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UK diy (uk.d-i-y) For the discussion of all topics related to diy (do-it-yourself) in the UK. All levels of experience and proficency are welcome to join in to ask questions or offer solutions. |
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#1
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Recording from damaged 78rpm record
Whilst clearing out the loft at my mother's old house I have come across
some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. I think they are directly scribed into the plastic which is in poor nick, possibly some mould growth. The discs are "Zenith Universal Recorder" and probably done in some sort of booth. I shall try and record them directly to wav files but before I attempt that what precautions need I take? I have a problem in that my record deck only has 33 and 45 rpm. Was mono 78 simply an amplitude modulation by depth of the needle? AJH |
#2
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Recording from damaged 78rpm record
andrew wrote:
I shall try and record them directly to wav files but before I attempt that what precautions need I take? I have a problem in that my record deck only has 33 and 45 rpm. Was mono 78 simply an amplitude modulation by depth of the needle? No, the groove wiggles from side to side and needs a much larger needle than the stylus used for 33 and 45's. You could even hear the sound from a 78 by sticking your thumbnail in the groove as the record was going round. -- Mike Clarke |
#3
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Recording from damaged 78rpm record
On Sun, 07 Jun 2009 14:30:55 +0100, andrew
wrote: Whilst clearing out the loft at my mother's old house I have come across some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. I think they are directly scribed into the plastic which is in poor nick, possibly some mould growth. The discs are "Zenith Universal Recorder" and probably done in some sort of booth. I shall try and record them directly to wav files but before I attempt that what precautions need I take? I have a problem in that my record deck only has 33 and 45 rpm. Was mono 78 simply an amplitude modulation by depth of the needle? AJH The stylus tip radius needs to be larger for 78rpm records. I think the only early recordings used "hill and dale" depth recording. |
#4
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Recording from damaged 78rpm record
In message , andrew
writes Whilst clearing out the loft at my mother's old house I have come across some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. I think they are directly scribed into the plastic which is in poor nick, possibly some mould growth. The discs are "Zenith Universal Recorder" and probably done in some sort of booth. I shall try and record them directly to wav files but before I attempt that what precautions need I take? I have a problem in that my record deck only has 33 and 45 rpm. Was mono 78 simply an amplitude modulation by depth of the needle? You could always buy one of these http://www.firebox.com/product/1401/USB-Turntable prolly cheaper elsewhere and you can get 78 needles for them -- geoff |
#5
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Recording from damaged 78rpm record
andrew wrote:
Whilst clearing out the loft at my mother's old house I have come across some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. I think they are directly scribed into the plastic which is in poor nick, possibly some mould growth. The discs are "Zenith Universal Recorder" and probably done in some sort of booth. I shall try and record them directly to wav files but before I attempt that what precautions need I take? I have a problem in that my record deck only has 33 and 45 rpm. Was mono 78 simply an amplitude modulation by depth of the needle? AJH You could record them at 45RPM then use software to speed up the playback. A |
#6
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Recording from damaged 78rpm record
"andrew" wrote in message
... Whilst clearing out the loft at my mother's old house I have come across some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. I think they are directly scribed into the plastic which is in poor nick, possibly some mould growth. The discs are "Zenith Universal Recorder" and probably done in some sort of booth. I shall try and record them directly to wav files but before I attempt that what precautions need I take? I have a problem in that my record deck only has 33 and 45 rpm. Was mono 78 simply an amplitude modulation by depth of the needle? AJH If you use 'audacity' (free and legal) to record the music from your record deck (or you might consider buying one of those cheap ion 'usb' decks, if you have trouble interfacing with your PC), you will find that you can record at a slow speed and correct to 78rpm speed. Works well - I have done it with a few 78s which my mother bought during the war. You can also use audacity to clean up some of the scratches.(This takes quite a bit of skill and practice). Definitely worth the time to preserve the history. http://audacity.sourceforge.net/ -- John |
#7
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Recording from damaged 78rpm record
