On Sun, 10 Feb 2008 01:40:36 GMT, "Darrell Feltmate"
wrote:

Mac
I am not sure about the idea that creativity can not be learned. Some of
that, I think, belongs in the realm of similar consideration of a typical
guitar player versus a Segovia. Both could practice for hours on end and
Segovia would still outplay the other by way of talent if not genius. This
does not mean that the other was not a creative and talented player, just
that the levels are different.
Most turning is looking at the piece as it spins and picturing it rotated
90* and not moving, then considering what would happen if a little or a lot
was removed from a certain area in a certain fashion. Experience and
repetition allows a freedom in decision and hopefully a leap of insight and
intuition that results in a finer turning.
Too much of the time turners, in my opinion, look to turnings for creative
inspiration. There are a myriad of round forms out there to consider.
Pottery, ceramics, sculpture, plants, animals, seashells, and lots of other
things come to mind. Asking what makes one deer in my backyard look
different from the others may give insight into line and form that a half
dozen hollow forms just do not.
Art classes are designed to turn out competent artists, not Van Goghs,
except as a spectacular accident. However, a competent artist has learned
somewhat of creativity. Perhaps turners too can learn a bit of creativity.
Besides, if man is created in the image of God the creator, should there not
be a spark of creativity in us? Something calls wood turners to create on
the lathe.

I must be the exception to the rule, Darrell.. After a semester of art school,
it was suggested that I was wasting my time..
I can't draw at all and mixing colors eluded me..

Those with "normal" or above drawing skills did fine..


And yes, experience and repetition make you better at refining the form, but not
at visualizing the concept.. I truly think that you're born with that, or you're
not..


mac

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