Leo Lichtman wrote:

Question: On your website, you say you posterize the gray scale, so it
turns into a number of distinct steps. I wonder why you can't just go from
the continuous gray scale to the burn.

The web pages are chronological. "Posterizing" permitted me to see
distinct gray increments/bands. The original image I created was
subsequently copied and various PhotoShop "filters" were applied to
copies, and "filtered" copies again copied and had filters applied to
them. The original posterized bands enable me to see the effects of
various filters more clearly than I could see in unposterized/banded
continuous gray scale gradient.

Now that I have an idea of which filters do what with the posterized
images I can, as you suggest, keep the finer "stepping" which should
refine the laser engraved results. Thanks for the suggestion.

I went to a Makers Faire today - a combination of Burning Man, a Techno
Weenie Convention, a Renaissance Fair and an industrial symposium - with
50,000 attendees a day. While there I spoke with a rep from
Mathematica, a software application mainly for visualizing mathematical
equations and data in a numeric data base. I described my desire to
convert a virtual 3D model into a point of view gray scale image I could
use with Epilog's 3D mode. He'd not tried to do anything like that, but
came up with a method that would work for a hemisphere - in under 10
minutes. I'm going to have to buy Mathematica and see if it'll take in
a SketchUp 3D model and, using the approach I was shown, create 3D gray
scale image file to feed to the Epilog

Like any tool, I've got a learning curve to climb. Based on three 2
hour sessions with the Epilog, I know the basics of what I can get the
Epilog to do. Now I need to learn how to created 3D gray scale images
of ideas I come up with for designs.

Will post updates here as I learn more about using this (laser) tool.

charlie b