On Sun, 07 Jun 2009 14:41:43 +0100, Jim Lacey wrote:
On Sun, 07 Jun 2009 14:30:55 +0100, andrew wrote: Whilst clearing out the loft at my mother's old house I have come across some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. I think they are directly scribed into the plastic which is in poor nick, possibly some mould growth. The discs are "Zenith Universal Recorder" and probably done in some sort of booth. I shall try and record them directly to wav files but before I attempt that what precautions need I take? I have a problem in that my record deck only has 33 and 45 rpm. Was mono 78 simply an amplitude modulation by depth of the needle? AJH The stylus tip radius needs to be larger for 78rpm records. I think the only early recordings used "hill and dale" depth recording. If you don't have the right size and shape stylus, you tend to be playing the muck at the bottom of the groove instead of the sound on the sides. As others have said, play it at 45 and audio-process it up to the right speed (somewhere around 78 - it varied *a lot*. Also make good use of noise fingerprinting, scratch and pop removal etc. Audacity is a good place to start. Alternatively there are experts out there with the correct equipment and experience to do it for you. For a fee, obviously. |
#8
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Recording from damaged 78rpm record
In article , Bioboffin
writes If you use 'audacity' (free and legal) to record the music from your record deck (or you might consider buying one of those cheap ion 'usb' decks, if you have trouble interfacing with your PC), you will find that you can record at a slow speed and correct to 78rpm speed. Works well - I have done it with a few 78s which my mother bought during the war. You can also use audacity to clean up some of the scratches.(This takes quite a bit of skill and practice). Definitely worth the time to preserve the history. http://audacity.sourceforge.net/ Audacity will be fine taking the input from the sound card too so the o/p's existing deck through his amp to line out should be a no-cost solution. The 45rpm playback with the existing small needle sounds ok and can be speeded up. I had a 33/45/78 deck with just a single needle yonks ago and made some recordings from 78s which sounded ok. I was given a usb deck a while back and prefer to use it from the audio outputs in the back, more flexible on lead length than the usb. -- fred BBC3, ITV2/3/4, channels going to the DOGs |
#9
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Recording from damaged 78rpm record
Also, the equalisation of 78rpm records is different to that of 45 and
33rpm. Equalisation is the filtering of the signal according to frequency. When recording, low frequencies are reduced in amplitude and high frequencies boosted. On playback, the opposite occurs. For 33/45rpm records the formula used for this is the RIAA standard. Prior to this, there were any number of different equalisations standard. You should be able to get an approximation to the one used for recording by applying a filter to the save file (ie. you apply a further equalisation *on top of* the RIAA equalisation that your turntable/preamplifier will have applied, in order to achieve the desired actual equalisation). I can probably find a reference to sample 78rpm equalisations used, if that's of interest. http://en.wikipedia.org/wiki/Equalisation#Uses is also of interest. HTH Jon N |
#10
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Recording from damaged 78rpm record
andrew wrote:
Whilst clearing out the loft at my mother's old house I have come across some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. I think they are directly scribed into the plastic which is in poor nick, possibly some mould growth. The discs are "Zenith Universal Recorder" and probably done in some sort of booth. I shall try and record them directly to wav files but before I attempt that what precautions need I take? I have a problem in that my record deck only has 33 and 45 rpm. Was mono 78 simply an amplitude modulation by depth of the needle? Think its lateral. And a fairly big needle You CAN get compatible needles to plug into standard cartridiges, and there are still decks around that do 78. AJH |
#11
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Recording from damaged 78rpm record
geoff wrote:
In message , andrew writes Whilst clearing out the loft at my mother's old house I have come across some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. I think they are directly scribed into the plastic which is in poor nick, possibly some mould growth. The discs are "Zenith Universal Recorder" and probably done in some sort of booth. I shall try and record them directly to wav files but before I attempt that what precautions need I take? I have a problem in that my record deck only has 33 and 45 rpm. Was mono 78 simply an amplitude modulation by depth of the needle? You could always buy one of these http://www.firebox.com/product/1401/USB-Turntable prolly cheaper elsewhere and you can get 78 needles for them Brilliant, thanks for that link. I've loads of LPs that I wish to put on the PC and couldn't be bothered playing with converting. This appears to be just the ticket. |
#12
