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Metalworking (rec.crafts.metalworking) Discuss various aspects of working with metal, such as machining, welding, metal joining, screwing, casting, hardening/tempering, blacksmithing/forging, spinning and hammer work, sheet metal work. |
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Hadron Collider back online
"cavelamb" wrote in message m... Ed Huntress wrote: OK, Martin. I just finished reading a fairly weighty book that put M-theory into context, and I'm aware of the current developments in the algebra of branes, but I'm certainly not going to argue it with you. For me, it would be even nuttier than arguing about global warming. I know nothing about the depths of climatology and I know even less about theoretical physics. And the more I read (a fair amount for a layman) the more I realize that I don't know. The interesting thing is that I've reached the point where it appears that no one else knows, either. g You win the big prize, Ed. Anything from the top shelf. There is what you know that you know, What you know you don't know, What you don't know you know, And what you don't know you don't know. That last one trips up so many people, so often... g I read these books, like I read journal articles about medical research and a couple about climatology, and except for the medicine, I can't say I know any more about the first and last subjects than I knew beforehand. But there is a benefit to it. One is something you suggest above, which is to get a better idea of what you don't know -- even if you know you'll never know it. In theoretical physics it can be a real eye-opener to read a good layman's account of the current state of the art, because the sheer volume of things I don't know is enough to warn me off from trying too hard. That doubtless has saved me a lot of time and frustration. d8-) There's something else, which I've thought of writing about but I can't quite put it down yet. It's something like music. If you're lucky enough to get your hands on a really well-written book that's a bit over your head, about a subject that's way over your head, it might communicate the music, or maybe the poetry, of the subject. And that can give you a strong idea of what the subject contains, what kinds of people are doing it, what they know and not, and what they want to know and maybe will, or maybe won't, at some future time. In other words, you can get the geography, or something like that, of a field, even when you won't ever be able to do it yourself. I like that about Smolin's book about physics, for example. It's beautifully written and musical as hell. Or poetic. But I don't really know any more about theoretical physics, per se, having read it. I think I know what I really need to know about the subject, however; not its content, but its phenomenology. But that word maybe is too grand for what I mean. This happens to me often when I'm reading 20th century German philosophy or French literary theory, too. Great music, but I still don't know what they're talking about. g Anyway, if I ever can find the right words to describe it, I'll try to do something with the idea. -- Ed Huntress |
#2
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Hadron Collider back online
Ed Huntress wrote:
"cavelamb" wrote in message m... Ed Huntress wrote: OK, Martin. I just finished reading a fairly weighty book that put M-theory into context, and I'm aware of the current developments in the algebra of branes, but I'm certainly not going to argue it with you. For me, it would be even nuttier than arguing about global warming. I know nothing about the depths of climatology and I know even less about theoretical physics. And the more I read (a fair amount for a layman) the more I realize that I don't know. The interesting thing is that I've reached the point where it appears that no one else knows, either. g You win the big prize, Ed. Anything from the top shelf. There is what you know that you know, What you know you don't know, What you don't know you know, And what you don't know you don't know. That last one trips up so many people, so often... g I read these books, like I read journal articles about medical research and a couple about climatology, and except for the medicine, I can't say I know any more about the first and last subjects than I knew beforehand. But there is a benefit to it. One is something you suggest above, which is to get a better idea of what you don't know -- even if you know you'll never know it. In theoretical physics it can be a real eye-opener to read a good layman's account of the current state of the art, because the sheer volume of things I don't know is enough to warn me off from trying too hard. That doubtless has saved me a lot of time and frustration. d8-) There's something else, which I've thought of writing about but I can't quite put it down yet. It's something like music. If you're lucky enough to get your hands on a really well-written book that's a bit over your head, about a subject that's way over your head, it might communicate the music, or maybe the poetry, of the subject. And that can give you a strong idea of what the subject contains, what kinds of people are doing it, what they know and not, and what they want to know and maybe will, or maybe won't, at some future time. In other words, you can get the geography, or something like that, of a field, even when you won't ever be able to do it yourself. I like that about Smolin's book about physics, for example. It's beautifully written and musical as hell. Or poetic. But I don't really know any more about theoretical physics, per se, having read it. I think I know what I really need to know about the subject, however; not its content, but its phenomenology. But that word maybe is too grand for what I mean. This happens to me often when I'm reading 20th century German philosophy or French literary theory, too. Great music, but I still don't know what they're talking about. g Anyway, if I ever can find the right words to describe it, I'll try to do something with the idea. I think you have a pretty good start right there. |
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