would be out. snip I saw the link with the picture You're trying to complicate it.. It's got a rounded pocket (I think 'round' is what they mean by "contoured"), to set a banjo in. It's padded. There's no "moderately complex" shape involved, all you have do do is make it deep enough to accept a banjo - just like they did. Personally, if I was gonna make a stand for a banjo, or whatever, I'd make something that'd let it be supported from the bottom, lean it "back" a bit, and support the neck. Unless I wanted something that would go pretty much un-noticed with the banjo out of it, like playing on stage, I doubt I'd want something like that. OK, in real life, I'd just put it back in the case until I wanted to play again; with a case strong enough someone could step on it and not hurt the case OR banjo.. Remind me, got to get working on my banjo again. Ah well. Howdy, Of course you may be correct, but... Take a look at this: http://community-2.webtv.net/Deesosebee/stand/ It is another version of the stand made by the same fellow. I assumed that the "box" version was functionally similar to the "folding" version in the link above. If they are functionally similar, the box version does not support the instrument from below as you suggest. All the best, -- Kenneth If you email... Please remove the "SPAMLESS." |
#22
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Tracing a complex contour...?
On Jan 25, 8:03*pm, Kenneth wrote:
Also, the instrument is rather fragile so doing things like dragging a divider along its surface would be out. Fragile? A frying pan with an animal skin stretched over it is fragile? |
#23
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Tracing a complex contour...?
On Jan 26, 8:03 pm, Kenneth wrote:
On Sat, 26 Jan 2008 18:07:31 -0500, (J T) wrote: Fri, Jan 25, 2008, 8:03pm (Kenneth) doth posteth: Howdy, I recently saw a very simple design for a stand for a banjo... I could make one in a flash as it is essentially a plywood box, about 20" X 14" X 8", with a padded hole in the top in which the banjo rests (with its neck going up and slightly tilted back). The problem is that I can't come up with a good way to determine the proper shape of the hole. It is a moderately complex shape in that it must accommodate the curve of the resonator, and the varying diameters of the instrument itself. Also, the instrument is rather fragile so doing things like dragging a divider along its surface would be out. snip I saw the link with the picture You're trying to complicate it.. It's got a rounded pocket (I think 'round' is what they mean by "contoured"), to set a banjo in. It's padded. There's no "moderately complex" shape involved, all you have do do is make it deep enough to accept a banjo - just like they did. Personally, if I was gonna make a stand for a banjo, or whatever, I'd make something that'd let it be supported from the bottom, lean it "back" a bit, and support the neck. Unless I wanted something that would go pretty much un-noticed with the banjo out of it, like playing on stage, I doubt I'd want something like that. OK, in real life, I'd just put it back in the case until I wanted to play again; with a case strong enough someone could step on it and not hurt the case OR banjo.. Remind me, got to get working on my banjo again. Ah well. Howdy, Of course you may be correct, but... Take a look at this: http://community-2.webtv.net/Deesosebee/stand/ It is another version of the stand made by the same fellow. I assumed that the "box" version was functionally similar to the "folding" version in the link above. If they are functionally similar, the box version does not support the instrument from below as you suggest. You might want to Google French fitted drawers for some ideas on how to cut and wrap the top piece. As an alternative, you could cut a front and a back piece separately and then cut each (roughly) C-shaped piece to fit - then just glue them together to make a one piece top. R |
#24
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Tracing a complex contour...?
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