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Recording from damaged 78rpm record
On Sun, 7 Jun 2009 19:42:26 +0100, Clot wrote:
geoff wrote: In message , andrew writes Whilst clearing out the loft at my mother's old house I have come across some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. I think they are directly scribed into the plastic which is in poor nick, possibly some mould growth. The discs are "Zenith Universal Recorder" and probably done in some sort of booth. I shall try and record them directly to wav files but before I attempt that what precautions need I take? I have a problem in that my record deck only has 33 and 45 rpm. Was mono 78 simply an amplitude modulation by depth of the needle? You could always buy one of these http://www.firebox.com/product/1401/USB-Turntable prolly cheaper elsewhere and you can get 78 needles for them Brilliant, thanks for that link. I've loads of LPs that I wish to put on the PC and couldn't be bothered playing with converting. This appears to be just the ticket. £59.99 at Maplins SteveW |
#13
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Recording from damaged 78rpm record
The Natural Philosopher wrote:
andrew wrote: Whilst clearing out the loft at my mother's old house I have come across some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. I think they are directly scribed into the plastic which is in poor nick, possibly some mould growth. The discs are "Zenith Universal Recorder" and probably done in some sort of booth. I shall try and record them directly to wav files but before I attempt that what precautions need I take? I have a problem in that my record deck only has 33 and 45 rpm. Was mono 78 simply an amplitude modulation by depth of the needle? Think its lateral. And a fairly big needle You CAN get compatible needles to plug into standard cartridiges, and there are still decks around that do 78. Worth mentioning that you may still get better results from micing up a real 78 record player. The difference in the weight of the tone arm can make recordings from modern decks sound very light and scratchy. There is also commercial softwa http://www.dartpro.com/ that makes quite a good job of automatic scratch removal. -- Cheers, John. /================================================== ===============\ | Internode Ltd - http://www.internode.co.uk | |-----------------------------------------------------------------| | John Rumm - john(at)internode(dot)co(dot)uk | \================================================= ================/ |
#14
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Recording from damaged 78rpm record
andrew wrote:
Whilst clearing out the loft at my mother's old house I have come across some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. I think they are directly scribed into the plastic which is in poor nick, possibly some mould growth. The discs are "Zenith Universal Recorder" and probably done in some sort of booth. I shall try and record them directly to wav files but before I attempt that what precautions need I take? I have a problem in that my record deck only has 33 and 45 rpm. Was mono 78 simply an amplitude modulation by depth of the needle? AJH Try posting the same question in rec.audio.pro You have two issues: 1. Getting the cleanest possible signal (audio) from the 78s 2. Post processing the signal. The post processing is relatively easy (hm), well you can take as many goes at is without damaging anything. Getting the originals into digital format is the challenge, but I see you've already spotted that. I did a similar project recently, and bought a 78 player to make sure I got proper results. What route you go down depends ultimately on the value you place on the recordings. |
#15
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Recording from damaged 78rpm record
In message , John
Rumm writes The Natural Philosopher wrote: andrew wrote: Whilst clearing out the loft at my mother's old house I have come across some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. I think they are directly scribed into the plastic which is in poor nick, possibly some mould growth. The discs are "Zenith Universal Recorder" and probably done in some sort of booth. I shall try and record them directly to wav files but before I attempt that what precautions need I take? I have a problem in that my record deck only has 33 and 45 rpm. Was mono 78 simply an amplitude modulation by depth of the needle? Think its lateral. And a fairly big needle You CAN get compatible needles to plug into standard cartridiges, and there are still decks around that do 78. Worth mentioning that you may still get better results from micing up a real 78 record player. The difference in the weight of the tone arm can make recordings from modern decks sound very light and scratchy. There is also commercial softwa http://www.dartpro.com/ that makes quite a good job of automatic scratch removal. There are any number of winamp anti scratch plugins too -- geoff |
#16
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Recording from damaged 78rpm record
On 7 June, 21:13, John Rumm wrote:
