"Dave Plowman (News)" wrote:

In article ,
Michael A. Terrell wrote:
You just keep showing more and more ignrance. All the studio cameras
had RGB outputs. The Vital Industries video switcher and the Squeeze
Zoom had RGB inputs and outputs. The studios had cameras & monitors
only. Master control did every thing else. Just admit that you are
absolutely clueless about what was done, and how in a NTSC brodcast
plant.

So this means any studio vision mixer and switching systems were also RGB?


Can't you read?

"The Vital Industries video switcher and the Squeeze Zoom had RGB
inputs and outputs." The pair did video mixing, framestore and special
effects. The composite output was hard routed to the 7 GHz STL from
Orlando to the transmitter in Orange City. Any tape delayed programming
was at the transmitter site, on a LaCarte system. The live feed was
monitored by the transmitter operator. and could be used at any time, if
needed.

I realize you've never seen the equipment, but your overall ignorance
is annoying. You're more like Phil with every post.


--
You can't fix stupid. You can't even put a band-aid on it, because it's
Teflon coated.