There is some benefit to getting feedback on pieces from more experienced
turners. When I turn a piece and something doesn't look quite right but I
can't put my finger on why - another set of eyes and another perspective can
be helpful.

Turning is The Wild West of woodworking, and unlike "flat work", there are
almost limitless possibilities - and just as many ways of getting there. As
a result, while some may try and impose DOGMA, there are just too many
anarchist turners who go their own way - and often inspire others to do the
same. Alas, The Life Of Brian (see Montey Python) Syndrome, "Tells Us What
To Do (and how to do it) - Master!" kicks in and some folks want to become
Apostles (read "followers of") - which leads to many turning "churches" and
all that goes with them (Thou Shalt & Thou Shalt Not, MINE is the ONLY TRUE
WAY).

So many turners are trending towards "multi-media" pieces and that's a good
thing if it permits them to make an idea or feeling into an object others
can see and perhaps feel something other than "oh look - wood (fill in the
blank)". While I personally don't find a bandsawn chunk of wood that's been
charred, a concave hemisphere turned into a facet on the charred chunk of
wood - that's been painted bright RED! - it did provoke a response - UGHHH!
I prefer things that have an interesting first impression followed by a lot
closer look and some thinking. And if it brings a smile - even better. AND
- if it gets me to want to try and figure out how the hell it was done . . .

I've ordered a MiniMonster captured hollowing systems that may change what I
turn and having access to a laser engraver/cutter opens up some possibiiies.

The wonderful thing about turning is there are so many possibilities and so
many ways to get there - and half the fun is discovering.

charlie b