About Us

L. Credit Where Due T.

On May 30, 9:14 pm, "L. Credit Where Due T."
wrote:
I noted the Boll**** Hyena's Rationale:

Boll-tone Rationale:

"If it *was* composed specifically for Maddalena why has it not
been included in regular performance (and recording) practice?"

The above:
False premise and statement poorly disguised as a 'question'.

Boll-tone Boy 'replied' in its usual evasive gibberish, herein
translated to:

Ahem my dear Mr. Tillman, who, along with your dog, I incist
[sicK] on phelllayting @ the syunest, I have dwelt overlong in the in by Boll-Hole, the land of Boll-****, MY land. I are a risible little stuporannuated liar and fuqhead
ill-equipped to deal with real words and real thoughts.

*As* you demonstrate for us repeatedly, Stink. Not that we need
convincing.

I asked -

*Since when are all portions of original versions always included 'in
regular performance (and recording) practice?

Boll runs for cover, re-babbling:

Ahem my dear Mr. Tillman, who, along with your dog, I incist
[sicK] on phelllayting @ the syunest, I have dwelt overlong in the in by Boll-Hole, the land of Boll-****, MY land. I are a risible little stuporannuated liar and fuqhead
ill-equipped to deal with real words and real thoughts.

So you babbled -and re-babbled.
Richard Garmise
You're a know-nothing, a nobody, yet, it's in your power to enrich the
Opera world:
Paul Ferraro
'Cio-Cio-Bollmann's Finale": Slip into your hyaenid-tailored kimono,
make the required 'slicing' with the Ceremonial Blade, - and VOILA!
Gone with the Boll****! At the Permanentest.

At the sincereliestest,
LT

Thread Tools	Search this Thread
Show Printable Version	Search this Thread: Advanced Search
Display Modes
Linear Mode Switch to Hybrid Mode Switch to Threaded Mode

Menu

About Us