Metalworking (rec.crafts.metalworking) Discuss various aspects of working with metal, such as machining, welding, metal joining, screwing, casting, hardening/tempering, blacksmithing/forging, spinning and hammer work, sheet metal work.

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Frank J Warner
 
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Default Die polishing stones?

I'm seeking advice about die polishing stones such as those found he

http://www.borideabrasives.com/bor_molddie_stones.html

I recently heard of their use from another knifemaker, who uses them to
polish grinding belt scratches out of the flats of his blades.
Apparently, they keep grind lines crisp and sharp, and help avoid
rolled edges, both difficult to do with wet & dry papers and wooden
sanding blocks.

I've never used these stones before, although I've read the FAQ for
them he

http://www.borideabrasives.com/bor_m...chinfo_01.html

There are several different types of polishing stones made for
different purposes. Which ones (brand & material) are best for carbon
and/or stainless steels? Before heat treat? After HT?

What grits do I need (which grits are available)? What lubricants? Do
you store the stones in lubricant? What is the expected life of a
typical stone when it's used correctly? Any special techniques to using
them?

Lots of questions, I know, but these things do sound intriguing and I'm
interested in anything that can help me build a hand-made knife better
and faster.

-Frank

--
fwarner1-at-franksknives-dot-com
Here's some of my work:
http://www.franksknives.com/
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Robin S.
 
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"Frank J Warner" wrote in message
...
I'm seeking advice about die polishing stones such as those found he


At work we use red 40g AlO stones for roughing. The ones we use are loosly
bound so they break down quickly (exposing new/sharp crystals quickly, and
conforming to the contours of the die) Mind out, we have to polish down
milled surfaces so you may not require such an aggressive stone.

Next is a 60g SiC stone, and then an 80g SiC stone. These are used to remove
the scratch marks from the 40g (and 60g). You'll always need a good
assortment of stones as you must completely remove the scratch marks from
the previous stone. This becomes very slow (and stoning is slow enough) when
you jump grits.

For semi-finishing, we use a 100g grey AlO stone. Once this is done, 220g,
320g, 400g and 600g sandpaper is used. While this series results in a
*smooth* surface, they aren't typically cosmetically smooth - you can still
see scratch marks.

For final polishing of draw surfaces (nearly mirror), we use while AlOx
stones, although I don't know what grit (320g comes to mind) as I have never
had to do the final polish on a draw die. This is slow, typically taking
more than two weeks for a couple of guys on two shifts.

As for technique, dies require consistant surfaces. Stoning in only one
direction will cause a surface, that should be flat, to become warped. We
call these low spots "holes" although they are only thousandths or
ten-thousandths of an inch deep. To prevent these holes, a crosshatch
pattern is used when possible (not usually possible on smaller rads) where a
surface is stoned at a certain angle, then the angle of motion is changed -
typically between 30º and 45º. This obviously gives a crosshatched pattern,
and a flat surface. Change directions consistantly. I typically give the
surface a healthy once-over in one direction, then change (this cycle may
need to be repeated tens of times).

Of course, use lube if the stone requires it. Oil stones don't come apart
easily so they load quickly and will stop cutting if used dry. Dry stones
can be tapped flatly on a surface to unload them, although good technique
should stop the loading. You should be able to feel it when the stone is
cutting as opposed to when it is rubbing (due to being loaded). You should
not be affriad to push reasonably hard.

Now, we polish surfaces that usually exceed 2 square metres so polishing
little knives will be slightly different.

The above is worth exactly what you paid for it. HTH.

Regards,

Robin


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Stephen Nixon
 
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this may help

http://www.engnath.com/public/stoned.htm

A little write up by Bob Engnath about using stones for knives. There is a
lot of good info at http://www.engnath.com/.

Stephen Nixon





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In rec.knives Robin S. wrote:
snip, wow that was really cool stuff! thanks
Robin


Some of that applies to knife sharpening... when I have time,
I want to go into this further.

Alvin in AZ
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Frank J Warner
 
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In article , Robin S.
wrote:

"Frank J Warner" wrote in message
...
I'm seeking advice about die polishing stones such as those found he


At work we use red 40g AlO stones for roughing. The ones we use are loosly
bound so they break down quickly (exposing new/sharp crystals quickly, and
conforming to the contours of the die) Mind out, we have to polish down
milled surfaces so you may not require such an aggressive stone.

