In article ,
Michael A. Terrell wrote:
You just keep showing more and more ignrance. All the studio
cameras had RGB outputs. The Vital Industries video switcher and
the Squeeze Zoom had RGB inputs and outputs. The studios had
cameras & monitors only. Master control did every thing else. Just
admit that you are absolutely clueless about what was done, and how
in a NTSC brodcast plant.

So this means any studio vision mixer and switching systems were also
RGB?


Can't you read?

"The Vital Industries video switcher and the Squeeze Zoom had RGB
inputs and outputs." The pair did video mixing, framestore and special
effects.

So this device which did all the normal vision mixer duties only handled
RGB in? Just trying to get clear what you mean.

The composite output was hard routed to the 7 GHz STL from
Orlando to the transmitter in Orange City. Any tape delayed programming
was at the transmitter site, on a LaCarte system. The live feed was
monitored by the transmitter operator. and could be used at any time, if
needed.

I realize you've never seen the equipment, but your overall ignorance
is annoying. You're more like Phil with every post.

On the contrary. You seem to think the way you've experienced things to be
the only way they were done. And given it seems to have been on a much
smaller operation than I'm talking about, it's you with your head in the
sand.

--
*Life is hard; then you nap

Dave Plowman London SW
To e-mail, change noise into sound.