Bannerstone wrote:
As for holding the cut offs, I like how David Marks holds the piece down with
the eraser end of a pencil as he makes the cut and then moves the piece away
from the blade.
I'm convinced it is a camera trick or something. If I don't hold my
workpiece as tight as I can, the piece creeps when I'm cutting
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Chris Merrill
(remove the ZZZ to contact me)
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