Next is a 60g SiC stone, and then an 80g SiC stone. These are used to remove
the scratch marks from the 40g (and 60g). You'll always need a good
assortment of stones as you must completely remove the scratch marks from
the previous stone. This becomes very slow (and stoning is slow enough) when
you jump grits.

For semi-finishing, we use a 100g grey AlO stone. Once this is done, 220g,
320g, 400g and 600g sandpaper is used. While this series results in a
*smooth* surface, they aren't typically cosmetically smooth - you can still
see scratch marks.

For final polishing of draw surfaces (nearly mirror), we use while AlOx
stones, although I don't know what grit (320g comes to mind) as I have never
had to do the final polish on a draw die. This is slow, typically taking
more than two weeks for a couple of guys on two shifts.

As for technique, dies require consistant surfaces. Stoning in only one
direction will cause a surface, that should be flat, to become warped. We
call these low spots "holes" although they are only thousandths or
ten-thousandths of an inch deep. To prevent these holes, a crosshatch
pattern is used when possible (not usually possible on smaller rads) where a
surface is stoned at a certain angle, then the angle of motion is changed -
typically between 30º and 45º. This obviously gives a crosshatched pattern,
and a flat surface. Change directions consistantly. I typically give the
surface a healthy once-over in one direction, then change (this cycle may
need to be repeated tens of times).

Of course, use lube if the stone requires it. Oil stones don't come apart
easily so they load quickly and will stop cutting if used dry. Dry stones
can be tapped flatly on a surface to unload them, although good technique
should stop the loading. You should be able to feel it when the stone is
cutting as opposed to when it is rubbing (due to being loaded). You should
not be affriad to push reasonably hard.

Now, we polish surfaces that usually exceed 2 square metres so polishing
little knives will be slightly different.

The above is worth exactly what you paid for it. HTH.

Regards,

Robin


That's great info, Robin. Worth way more than I paid

I typically take my blades to 320 or 400 grit on the belt grinder, then
finish by hand. I often find myself going back a few grits with wet &
dry papers, to 180 or so, when I discover deep scratches that the belt
didn't get out. This often affects the character of my grind lines and
edges. And, rather than creating "holes," I get "hills," or flats that
should be perfectly flat but are actually slightly convex. I'm thinking
a set of stones from 150g up to about 600 would reduce some of these
problems.

The stones come in various sizes. Which do you prefer? I.e., 1/4" x
1/4", 1/4" x 1/2", etc.

They are used exclusively by hand? No holders, handles and so on? Are
die grinders a completely different thing?

Any light machine oil good for lube? Kerosene (the Engnath site
mentions that) okay? 3-in-1 oil? Tap-magic?

I appreciate the time you're taking with this.

-Frank

--
fwarner1-at-franksknives-dot-com
Here's some of my work:
http://www.franksknives.com/


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Robin S.
 
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"Frank J Warner" wrote in message
...

The stones come in various sizes. Which do you prefer? I.e., 1/4" x
1/4", 1/4" x 1/2", etc.


Our stones are typically 1x2x8" or so, but of course our dies are slightly
larger than your knives.


They are used exclusively by hand? No holders, handles and so on? Are
die grinders a completely different thing?


As I understand, there are stoning machines. Something like a hand-held
power scraper, although I've never seen one. Pausing for too long with a
powered tool could cause some major issues for us. Not sure about knife
making though.

A die grinder is something like a drill, but it spins in excess of 20,000
RPM (drills typically max out at about 3,000). You use either a mounted
stone (mounted to a 1/4" steel post) or a carbide burr. You can google these
items to see what they are.

While we regularily use die grinders to create flat surfaces (using the
crosshatching pattern), this technique cannot be explained. I'd have to show
you (which I cannot). If you become handy with a die grinder, you can do
some very impressive work. You may also want a disc grinder, although they
are typically more aggressive.


Any light machine oil good for lube? Kerosene (the Engnath site
mentions that) okay? 3-in-1 oil? Tap-magic?


We use WD-40. Kerosene would be good also. I use EDM fluid where I am now as
we don't have WD-40. However, we only use lube with "oil stones". The others
I mentioned do not require such lubrication...

You should probably at least try what the manufacturer suggests to use,
unless it's really expensive.


I appreciate the time you're taking with this.


Well, I might as well put those weeks of polishing dies for good use... See:

http://www.mwag.com/web/produkte/wer...prod_gross.cfm

(not us, but we do very similar work. The top right-hand pics are of a body
side draw die)

Your website is very impressive. Your knives look beautiful.

Regards,

Robin


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