The Natural Philosopher wrote: andrew wrote: Whilst clearing out the loft at my mother's old house I have come across some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. I think they are directly scribed into the plastic which is in poor nick, possibly some mould growth. The discs are "Zenith Universal Recorder" and probably done in some sort of booth. I shall try and record them directly to wav files but before I attempt that what precautions need I take? I have a problem in that my record deck only has 33 and 45 rpm. Was mono 78 simply an amplitude modulation by depth of the needle? Think its lateral. And a fairly big needle You CAN get compatible needles to plug into standard cartridiges, and there are still decks around that do 78. Worth mentioning that you may still get better results from micing up a real 78 record player. The difference in the weight of the tone arm can make recordings from modern decks sound very light and scratchy. There is also commercial softwa http://www.dartpro.com/ that makes quite a good job of automatic scratch removal. -- Cheers, John. /================================================== ===============\ | * * * * *Internode Ltd - *http://www.internode.co.uk* * * * * *| |-----------------------------------------------------------------| | * * * *John Rumm - john(at)internode(dot)co(dot)uk * * * * * * *| \================================================= ================/ If you want to get really serious Computer Enhanced Digital Audio Restoration, CEDAR http://www.cedar-audio.com Adam |
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Recording from damaged 78rpm record
In message
, Adam Aglionby writes On 7 June, 21:13, John Rumm wrote: The Natural Philosopher wrote: andrew wrote: Whilst clearing out the loft at my mother's old house I have come across some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. I think they are directly scribed into the plastic which is in poor nick, possibly some mould growth. The discs are "Zenith Universal Recorder" and probably done in some sort of booth. I shall try and record them directly to wav files but before I attempt that what precautions need I take? I have a problem in that my record deck only has 33 and 45 rpm. Was mono 78 simply an amplitude modulation by depth of the needle? Think its lateral. And a fairly big needle You CAN get compatible needles to plug into standard cartridiges, and there are still decks around that do 78. Worth mentioning that you may still get better results from micing up a real 78 record player. The difference in the weight of the tone arm can make recordings from modern decks sound very light and scratchy. There is also commercial softwa http://www.dartpro.com/ that makes quite a good job of automatic scratch removal. -- Cheers, John. If you want to get really serious Computer Enhanced Digital Audio Restoration, CEDAR http://www.cedar-audio.com Err, lets think about this - he has a few old recordings from a relative which he wants to restore in a sort of hobby fashion Ask yourself if this really might be the best engineering solution, i.e. cost effective ? I rather think not, don't you ? -- geoff |
#18
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Recording from damaged 78rpm record
On 7 June, 23:37, geoff wrote:
In message , Adam Aglionby writes On 7 June, 21:13, John Rumm wrote: The Natural Philosopher wrote: andrew wrote: Whilst clearing out the loft at my mother's old house I have come across some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. I think they are directly scribed into the plastic which is in poor nick, possibly some mould growth. The discs are "Zenith Universal Recorder" and probably done in some sort of booth. I shall try and record them directly to wav files but before I attempt that what precautions need I take? I have a problem in that my record deck only has 33 and 45 rpm. Was mono 78 simply an amplitude modulation by depth of the needle? Think its lateral. And a fairly big needle You CAN get compatible needles to plug into standard cartridiges, and there are still decks around that do 78. Worth mentioning that you may still get better results from micing up a real 78 record player. The difference in the weight of the tone arm can make recordings from modern decks sound very light and scratchy. There is also commercial softwa http://www.dartpro.com/ that makes quite a good job of automatic scratch removal. -- Cheers, John. If you want to get really serious Computer Enhanced Digital Audio Restoration, CEDAR http://www.cedar-audio.com Err, lets think about this - he has a few old recordings from a relative which he wants to restore in a sort of hobby fashion Ask yourself if this really might be the best engineering solution, i.e. cost effective ? I rather think not, don't you ? -- geoff whoosh.... |
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Recording from damaged 78rpm record
On 7 June, 23:37, geoff wrote:
