In article ,
Michael A. Terrell wrote:
You just keep showing more and more ignrance. All the studio
cameras had RGB outputs. The Vital Industries video switcher
and the Squeeze Zoom had RGB inputs and outputs. The studios
had cameras & monitors only. Master control did every thing
else. Just admit that you are absolutely clueless about what
was done, and how in a NTSC brodcast plant.

So this means any studio vision mixer and switching systems were
also RGB?

Can't you read?

"The Vital Industries video switcher and the Squeeze Zoom had RGB
inputs and outputs." The pair did video mixing, framestore and
special effects.

So this device which did all the normal vision mixer duties only
handled RGB in? Just trying to get clear what you mean.


Sigh. NO. It could handle anything you threw at it. The two Vital
Industries system filled a six foot rack. The Squeeze Zoom was over
$250,000 and the video mixer & effects was around $150,000.

Perhaps I should explain the type of studio I'm used to. Each studio has a
production gallery, sound control, lighting/vision control and a camera
set up area. All separate rooms, but adjoining. Master control handles the
outputs of all the studios and routes that where required.

What you seem to be calling master sounds more akin to a studio gallery.

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