In message , Adam Aglionby writes On 7 June, 21:13, John Rumm wrote: The Natural Philosopher wrote: andrew wrote: Whilst clearing out the loft at my mother's old house I have come across some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. I think they are directly scribed into the plastic which is in poor nick, possibly some mould growth. The discs are "Zenith Universal Recorder" and probably done in some sort of booth. I shall try and record them directly to wav files but before I attempt that what precautions need I take? I have a problem in that my record deck only has 33 and 45 rpm. Was mono 78 simply an amplitude modulation by depth of the needle? Think its lateral. And a fairly big needle You CAN get compatible needles to plug into standard cartridiges, and there are still decks around that do 78. Worth mentioning that you may still get better results from micing up a real 78 record player. The difference in the weight of the tone arm can make recordings from modern decks sound very light and scratchy. There is also commercial softwa http://www.dartpro.com/ that makes quite a good job of automatic scratch removal. -- Cheers, John. If you want to get really serious Computer Enhanced Digital Audio Restoration, CEDAR http://www.cedar-audio.com Err, lets think about this - he has a few old recordings from a relative which he wants to restore in a sort of hobby fashion Ask yourself if this really might be the best engineering solution, i.e. cost effective ? I rather think not, don't you ? -- geoff Sorry thought heard a sound rush past. To get the best source possibly non contact, laser reading might be best before feeding to the CEDAR rack server: http://www.elpj.com About 14K USD apparently think CEDAR modules start at around 8K UKP , " best engineering solution" is undoubtedly CEDAR , its what others seek to emulate. At the less expensive end of things garbage in garbage out, getting the best transcription of source means less cleaning up afterwards. Convenience with a sub £60 tutntable, with built in sound card and EQ as well, depends what your wanting to transcribe TBH... Lot of good quality turntables go for little money nowadays and with a decent cartridge will certainly make a lot better result. Adam |
#20
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Recording from damaged 78rpm record
andrew wrote:
Whilst clearing out the loft at my mother's old house I have come across some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. I think they are directly scribed into the plastic which is in poor nick, possibly some mould growth. The discs are "Zenith Universal Recorder" and probably done in some sort of booth. I shall try and record them directly to wav files but before I attempt that what precautions need I take? I have a problem in that my record deck only has 33 and 45 rpm. Was mono 78 simply an amplitude modulation by depth of the needle? AJH IIRC a wiki article on this was written, you might look at the audacity wiki to see if its there. Needle: 78s used a bigger needle, but can still be played with a modern stereo needle. The profile will be wrong, but OTOH you'll not be playing the badly worn parts of the groove. This is why studio transcription is done with a fair range of needle sizes, picking whichever one gives the best result for each record. You can get 78 styli for some modernish cartridges. Equalisation: Audacity has several built in 78 eq curves. But... 1. if you change speed, your eq will be all wrong and none of the curves apply, just have to do it by ear. 2. a novelty booth in 1940s is unlikely to have made any attempt to conform to any of the eq schemes in popular use at the time. Cleaning: old records can be cleaned, but NEVER use alcohol on 78s. Since its not a moulded disc it wont be shellac anyway, but something rather softer, so be even more wary about cleaning it. Speed: Some pre-war discs were 80rpm, but I think by the 40s they'd be 78. OTOH a booth recording could easily have been a few rpm off and have varied with cutter position. so there's lttle point getting fussy about speed. Audacity has pretty much everything you need to do the job. NT |
#21
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Recording from damaged 78rpm record
On 8 Jun 2009 08:18:55 GMT, Huge wrote:
It's still a slow, tedious and painful process. I've been lazy. Most of the records I want to digitise are available on the net in mp3 already.. Probably worth checking before you do your own. If they're not of good enough quality THEN try it yourself. |
#22
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Recording from damaged 78rpm record
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#23
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Recording from damaged 78rpm record
On 2009-06-07, Clot wrote:
geoff wrote: In message , andrew writes Whilst clearing out the loft at my mother's old house I have come across some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. I think they are directly scribed into the plastic which is in poor nick, possibly some mould growth. The discs are "Zenith Universal Recorder" and probably done in some sort of booth. I shall try and record them directly to wav files but before I attempt that what precautions need I take? I have a problem in that my record deck only has 33 and 45 rpm. Was mono 78 simply an amplitude modulation by depth of the needle? You could always buy one of these http://www.firebox.com/product/1401/USB-Turntable prolly cheaper elsewhere and you can get 78 needles for them Brilliant, thanks for that link. I've loads of LPs that I wish to put on the PC and couldn't be bothered playing with converting. This appears to be just the ticket. snip its ok for a 78 or two, they dont take long, but for bulk digitising of vinyl media collections you're looking at maybe 4 hours per album to do a decent job of it... not very practical. NT |
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Recording from damaged 78rpm record
Adam Aglionby wrote:
On 7 June, 23:37, geoff wrote: In message , Adam Aglionby writes On 7 June, 21:13, John Rumm wrote: The Natural Philosopher wrote: andrew wrote: Whilst clearing out the loft at my mother's old house I have come across some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. I think they are directly scribed into the plastic which is in poor nick, possibly some mould growth. The discs are "Zenith Universal Recorder" and probably done in some sort of booth. I shall try and record them directly to wav files but before I attempt that huge snip To get the best source possibly non contact, laser reading might be best before feeding to the CEDAR rack server: physical needles push a fair amount of dust & dirt out of the way. A laser interprets it all as sound instead. NT |
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Recording from damaged 78rpm record
Steve Walker wrote:
On Sun, 7 Jun 2009 19:42:26 +0100, Clot wrote: geoff wrote: In message , andrew writes Whilst clearing out the loft at my mother's old house I have come across some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. I think they are directly scribed into the plastic which is in poor nick, possibly some mould growth. The discs are "Zenith Universal Recorder" and probably done in some sort of booth. I shall try and record them directly to wav files but before I attempt that what precautions need I take? I have a problem in that my record deck only has 33 and 45 rpm. Was mono 78 simply an amplitude modulation by depth of the needle? You could always buy one of these http://www.firebox.com/product/1401/USB-Turntable prolly cheaper elsewhere and you can get 78 needles for them Brilliant, thanks for that link. I've loads of LPs that I wish to put on the PC and couldn't be bothered playing with converting. This appears to be just the ticket. £59.99 at Maplins SteveW £49.99 At Aldi on Sunday! Reports to work with 78's too http://www.aldi.co.uk/uk/html/offers/2827_10015.htm Toby... |
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Recording from damaged 78rpm record
On Jun 8, 11:49*am, wrote:
On 2009-06-07, Clot wrote: geoff wrote: In message , andrew writes Whilst clearing out the loft at my mother's old house I have come across some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. I think they are directly scribed into the plastic which is in poor nick, possibly some mould growth. The discs are "Zenith Universal Recorder" and probably done in some sort of booth. I shall try and record them directly to wav files but before I attempt that what precautions need I take? I have a problem in that my record deck only has 33 and 45 rpm. Was mono 78 simply an amplitude modulation by depth of the needle? You could always buy one of these http://www.firebox.com/product/1401/USB-Turntable prolly cheaper elsewhere and you can get 78 needles for them Brilliant, thanks for that link. I've loads of LPs that I wish to put on the PC and couldn't be bothered playing with converting. This appears to be just the ticket. snip its ok for a 78 or two, they dont take long, But you might have to splice them together. I remember an old 78 recording* where you could hear that the orchestra stopped dead at the end of each side - the echo died away afterwards. You'd need to join them up with an overlap. Robert * Beethoven's Eroica in fact |
#27
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Recording from damaged 78rpm record
andrew wrote:
Whilst clearing out the loft at my mother's old house I have come across some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. I think they are directly scribed into the plastic which is in poor nick, possibly some mould growth. The discs are "Zenith Universal Recorder" and probably done in some sort of booth. I shall try and record them directly to wav files but before I attempt that what precautions need I take? I have a problem in that my record deck only has 33 and 45 rpm. Was mono 78 simply an amplitude modulation by depth of the needle? These are fragile disks, playing them can cause damage so you need to be fairly sure that you have things set up properly before you start. As others have said, the stylus needs to be specifically designed for 78s. Don't try using the 33/45 rpm stylus because it will go to the bottom of the groove and cause damage or scrape up the muck. Those Ion turntables are absolute rubbish, a waste of money in almost very respect. If you could get hold of a 78 turntable + cartridge and stylus with a pre-amp and feed that into the line input on your Mac you would do much better. OTOH if you were familiar with audio equipment I guess you would have worked this out for yourself. A new 78rpm cartridge and stylus will cost about £150. A decent turntable could be as low as £40 with tonearm, if you're lucky you might get a cartridge with it. |
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Recording from damaged 78rpm record
RobertL wrote:
On Jun 8, 11:49*am, wrote: On 2009-06-07, Clot wrote: geoff wrote: In message , andrew writes Whilst clearing out the loft at my mother's old house I have come across some records. These were made in America in 1942 by her brother who was training as RAF bomber crew. He died shortly after. |
#29
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Recording from damaged 78rpm record
If you play them back at 45 and use software to speed the recordings
up to normal, you will lose the top frequencies. in accordance with the ratio 45:78 I'd definitely obtain a 78rpm player. Tony |
#30
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Recording from damaged 78rpm record
tonyjeffs wrote:
If you play them back at 45 and use software to speed the recordings up to normal, you will lose the top frequencies. in accordance with the ratio 45:78 I'd definitely obtain a 78rpm player. Tony that would be true for vinyl, but not 78s. Their recorded bandwidth is a long way shy of 20kHz. NT |
#31
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Recording from damaged 78rpm record
On Mon, 8 Jun 2009 19:47:29 -0700 (PDT), tonyjeffs wrote:
If you play them back at 45 and use software to speed the recordings up to normal, you will lose the top frequencies. Explain? Original recorded 78 sound = 5kHz Played at 78, frequency reproduced = 5kHz Played at 45, frequency reproduced = 2.88kHz Digitally speed up by 1.73, frequency = 4.98kHz Close enough for Jazz... -- Cheers Dave. |
#32
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Recording from damaged 78rpm record
In article
, tonyjeffs wrote: If you play them back at 45 and use software to speed the recordings up to normal, you will lose the top frequencies. in accordance with the ratio 45:78 Think that's apex over posterior. You might lose the extreme bottom end through this - not the top. But it's very unlikely there is much of either in this case. -- *Go the extra mile. It makes your boss look like an incompetent slacker * Dave Plowman London SW To e-mail, change noise into sound. |
#33
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Recording from damaged 78rpm record
tonyjeffs wrote:
If you play them back at 45 and use software to speed the recordings up to normal, you will lose the top frequencies. in accordance with the ratio 45:78 I'd definitely obtain a 78rpm player. Tony What top frequencies would those be then, on a 78rpm? typically 200-3khz if that. Actually you get *better* top frequencies that way...;-) |
#34
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Recording from damaged 78rpm record
In article ,
The Natural Philosopher wrote: What top frequencies would those be then, on a 78rpm? typically 200-3khz if that. Depends. 78s were actually produced much later than many think. Pye even making them out of vinyl. 10kHz plus isn't unknown. But something out of a booth could be no better than telephone quality. -- *Atheism is a non-prophet organization. Dave Plowman London SW To e-mail, change noise into sound. |
#35
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Recording from damaged 78rpm record
Dave Plowman (News) wrote:
In article , The Natural Philosopher wrote: What top frequencies would those be then, on a 78rpm? typically 200-3khz if that. Depends. 78s were actually produced much later than many think. Pye even making them out of vinyl. 10kHz plus isn't unknown. But something out of a booth could be no better than telephone quality. I once took some stuff off an old wire recorder for a friend..some speeches of his fathers.. and put them on cassette. I ran the whole think straight of the replay head, as the electronics had died, and used a graphic equaliser to try and get some sort of reasonable balance. ISTR I built a basic equaliser as well..to cope with the innate equalisation. To be honest it didn't replace what wasn't there in the first place, but a reasonably hiss free and un-tinny tape resulted. |
#36
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Recording from damaged 78rpm record
In article ,
The Natural Philosopher wrote: Dave Plowman (News) wrote: In article , The Natural Philosopher wrote: What top frequencies would those be then, on a 78rpm? typically 200-3khz if that. Depends. 78s were actually produced much later than many think. Pye even making them out of vinyl. 10kHz plus isn't unknown. But something out of a booth could be no better than telephone quality. I once took some stuff off an old wire recorder for a friend..some speeches of his fathers.. and put them on cassette. I ran the whole think straight of the replay head, as the electronics had died, and used a graphic equaliser to try and get some sort of reasonable balance. ISTR I built a basic equaliser as well..to cope with the innate equalisation. Good grief. I've only ever seen one in a museum. ;-) To be honest it didn't replace what wasn't there in the first place, but a reasonably hiss free and un-tinny tape resulted. They must have been reasonable for speech at least since the BBC used them for some time. Although they had disc recording too. -- *We are born naked, wet, and hungry. Then things get worse. Dave Plowman London SW To e-mail, change noise into sound. |
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